Chapter 2 – The Nature of Sound
... • Ultrasonic – term that describes sounds with frequencies higher than 20, 000 Hz ...
... • Ultrasonic – term that describes sounds with frequencies higher than 20, 000 Hz ...
REALITY (SOUND)BITES: AUDIO TRICKS FROM THE FILM AND
... to be cut together on a frame line. Later, the medium was edited by copying scenes from one tape to another under computer control. Under this scheme, audio and video could have different edit points, but edits were still restricted to frame boundaries. Even the elaborate CMX CASS [4] sound-editing ...
... to be cut together on a frame line. Later, the medium was edited by copying scenes from one tape to another under computer control. Under this scheme, audio and video could have different edit points, but edits were still restricted to frame boundaries. Even the elaborate CMX CASS [4] sound-editing ...
Sound Assessment Study Appendix A
... listener, a 3-dB change in a continuous broadband sound is generally considered “just barely perceptible”; a 5-dB change is generally considered “clearly noticeable”; and a 10-dB change is generally considered a doubling (or halving, if the sound is decreasing) of the apparent loudness. Sound waves ...
... listener, a 3-dB change in a continuous broadband sound is generally considered “just barely perceptible”; a 5-dB change is generally considered “clearly noticeable”; and a 10-dB change is generally considered a doubling (or halving, if the sound is decreasing) of the apparent loudness. Sound waves ...
Basic Acoustics
... line with the obstruction. Again, note that “large” means with respect to the wavelength, so low frequencies bend around obstructions more easily than do high frequencies. In the case of reflected energy, it may be widely dispersed if the surface is irregular or it may reflect off in a single direct ...
... line with the obstruction. Again, note that “large” means with respect to the wavelength, so low frequencies bend around obstructions more easily than do high frequencies. In the case of reflected energy, it may be widely dispersed if the surface is irregular or it may reflect off in a single direct ...
Amplified Sound - California State University, Northridge
... amplify sound when initiating their reservation. Amplified sound should only be heard within the reserved event space and must not interfere with other scheduled events or the academic mission of the university. Any sound disruptions affecting other events or academic classes may require an adjustme ...
... amplify sound when initiating their reservation. Amplified sound should only be heard within the reserved event space and must not interfere with other scheduled events or the academic mission of the university. Any sound disruptions affecting other events or academic classes may require an adjustme ...
Location Sound I - Location Sound Class
... Line levels are strong, over a hundred times stronger than MIC levels. (Volts) MIC levels need to pass through a preamp in order to become line levels. MIC preamp knobs on FP33 Mic level into mixer ...
... Line levels are strong, over a hundred times stronger than MIC levels. (Volts) MIC levels need to pass through a preamp in order to become line levels. MIC preamp knobs on FP33 Mic level into mixer ...
Sound Mixer Tutorials
... ▶ XLR Microphones and some audio devices. Usually balanced audio, but XLRs can also accommodate unbalanced signals. ▶ 6.5mm Jack Musical instruments such as electric guitars, as well as various audio devices. Mono jacks are unbalanced, stereo jacks can be either unbalanced stereo or balanced mon ...
... ▶ XLR Microphones and some audio devices. Usually balanced audio, but XLRs can also accommodate unbalanced signals. ▶ 6.5mm Jack Musical instruments such as electric guitars, as well as various audio devices. Mono jacks are unbalanced, stereo jacks can be either unbalanced stereo or balanced mon ...
- GEOCITIES.ws
... It can be a stand-alone unit or a software program for a personal computer. (It used to be a storage server for MIDI data. Nowadays it is more a software music editor on the computer. ...
... It can be a stand-alone unit or a software program for a personal computer. (It used to be a storage server for MIDI data. Nowadays it is more a software music editor on the computer. ...
Some Mathematical Tools for Music-Making
... about one degree of resolution and is usually much worse. Visually, we can sometimes resolve images to about 1/60 of a degree, both horizontally and vertically, but our eyes usually can’t perceive time to better than 50 milliseconds or so of accuracy. This is reflected in the common digital formats ...
... about one degree of resolution and is usually much worse. Visually, we can sometimes resolve images to about 1/60 of a degree, both horizontally and vertically, but our eyes usually can’t perceive time to better than 50 milliseconds or so of accuracy. This is reflected in the common digital formats ...
MUM 2600 – Chapter 2 Notes
... Note some percussion instruments produce overtones that are not harmonically related to the fundamental at all. Reflection of sound Sound waves reflect off a surface at an angle equal to and in the exact opposite direction of the initial angle of impact. Solid, smooth surfaces produce a straight bou ...
... Note some percussion instruments produce overtones that are not harmonically related to the fundamental at all. Reflection of sound Sound waves reflect off a surface at an angle equal to and in the exact opposite direction of the initial angle of impact. Solid, smooth surfaces produce a straight bou ...
10_DigitalAudio1
... doubling the power of a sound does not make it twice as loud actually, (real, perceptual) loudness is difficult to compute the ratio of the power of two signals is measured in decibels (dB) this is a logarithmic scale if signal1 has power P1, and signal2 has power P2, then P2 is 10 log10(P2/P1) dB l ...
... doubling the power of a sound does not make it twice as loud actually, (real, perceptual) loudness is difficult to compute the ratio of the power of two signals is measured in decibels (dB) this is a logarithmic scale if signal1 has power P1, and signal2 has power P2, then P2 is 10 log10(P2/P1) dB l ...
10_DigitalAudio1
... this is a logarithmic scale if signal1 has power P1, and signal2 has power P2, then P2 is 10 log10(P2/P1) dB louder than P1 e.g. If P2 has 100 times the power of P1, it is 20dB louder ...
... this is a logarithmic scale if signal1 has power P1, and signal2 has power P2, then P2 is 10 log10(P2/P1) dB louder than P1 e.g. If P2 has 100 times the power of P1, it is 20dB louder ...
Document
... Is sound secondary or supportive to vision in cinema? It is less consciously perceived--yet it is a very powerful factor. ...
... Is sound secondary or supportive to vision in cinema? It is less consciously perceived--yet it is a very powerful factor. ...
Definitions of terms used in the Edexcel Music
... A Vocoder is a machine or piece of software that uses an audio signal (typically speech or singing to modulate a synthesised sound. The resulting effects range from talking guitar and robotic vocals to cool synthesized sounds and even percussive sounds. Earliest uses of a Vocoder include the train i ...
... A Vocoder is a machine or piece of software that uses an audio signal (typically speech or singing to modulate a synthesised sound. The resulting effects range from talking guitar and robotic vocals to cool synthesized sounds and even percussive sounds. Earliest uses of a Vocoder include the train i ...
Basic Stages, Light, Sound Information
... List two facts you learned about the different type of Theater spaces and Lighting instruments ...
... List two facts you learned about the different type of Theater spaces and Lighting instruments ...
Sound and Images
... Butler compares writing a musical score to piecing together a puzzle. He works with directors to capture the tone of the material. The last piece of the puzzle, he says, is creating any sound design elements for ambience, such as a soft breeze. Whether they’re mixing sounds, composing music or dubbi ...
... Butler compares writing a musical score to piecing together a puzzle. He works with directors to capture the tone of the material. The last piece of the puzzle, he says, is creating any sound design elements for ambience, such as a soft breeze. Whether they’re mixing sounds, composing music or dubbi ...
zöllner srd414/4
... V Resolution MSC.99(73), Regulation 18 and 19, the DNV NAUT-A and the ISO 14859 (2012) Standard. The system is capable of receiving sound signals from all directions in the audio band 70 Hz to 2100 Hz, reproducing incoming sound signals acoustically and visually inside the bridge. It consists of one ...
... V Resolution MSC.99(73), Regulation 18 and 19, the DNV NAUT-A and the ISO 14859 (2012) Standard. The system is capable of receiving sound signals from all directions in the audio band 70 Hz to 2100 Hz, reproducing incoming sound signals acoustically and visually inside the bridge. It consists of one ...
Analog Man Bi-CompROSSor Manual October-2001
... using a battery is recommended. Current draw is about 10mA when effect is ON and under 4mA OFF, so a battery will last a long time. ...
... using a battery is recommended. Current draw is about 10mA when effect is ON and under 4mA OFF, so a battery will last a long time. ...
Analog Man Bi-CompROSSor Manual October-2001
... using a battery is recommended. Current draw is about 10mA when effect is ON and under 4mA OFF, so a battery will last a long time. ...
... using a battery is recommended. Current draw is about 10mA when effect is ON and under 4mA OFF, so a battery will last a long time. ...
Deltec CA1 Product Brief (pdf download)
... paramount importance and can have a dramatic effect on sound quality. A specially constructed screened audio grade low noise toroidal transformer is employed. RF decoupling and filtering techniques have been applied to the supply inputs and outputs resulting in a much sweeter, smoother more natural s ...
... paramount importance and can have a dramatic effect on sound quality. A specially constructed screened audio grade low noise toroidal transformer is employed. RF decoupling and filtering techniques have been applied to the supply inputs and outputs resulting in a much sweeter, smoother more natural s ...
Sound and Film
... • Diegetic Sound is sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voices of characters, sounds made by objects in the story, music represented as coming from instruments in the story space ( = source music). • In other words, Diegetic ...
... • Diegetic Sound is sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voices of characters, sounds made by objects in the story, music represented as coming from instruments in the story space ( = source music). • In other words, Diegetic ...
General Set-Up Connections Trigger Sound parameters
... Bass-drum and snare-drum will accept different trigger signals at BD In and SD In. These don’t necessarily need to be analogue or digital trigger signals of a step-sequencer. You may as well use drum pads, piezo microphones or dynamic microphones. The two Sens controls will individually adjust the i ...
... Bass-drum and snare-drum will accept different trigger signals at BD In and SD In. These don’t necessarily need to be analogue or digital trigger signals of a step-sequencer. You may as well use drum pads, piezo microphones or dynamic microphones. The two Sens controls will individually adjust the i ...
Advanced Arduino – Robot – Presentation
... (40mA per pin, 200mA in total) so need another power supply: batteries • Current through in 1 direction turns them in 1 direction • More voltage = More speed, how to control voltage? • Use electronically controlled switch (transistor) between motor and batteries • Use PWM pin to control switch • Mot ...
... (40mA per pin, 200mA in total) so need another power supply: batteries • Current through in 1 direction turns them in 1 direction • More voltage = More speed, how to control voltage? • Use electronically controlled switch (transistor) between motor and batteries • Use PWM pin to control switch • Mot ...
Analog audiotape editing
... envelope • Acoustics / Psychoacoustics / binaural hearing • Absorbed / Reflected • Direct / Indirect (echo & reverberation) ...
... envelope • Acoustics / Psychoacoustics / binaural hearing • Absorbed / Reflected • Direct / Indirect (echo & reverberation) ...
Fade (audio engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)).A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and cross-fades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio region is smooth in order to not have any prominent glitches. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and out can also be used to change the characteristics of a sound, for example a fade-in is used to soften the attack, especially in vocals where very plosive (‘b’,‘d’, and ‘p’) sounds can occur. It can also be used to soften up the attack of the drum and/or percussion instruments. A cross-fade can be manipulated through its rates and coefficients in order to create different styles of fading. Almost every fade is different; this means that the fade parameters must be adjusted according to the individual needs of the mix.Though relatively rare, songs can fade out then fade back in. Some examples of this are ""Helter Skelter"" and ""Strawberry Fields Forever"" by The Beatles, ""Suspicious Minds"" by Elvis Presley, ""Rambling On"" by Procol Harum, ""Some Girls Are Bigger Than Others"" by The Smiths, ""Thank You"" by Led Zeppelin, and ""Future"" by Paramore.