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This issue of Upstage is made possible by
This issue of Upstage is made possible by

... I know that you directed “Master Harold”… and the boys for Roundabout. Could you tell us about the different approaches to musicals and plays? When I started directing, I wanted straight plays to have the excitement and the visceral thrill of musicals, and I wanted musicals to be acted with the same ...
- Royal Exchange Theatre
- Royal Exchange Theatre

... wanted to know if Sadie would be attracted to Mr Boo. I was not sure about this but the question threw up all sorts of different ways of looking at Mr Boo’s arrival in the scene and how Sadie should interact with him. After working on the scene the Director said that I had to make Sadie’s attraction ...
educator resource guide - Manitoba Theatre for Young People
educator resource guide - Manitoba Theatre for Young People

... admits “Becoming a writer was pure fluke. Without being asked to, I doubt if I’d ever have thought of it.” In 1943 he wrote his first children’s book, The Gremlins, which was originally intended to be made into an animated film by Walt Disney. The film was never made and Dahl began writing adult fic ...
Blackface - WordPress.com
Blackface - WordPress.com

... normal face they had to act contained and subdued. Others resented it and tried desperately to rid themselves of it. The fact that women could lose themselves and be wild and emotionally uncontained on stage was revolutionary, and many white actors did not have this option. Minstrel shows leads dire ...
- Huntington Theatre Company
- Huntington Theatre Company

... No two audiences are exactly the same, and therefore no two performances are exactly the same — this is part of what makes theatre so special! Students’ behavior should reflect the level of performance they wish to see. • Theatre should be an enjoyable experience for the audience. It is absolutely a ...
In Her A - The University of Akron
In Her A - The University of Akron

... who you were, how much money you had, what class of society you came from and how much value you therefore deserved. Less overtly obvious today, we still however judge on their appearance. The characters in the play rely so heavily on appearances that Yvonne does not realize she is talking to the ho ...
STUDY GUIDE for Playhouse on the Square`s
STUDY GUIDE for Playhouse on the Square`s

... Einen Jux will er sich Machen, performed in Vienna in 1842. Wilder referred to his play as a “free adaptation” of Nestroy’s, which itself was adapted from British playwright John Oxenham’s 1835 comedy A Day Well Spent. Wilder’s first adaptation was called The Merchant of Yonkers, which failed on Bro ...
Theatre can be done just about anywhere. For much of its history
Theatre can be done just about anywhere. For much of its history

... as designers, writers, directors, administrators, technicians, or performers. Most readers will take the knowledge culled from this book and experience a live theatrical production in a new and exciting way: as a more appreciative and educated audience member. Reading this book will not make you an ...
File - Arts Education
File - Arts Education

... Darzee is surprised when Chuchu and Rikki reveal that this nest is on the ground. Examining them closely, they realize these eggs come not from a bird but from a snake! Rikki and Chuchu gobble them down. Leaving one egg uneaten, they push the nest back under the bushes. ...
criticism, theory, practice: drama and visual narratives
criticism, theory, practice: drama and visual narratives

... Guidance on the presentation of written work These pages are designed to help you to avoid some of the most common errors in the layout of written work. Credit is given for written work that is clearly set out and follows academic conventions, so it is in your interests to study these guidelines an ...
Look BAck AT AcT 1 ScEnE 1
Look BAck AT AcT 1 ScEnE 1

... by doing so she will only be bringing more sinners into the world: ‘Why wouldst thou be a breeder of sinners?’ (122–3) • He asks Ophelia if she is honest and beautiful, a question that confuses her. (104–6) He suggests that it is impossible for beautiful people to be honest. • He describes himself ...
- JMU Scholarly Commons
- JMU Scholarly Commons

... This  thesis  aims  to  discover  how  communitas  can  be  created  through  theatrical   performances  by  blurring  the  line  between  audience  and  performer  as  well  as  performer   and  character.  The  topic  of  the  Millennia ...
Pygmalion - Southwest Shakespeare Company
Pygmalion - Southwest Shakespeare Company

... “Pygmalion admired his own work, and at last fell in love with the counterfeit creation. Oftentimes he laid his hand upon it as if to assure himself whether it were living or not, and could not even then believe that it was only ivory. He caressed it, and gave it presents such as young girls love—br ...
IOSR Journal Of Humanities And Social Science (IOSR-JHSS)
IOSR Journal Of Humanities And Social Science (IOSR-JHSS)

... land and lady. It is thus for Hayavadna (horse headed man); to find solution to his predicament. Since God does not enable him to overcome it, he rushes on stage to the Bhagavata. It is here that the dramatist brings the case to court so the audience can judge it. Brecht wanted to distance or aliena ...
Who Am I? - Activity Connection
Who Am I? - Activity Connection

... Segar’s characters and storylines were different from other comics of his time. His stories were more complex and had characters that never appeared in the animated cartoons. In Segar’s comic series, Popeye’s use of spinach was rare, and the character Bluto appeared only once. Popeye’s story changes ...
a study guide for The Drowsy Chaperone.
a study guide for The Drowsy Chaperone.

... This study guide for The Drowsy Chaperone explores this hilarious show in an interdisciplinary curriculum that takes in English/Language Arts, History/Social Studies, Music and Theatre. And of course, mirroring the show’s madcap sense of humor, expect some puzzles and games, too! Completely original ...
270 METAPHORICAL MIRRORS AND SUBVERTING SELVES IN
270 METAPHORICAL MIRRORS AND SUBVERTING SELVES IN

... women playwrights such as Adrienne Kennedy from becoming part of mainstream theatrical trends. African American female dramatists, as Dana A. Williams argues, are “seldom given the degree of attention that is given to male playwrights.” (1989:xvii) The reason “many published female playwrights go un ...
Reviews: The Long Road | The Lieutenant Of Inishmore | Other
Reviews: The Long Road | The Lieutenant Of Inishmore | Other

... Peach based on the Roald Dahl story and you can buy tickets for it in the usual ways. Do come along and support the BLT actors of tomorrow. The number we can accommodate at the Saturday morning sessions is limited by the space available, but there often are places for new members, especially at the ...
On Cue - cloudfront.net
On Cue - cloudfront.net

... As part of that swag of work, I was introduced to this untitled play by the young Anton Chekhov. The literal translation arrived on my desk at nearly 300 pages in length, about twice as long as all the others I have done. Fortunately, the National’s commission did not go ahead and so I was able to r ...
written by Frederick Knott adapted by Jeffrey Hatcher
written by Frederick Knott adapted by Jeffrey Hatcher

... complex people in the room with us. It is at the basis of the theatrical experience and what draws me into a theatrical event even over spectacle or other elements. Those six people onstage in Wait Until Dark aren’t CGI, they are breathing with us in the room. Whether I am directing The Kite Runner ...
Producer - Česká televize
Producer - Česká televize

... To have one part of the story taking place in Italy is also untraditional for a Czech movie. Why Tuscany? Is this region somehow special for you? We like Tuscany, we travel there a lot. We know this region not only as tourists, but a little more, we stayed there some time, with the local people, we ...
06 Interview Hannah Miller and Kevin Fitzmaurice FINAL
06 Interview Hannah Miller and Kevin Fitzmaurice FINAL

... In the first of two commissioned interviews for this volume, two prominent members of the Royal Shakespeare Company (RSC) production team, Hannah Miller, Head of Casting, and Kevin Fitzmaurice, Producer, discuss their approaches to, and the effects of, casting. The role of the Casting Director is, p ...
Pinocchio - Arts On Stage NY
Pinocchio - Arts On Stage NY

... like we do everyday. Geppetto is a kindly woodcarver who longs to have a son. After creating many puppets  with the hopes they would come to life, his dream finally comes true. With the help of the Blue Fairy,  Geppetto’s puppet, Pinocchio, becomes alive. It is not an easy world for the puppet, thou ...
extinction - Arts Centre Melbourne
extinction - Arts Centre Melbourne

... This resource has been created to accompany the production of Hannie Rayson’s Extinction. It is presented in two sections. In Part One: Background to the Production you will find a series of interviews with members of the creative team, reviews of the first season of the play, excerpts from articles ...
Grade Four Module Three - Sample Lessons 1-7
Grade Four Module Three - Sample Lessons 1-7

...  Rhyme scheme that varies but most commonly uses an ABCBDB form in a six-line stanza or ABCB in a four-line stanza. (Sometimes couplets are used: AABB.)  By tradition, the first stanza provides a setting for the story by either giving a specific date or naming a place. CONTENT The traditional hist ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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