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Midsummer - hrsbstaff.ednet.ns.ca
Midsummer - hrsbstaff.ednet.ns.ca

...  During this time, Puck sees bottom and transforms him into an ass-head  Titania was given the love potion and woke up to Bottom singing and falls in love with him.  All the spells were reversed except Demetrious  The lovers were found laying in the forest and Theseus decides they should all wed ...
Rhinoceros Resource Pack
Rhinoceros Resource Pack

... rhinoceroses and vowing to fight them until the end. But for all of his protestations, Berenger is far from heroic: instead he is almost comically naïve, a meek apologetic clerk who “defies totalitarian hysteria and refuses to become part of the monstrous phenomenon of massification”. A character ca ...
Theatre Arts Activity Guide
Theatre Arts Activity Guide

... Theatre critics attend performances to evaluate them and share their opinions with their readers. Their opinions are often based on a deep knowledge and understanding of theatre. Readers then use this information to determine whether or not they would like to see a given performance. Criticism is no ...
THEATRE OF COMMUNITY: HEALING
THEATRE OF COMMUNITY: HEALING

... social knowledge about American ideals and the theatre’s ability to solicit empathy from the audience in the form of entertainment for political and cultural changes. The final sections are dedicated to ancient Greek theatre and how it served as a reflection of the communal psychological aspects of ...
Pulaski.Paige
Pulaski.Paige

... colors, there are many similarities in the facial features that are exaggerated to show expression. Both art forms are appreciated by tourists to a point where the theatres make money from selling souvenir items with the facial makeup patterns printed on them. In reflection with the Western World, s ...
Classics...ToBeorNotToBe
Classics...ToBeorNotToBe

... Dilemma — a situation where the Hamlet character must choose between at least two options, each with its own set of consequences. Easy choice — this should appear to be an easy solution to the dilemma but it comes with negative ramifications that are shown in the performance, proving it was not the ...
Interviews with the White Company
Interviews with the White Company

... audiences will think that the play can only be a bad imitation of Shakespeare. This is an anxious time, as it’s totally new ground that we’re breaking. The play may even be slightly bewildering to “potential theatregoers at large”; it is a new play, with a historical setting, in this new-old theatre ...
Study-Guide Think Bigg
Study-Guide Think Bigg

... 4. The teacher can comment on what makes the tableau effective, and what can make it more so. The Adverb Game 1. Students sit in a semi-circle with a chair in front of them. 2. Each student thinks of an adverb. S/he must then pick up the chair, move it and sit down on it, moving in the style of the ...
Print Version - McCarter Theatre
Print Version - McCarter Theatre

... room. ―It might seem odd to do so much thinking about rooms of a house that you won‘t see on stage,‖ she says, ―but you can look at hundreds of layouts for old homes before you find one that really lets you get inside the logic of the house.‖ ...
Realism and Beyond - Kathryn Paterson: Home
Realism and Beyond - Kathryn Paterson: Home

... the set and atmosphere. • Characters often have their “last chance at love,” but are disappointed • Has some of the trademarks of expressionism, but does not distort reality in quite the same way. ...
File ()
File ()

... pivotal point of the play, the agent and driving force of its action. In his essay If by Your Art: Shakespeare’s Presence in The Tempest, Yachnin goes on to develop a theoretical reflection on the authorial presence of Shakespeare in his plays by introducing three-dimensional characters, whose convi ...
Thornton Wolder`s Plays. Tradition and Modernism
Thornton Wolder`s Plays. Tradition and Modernism

... hang together anything that has been written since WWII. But if a term is used in such a wide sense, why use it at all7 Why don't we treat writers as individuáis, study them as individual phenomena of literary creation, instead of crowding them under a big banner? In this modest discussion on the li ...
Guards at the Taj
Guards at the Taj

... materials to assist students in both the practical study of this text and in gaining a deeper understanding of this exciting new play. This includes context (both political and theatrical), production photographs, discussion points and exercises that have been devised to unpack the play’s themes and ...
spring awakening
spring awakening

... not given regularly until the 1870s, allowing society ...
The Glass Menagerie
The Glass Menagerie

... romanticized and/or dramatized to a certain degree. Tom then jumps into character and into the past where the action of the play begins. Consider ideas for your own memory play. Procedures: Let your students know they will not perform or read their work in front of the class. They will turn it in to ...
The Myth of Identity in Modern Drama
The Myth of Identity in Modern Drama

... affection. What is less obvious is how this conflict manifests itself in intraconscious relations, i.e. within a single subject. Because a subject through her consciousness is able to reflect upon that consciousness, to meditate on her own thought patterns and to examine her own habits, it is necess ...
explore “out of sterno” - The Gloucester Stage Company
explore “out of sterno” - The Gloucester Stage Company

... hydroxys, American feminism over the past 70 years, and the process of distilling alcohol out of a can of sterno. I also learned about the psychology behind abuse and statistics regarding the way in which women are represented in the media. Emotional Abuse. Stockholm Syndrome. The objectification an ...
Interactive theatre: Drama as social intervention
Interactive theatre: Drama as social intervention

... attitude to ‘issues’.1 Most theatre practitioners would, I feel, subscribe to a more general ‘humanising’ aim for theatre, that audiences should leave performances more sensitive to human nature, its foibles and strengths. For many years, my theatre practice has aimed overtly at change. The work has ...
study guide - Young People`s Theatre
study guide - Young People`s Theatre

... care about Fantastica. I hope they experience so many emotions and feelings that they can only describe it as amazing. ...
8 reportage
8 reportage

... characters. That is not to say, of course, that there is no room for reportage in this type of drama, the point is that reportage is not a principal action-pushing force. Reportage has been linked to the character of the messenger in the history of drama as the most common bearer of the informative ...
david mynne presents a one-man performance of
david mynne presents a one-man performance of

... As Dickens’ novel is jam-packed with well-drawn characters and exquisite descriptive language, I was intrigued to find out how David Mynne’s one-man show at The Hour Glass would convey the depth and colour of this elaborate tale. From the moment he steps into the performance area, Mynne makes the au ...
Japanese Theatre
Japanese Theatre

... Demon Mask ...
UPSTAGE GUIDE - Roundabout Theatre Company
UPSTAGE GUIDE - Roundabout Theatre Company

... and then went to Yale for college. Two teachers in particular had a big impact on me: my fifth grade teacher, Diane Hawes, who got me excited about history, a topic that has ultimately become a huge part of my focus in theatre. And Peter Ferry, my high school English teacher, who helped me find my o ...
The Velveteen Rabbit - Tilles Center for the Performing Arts
The Velveteen Rabbit - Tilles Center for the Performing Arts

... The Velveteen Rabbit is the story of the loving relationship between a young boy and a stuffed toy rabbit he receives as a Christmas gift. The other toys in the nursery tease the rabbit because he is only made of velveteen and sawdust. While he does become the inseparable companion of the Boy, the R ...
Sunday in the Park with George - Theatre Studies
Sunday in the Park with George - Theatre Studies

... In the opening to the show, the main character Georges Seurat speaks these words and magically a blank stage is populated with the characters of his painting. In many ways the experience you will have seeing Sunday in the Park with George will be similar to these words. The audience can only fill th ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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