the complete Program Notes
... His contribution to the development of Romantic music was to put “new wine into old bottles”; he infused the standard forms with all of the Romantic devices of his craft. Even more so than Beethoven, whom Brahms both revered and feared, his formal treatments stretch the limits of Classical practice ...
... His contribution to the development of Romantic music was to put “new wine into old bottles”; he infused the standard forms with all of the Romantic devices of his craft. Even more so than Beethoven, whom Brahms both revered and feared, his formal treatments stretch the limits of Classical practice ...
Haydn, (Franz) Joseph
... operas and marionette operettas were written to accommodate the talents of the Esterháza company as well as the tastes of his prince. Haydn freely admitted the superiority of the operas of his young friend Wolfgang Amadeus Mozart. In other categories, however, his works circulated widely, and his in ...
... operas and marionette operettas were written to accommodate the talents of the Esterháza company as well as the tastes of his prince. Haydn freely admitted the superiority of the operas of his young friend Wolfgang Amadeus Mozart. In other categories, however, his works circulated widely, and his in ...
Masterpieces by Doris Humphrey and Aaron Copland
... Dances, she observes, "music was my first love and I was led to dance through that...but I came to love dancing very much, almost as much as music." In the course of her choreographic career, Humphrey worked with music in many different ways. Some works had specific music composed for them (Variatio ...
... Dances, she observes, "music was my first love and I was led to dance through that...but I came to love dancing very much, almost as much as music." In the course of her choreographic career, Humphrey worked with music in many different ways. Some works had specific music composed for them (Variatio ...
AoS5 – Structure and Form
... ! The first section (A) is answered by the second section (B) ! Each section is usually repeated ! There is also usually a change of key, or modulation during Section A, so that it ends in a ...
... ! The first section (A) is answered by the second section (B) ! Each section is usually repeated ! There is also usually a change of key, or modulation during Section A, so that it ends in a ...
Activity Sheet - Classics for Kids
... dancing any more. Haydn—and many other composers in his day—used this dance form as the third movement, or section, of a fourmovement piece. Thus, the third movement of the “Farewell” Symphony is a minuet. ...
... dancing any more. Haydn—and many other composers in his day—used this dance form as the third movement, or section, of a fourmovement piece. Thus, the third movement of the “Farewell” Symphony is a minuet. ...
Program Notes for Ryan Stahl`s Senior Recital
... Mozart's Clarinet Concerto is one of the defining pieces in the clarinet repertoire. This masterwork was written in 1791 for clarinetist Anton Stadler, consisting of three movements in a fast-slow-fast form. It was also one of Mozart's final completed works, and his final purely instrumental work (h ...
... Mozart's Clarinet Concerto is one of the defining pieces in the clarinet repertoire. This masterwork was written in 1791 for clarinetist Anton Stadler, consisting of three movements in a fast-slow-fast form. It was also one of Mozart's final completed works, and his final purely instrumental work (h ...
Program Notes - Lincoln Center`s Great Performers
... and perhaps the attractive neo-classicism of his Holberg suite for strings. Only a handful of the composer’s nearly 200 songs, some of them very beautiful, make their way onto vocal recital programs. Similarly, only a fraction of his piano solos, mostly a few of the Lyric Pieces, have become concert ...
... and perhaps the attractive neo-classicism of his Holberg suite for strings. Only a handful of the composer’s nearly 200 songs, some of them very beautiful, make their way onto vocal recital programs. Similarly, only a fraction of his piano solos, mostly a few of the Lyric Pieces, have become concert ...
Composer Profiles - Andrew Lesser Music
... development. In 1749, Haydn was dismissed from the choir of St. Stephen, which he had sung in from the age of eight. For more than eight years Haydn would scratch out a meager living playing and composing free-lance while trying to earn his daily bread. Then in 1761, the course of Haydn’s life would ...
... development. In 1749, Haydn was dismissed from the choir of St. Stephen, which he had sung in from the age of eight. For more than eight years Haydn would scratch out a meager living playing and composing free-lance while trying to earn his daily bread. Then in 1761, the course of Haydn’s life would ...
Joseph Haydn Biography.rev
... Introduction: Haydn often employed a slow introduction. The material is usually not related to the main Allegro, but can be (notable exception: the “Drumroll” Symphony, in which the Introduction actually returns before the coda). Exposition: Haydn’s expositions often use the first theme at the arriv ...
... Introduction: Haydn often employed a slow introduction. The material is usually not related to the main Allegro, but can be (notable exception: the “Drumroll” Symphony, in which the Introduction actually returns before the coda). Exposition: Haydn’s expositions often use the first theme at the arriv ...
Emma Schmiedecke, Cello - Program Notes
... of being lost, and were given this performance in 1970 by none other than the great cellist Gregor Piatigorsky. Drei Kleine Stücke for Cello and Piano, Op. 11 and written in 1914, shows us a much different Webern, a composer who is now leaning towards a darker ambiance and static composition style, ...
... of being lost, and were given this performance in 1970 by none other than the great cellist Gregor Piatigorsky. Drei Kleine Stücke for Cello and Piano, Op. 11 and written in 1914, shows us a much different Webern, a composer who is now leaning towards a darker ambiance and static composition style, ...
Raff`s Fantasy Sonata
... Liszt from praising individual works which strayed into the currents of the MendelssohnSchumann school, as long they did not reside there long. The piano sonatas of Rudolf Violes (especially his Op.1), Felix Draeseke and Julius Reubke all come from (temporary) supporters of the “progressive” party. ...
... Liszt from praising individual works which strayed into the currents of the MendelssohnSchumann school, as long they did not reside there long. The piano sonatas of Rudolf Violes (especially his Op.1), Felix Draeseke and Julius Reubke all come from (temporary) supporters of the “progressive” party. ...
joseph haydn - Patty Oeste
... • Haydn met the younger Mozart in the early 1780s and they became close friends. • Of Mozart Haydn said, “This I know: Mozart is the greatest composer the world possesses now.” • Haydn became immensely popular all over Europe. • In 1790, after the death of the Prince, Haydn was free to go to London ...
... • Haydn met the younger Mozart in the early 1780s and they became close friends. • Of Mozart Haydn said, “This I know: Mozart is the greatest composer the world possesses now.” • Haydn became immensely popular all over Europe. • In 1790, after the death of the Prince, Haydn was free to go to London ...
Voices of Bohemia Program
... The title comes from the sport of fishing. I had thought of composing this piece as a birthday present for the composer Magnus Lindberg – well known as a fisherman in the eastern parts of the Finnish Gulf. The plan was never realised. Work on the composition took place between 2002 and 2006. The pra ...
... The title comes from the sport of fishing. I had thought of composing this piece as a birthday present for the composer Magnus Lindberg – well known as a fisherman in the eastern parts of the Finnish Gulf. The plan was never realised. Work on the composition took place between 2002 and 2006. The pra ...
W. Dean Sutcliffe: The Sociable Muse – Haydn, Mozart, Beethoven
... grasp than the denser textures, and more continuous motion prevalent in earlier music. As already suggested, intelligibility was a key goal of later 18th-century music. Composers wanted their music to appeal to and be understood by a much wider range of listeners. Haydn himself expressed this concei ...
... grasp than the denser textures, and more continuous motion prevalent in earlier music. As already suggested, intelligibility was a key goal of later 18th-century music. Composers wanted their music to appeal to and be understood by a much wider range of listeners. Haydn himself expressed this concei ...
- Senior Honors Recital Jeffrey Scheu Planning
... Bozza has also composed large scale works for chorus and orchestra including a mass, a requiem, two ballets, several operas and four symphonies. His chamber music has greatly enriched the wind player's repertoire with music for saxophone quartet, brass quintet, woodwind quintet, and flute and bassoo ...
... Bozza has also composed large scale works for chorus and orchestra including a mass, a requiem, two ballets, several operas and four symphonies. His chamber music has greatly enriched the wind player's repertoire with music for saxophone quartet, brass quintet, woodwind quintet, and flute and bassoo ...
Program Notes Muir String Quartet Wednesday, February
... jealous rage, murders his apparently adulterous wife only to be consumed by regret and disillusionment about marriage; his wife’s supposed lover is a violinist, and she, a pianist. A pivotal moment in the story occurs when they play Beethoven’s sonata for a social gathering with its vivid presentati ...
... jealous rage, murders his apparently adulterous wife only to be consumed by regret and disillusionment about marriage; his wife’s supposed lover is a violinist, and she, a pianist. A pivotal moment in the story occurs when they play Beethoven’s sonata for a social gathering with its vivid presentati ...
Music Chart - Midnight Swan
... coda–becomes a development, use of major in the 2nd theme 5 movements; movements III, IV, and V all run back to back III–merry gathering of country folk, IV–thunderstorm, V–shephard's song, glad and grateful feelings after the storm "Ode to Joy" poem by Schiller, theme is brotherhood of man IV) reci ...
... coda–becomes a development, use of major in the 2nd theme 5 movements; movements III, IV, and V all run back to back III–merry gathering of country folk, IV–thunderstorm, V–shephard's song, glad and grateful feelings after the storm "Ode to Joy" poem by Schiller, theme is brotherhood of man IV) reci ...
Doctoral Recital Kim K. Chai II, bassoon
... Nevada, Reno, when he was a bachelor’s degree student of percussion. Tim is now nearing completing of his Master of Music Composition degree, also from the University of Nevada, Reno. We spoke occasionally of his writing a bassoon piece, and it finally fit into his program. Regarding Bazooka Orange, ...
... Nevada, Reno, when he was a bachelor’s degree student of percussion. Tim is now nearing completing of his Master of Music Composition degree, also from the University of Nevada, Reno. We spoke occasionally of his writing a bassoon piece, and it finally fit into his program. Regarding Bazooka Orange, ...
the PROGRAM - Rockport Music
... in this last category, as the size and arrangement of the strings over the bridge, and the size and shape of the bow, make the playing of multiple stops infinitely more difficult than on a ...
... in this last category, as the size and arrangement of the strings over the bridge, and the size and shape of the bow, make the playing of multiple stops infinitely more difficult than on a ...
Hilary Hahn, violin
... movements. The composer bases his first movement primarily on the hymn “Shining Shore,” which has a contrasting middle section. He not only lets its main theme accumulate through the movement, but similarly treats a countermelody made from the hymn’s contrasting second part. Further, he begins with ...
... movements. The composer bases his first movement primarily on the hymn “Shining Shore,” which has a contrasting middle section. He not only lets its main theme accumulate through the movement, but similarly treats a countermelody made from the hymn’s contrasting second part. Further, he begins with ...
Franz Joseph Haydn (1732-1809)
... spend time with his friends, one of whom was Wolfgang Amadeus Mozart. Haydn and Mozart expressed mutual admiration for each other’s work and talent. During his travels, Haydn also became acquainted with the famous composer Ludwig van Beethoven, who cited Haydn as much of his inspiration in his own c ...
... spend time with his friends, one of whom was Wolfgang Amadeus Mozart. Haydn and Mozart expressed mutual admiration for each other’s work and talent. During his travels, Haydn also became acquainted with the famous composer Ludwig van Beethoven, who cited Haydn as much of his inspiration in his own c ...
File - Katherine Caughlin
... are flawlessly connective and feel effortless. The Music itself Mozart does very many interesting things to make this specific movement extremely beautiful. Mozart’s understanding of melody, and the way he flourishes his melodies seems effortless. His melodies work together with the underlying harmo ...
... are flawlessly connective and feel effortless. The Music itself Mozart does very many interesting things to make this specific movement extremely beautiful. Mozart’s understanding of melody, and the way he flourishes his melodies seems effortless. His melodies work together with the underlying harmo ...
McCalmont`s List 12: Joseph Haydn`s String Quartet in C, Op. 76
... ● The anthem in the second movement was one of Haydn’s favorite compositions. Even during his sickly and delicate old age, he still managed to get to the piano, at times only to play that theme. ● The anthem was also used in other compositions by important composers, including Beethoven, Schuber ...
... ● The anthem in the second movement was one of Haydn’s favorite compositions. Even during his sickly and delicate old age, he still managed to get to the piano, at times only to play that theme. ● The anthem was also used in other compositions by important composers, including Beethoven, Schuber ...
classical forms - midworld productions
... soloist and orchestra • Combines soloist virtuosity and orchestra’s range • Balance takes rule as soloist and orchestra are equally important • Can last 20 to 45 minutes ...
... soloist and orchestra • Combines soloist virtuosity and orchestra’s range • Balance takes rule as soloist and orchestra are equally important • Can last 20 to 45 minutes ...