ESS-ONE ESS-ONE Engine Sound Simulation System
... A 4ohm speaker is equipped for this product with the maximum power of 10W. Therefore, when the supply voltage surpasses 12V, the maximum power output of the amplifier will surpass the highest power it can bear, so we recommend that this speaker use 2S lithium battery for power supply. If you use the ...
... A 4ohm speaker is equipped for this product with the maximum power of 10W. Therefore, when the supply voltage surpasses 12V, the maximum power output of the amplifier will surpass the highest power it can bear, so we recommend that this speaker use 2S lithium battery for power supply. If you use the ...
PMA-SA1 DCD-SA1
... The yearning to experience a performance of great music, again and again with refreshing depth, lies in the heart of every audiophile. Whether it be classical music, jazz, popular songs, rock and roll, or traditional folk music, DENON continues to find a way to reproduce high-quality digital sound s ...
... The yearning to experience a performance of great music, again and again with refreshing depth, lies in the heart of every audiophile. Whether it be classical music, jazz, popular songs, rock and roll, or traditional folk music, DENON continues to find a way to reproduce high-quality digital sound s ...
Full Function LED Driver IC For Automotive Interior Lighting
... input and integrated programmable fade-in/fade-out lighting control. The device is designed for use in LED-based map lights, dome lights, door lights and other automotive lighting applications. The IS32LT3175 integrates all functions, eliminating the need for a microcontroller and several discrete c ...
... input and integrated programmable fade-in/fade-out lighting control. The device is designed for use in LED-based map lights, dome lights, door lights and other automotive lighting applications. The IS32LT3175 integrates all functions, eliminating the need for a microcontroller and several discrete c ...
VU Meters to Loudness Meter
... of audio equipments, the sophisticated sound technology has become widely used. TV program creators and particularly TV commercial creators try to increase sound level to attract the audience. As a result, the sound levels vary greatly between channels, between programs, or between a program and com ...
... of audio equipments, the sophisticated sound technology has become widely used. TV program creators and particularly TV commercial creators try to increase sound level to attract the audience. As a result, the sound levels vary greatly between channels, between programs, or between a program and com ...
FA01 ELEC-CHAR
... impedance measurement accuracy. ==>In a TDR probe, both a signal and a ground contact are normally required duringthe measurement. ...
... impedance measurement accuracy. ==>In a TDR probe, both a signal and a ground contact are normally required duringthe measurement. ...
Playing WAV Files with a PSoC Device
... directly with a simple R/C circuit to represent sound wave voltages. It is updated with a new sample at any time without noise, and its switching frequency is typically around 12 MHz for both 8-bit and 16-bit samples. The way the PRS module works to represent digital audio is fascinating. The module ...
... directly with a simple R/C circuit to represent sound wave voltages. It is updated with a new sample at any time without noise, and its switching frequency is typically around 12 MHz for both 8-bit and 16-bit samples. The way the PRS module works to represent digital audio is fascinating. The module ...
Ch4 Sound - Saiful CS
... • Keeping track of your sounds – Audio CDs • The Red Book (or ISO 10149) standard is a standard for digitally encoding high-quality stereo. • For this standard, the digital audio sample size is 16 bits and the sampling rate is 44.1 KHz. ...
... • Keeping track of your sounds – Audio CDs • The Red Book (or ISO 10149) standard is a standard for digitally encoding high-quality stereo. • For this standard, the digital audio sample size is 16 bits and the sampling rate is 44.1 KHz. ...
302 Compact Production Mixer
... I backed the transmitter gain off, yelled into the mic, set approximate gain trims and input levels, and set four separate levels on the SP tape. The whole thing worked like a charm. I had other, more typical opportunities to use the mixer as well, and the 302 performed perfectly at all times. The S ...
... I backed the transmitter gain off, yelled into the mic, set approximate gain trims and input levels, and set four separate levels on the SP tape. The whole thing worked like a charm. I had other, more typical opportunities to use the mixer as well, and the 302 performed perfectly at all times. The S ...
ACTION! SAMPLER
... channel and multiple instances can be used in a session with very low system resources. The sounds are created completely from scratch and musical selections are written by Michael Angel, composer for Monumental Audio, a specialty music licensing company designed to provide the highest quality origi ...
... channel and multiple instances can be used in a session with very low system resources. The sounds are created completely from scratch and musical selections are written by Michael Angel, composer for Monumental Audio, a specialty music licensing company designed to provide the highest quality origi ...
pdf manual - Control Voltage
... audio and control voltages (CV) by incorporating a single control to blend two signals at a time also known as a cross-fader. Two manual cross-faders and a single voltage controlled master cross-fader are provided. Use BLENDER as a main mixer or as a dynamic control for creating complex control volt ...
... audio and control voltages (CV) by incorporating a single control to blend two signals at a time also known as a cross-fader. Two manual cross-faders and a single voltage controlled master cross-fader are provided. Use BLENDER as a main mixer or as a dynamic control for creating complex control volt ...
guitar amplifier
... 1/4” male Y-cord: ring = send, tip = return, sleeve = ground. Send goes to the effect’s input; return comes from its output. (See the illustration on the previous page for more information.) 9: HEADPHONES: Use this jack to connect a pair of stereo headphones for private listening. The internal speak ...
... 1/4” male Y-cord: ring = send, tip = return, sleeve = ground. Send goes to the effect’s input; return comes from its output. (See the illustration on the previous page for more information.) 9: HEADPHONES: Use this jack to connect a pair of stereo headphones for private listening. The internal speak ...
What is a decibel? - IDC
... 4 is the log of 10 thousand, 0.3 is the log of 2, so this sound has a sound pressure 20 thousand times greater than that of the reference level (p2/p1 = 20,000). 86 dB is a loud but not dangerous level of sound, if it is not maintained for very long. What does 0 dB mean? This level occurs when the m ...
... 4 is the log of 10 thousand, 0.3 is the log of 2, so this sound has a sound pressure 20 thousand times greater than that of the reference level (p2/p1 = 20,000). 86 dB is a loud but not dangerous level of sound, if it is not maintained for very long. What does 0 dB mean? This level occurs when the m ...
Solder the 18 pin socket onto the PCB. Make sure you line up the f
... At this point I recommend you test operation of the DBC-‐RC2HL without the fifth channel (OPT), sound card, or DBU connected before proceeding. See the “Operation Manual” for more information. Yo ...
... At this point I recommend you test operation of the DBC-‐RC2HL without the fifth channel (OPT), sound card, or DBU connected before proceeding. See the “Operation Manual” for more information. Yo ...
Basic Recording Techniques
... We will cover the following topics over the course of the semester: • Basic (simultaneous) tracking: recording multiple tracks at the same time. This is commonly the procedure used when recording live performance or when making a quick recording. • Independent tracking: recording tracks one-at-a-tim ...
... We will cover the following topics over the course of the semester: • Basic (simultaneous) tracking: recording multiple tracks at the same time. This is commonly the procedure used when recording live performance or when making a quick recording. • Independent tracking: recording tracks one-at-a-tim ...
Sound
... media (stimulus) or as that excitation of the hearing mechanism that results in the perception of sound (sensation). Frequency is a characteristic of periodic waves measured in hertz (cycles per second), readable on an oscilloscope or frequency counter. The ear perceives a different pitch for a quie ...
... media (stimulus) or as that excitation of the hearing mechanism that results in the perception of sound (sensation). Frequency is a characteristic of periodic waves measured in hertz (cycles per second), readable on an oscilloscope or frequency counter. The ear perceives a different pitch for a quie ...
Multimedia Element-Sound
... MIDI is device dependent while digitized audio is device independent. MIDI files are much smaller than digitized audio. MIDI files sound better than digital audio files when played on a high-quality MIDI device. ...
... MIDI is device dependent while digitized audio is device independent. MIDI files are much smaller than digitized audio. MIDI files sound better than digital audio files when played on a high-quality MIDI device. ...
Ch05 - Multimedia Element
... MIDI is device dependent while digitized audio is device independent. MIDI files are much smaller than digitized audio. MIDI files sound better than digital audio files when played on a high-quality MIDI device. ...
... MIDI is device dependent while digitized audio is device independent. MIDI files are much smaller than digitized audio. MIDI files sound better than digital audio files when played on a high-quality MIDI device. ...
B1 Owner`s Manual
... The Instrument turns off The B1 is equipped with an automatic off feature; if the keyboard has not been touched for over 30 minutes, the instrument will turn itself off. To use the B1, press the power button again to turn it on. The Sound is interrupted The instrument sounds in the B1 are created by ...
... The Instrument turns off The B1 is equipped with an automatic off feature; if the keyboard has not been touched for over 30 minutes, the instrument will turn itself off. To use the B1, press the power button again to turn it on. The Sound is interrupted The instrument sounds in the B1 are created by ...
MOTIV MV5 User Guide (English)
... "Made for iPod," "Made for iPhone," and "Made for iPad" mean that an electronic accessory has been designed to connect specifically to iPod, iPhone, or iPad, respectively, and has been certified by the developer to meet Apple performance standards. Apple is not responsible for the operation of this ...
... "Made for iPod," "Made for iPhone," and "Made for iPad" mean that an electronic accessory has been designed to connect specifically to iPod, iPhone, or iPad, respectively, and has been certified by the developer to meet Apple performance standards. Apple is not responsible for the operation of this ...
Document
... The larger the current, the thicker the cable needed. The current in the cables can be calculated using the ...
... The larger the current, the thicker the cable needed. The current in the cables can be calculated using the ...
casio cz waveforms and oscilloscope
... frequencies not attenuated by the filter. The passband is usually measured between the points where the response is 3dB down in amplitude relative to the maximum level. See rolloff frequency. passive: A device is called passive if it contains no amplification circuitry and a signal suffers insertion ...
... frequencies not attenuated by the filter. The passband is usually measured between the points where the response is 3dB down in amplitude relative to the maximum level. See rolloff frequency. passive: A device is called passive if it contains no amplification circuitry and a signal suffers insertion ...
Audio Technology - Materi Perkuliahan
... completely independent on playback quality. In general MIDI files will be 200 to 1000 times smaller than digital audio files. 2. Because MIDI files are small, they don’t take up as much RAM, disk space, and CPU resources. 3. MIDI data are completely editable. Now for disadvantage: 1. Because MIDI da ...
... completely independent on playback quality. In general MIDI files will be 200 to 1000 times smaller than digital audio files. 2. Because MIDI files are small, they don’t take up as much RAM, disk space, and CPU resources. 3. MIDI data are completely editable. Now for disadvantage: 1. Because MIDI da ...
AUDIO TECHNOLOGY What is sound?
... A - System real time messages are short and simple consisting of only one byte. These message synchronize the timing of MIDI devices in performance; therefore, it is important that they be sent at precisely the time they are required. B - System common message are commands that are used to play a so ...
... A - System real time messages are short and simple consisting of only one byte. These message synchronize the timing of MIDI devices in performance; therefore, it is important that they be sent at precisely the time they are required. B - System common message are commands that are used to play a so ...
Fade (audio engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)).A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and cross-fades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio region is smooth in order to not have any prominent glitches. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and out can also be used to change the characteristics of a sound, for example a fade-in is used to soften the attack, especially in vocals where very plosive (‘b’,‘d’, and ‘p’) sounds can occur. It can also be used to soften up the attack of the drum and/or percussion instruments. A cross-fade can be manipulated through its rates and coefficients in order to create different styles of fading. Almost every fade is different; this means that the fade parameters must be adjusted according to the individual needs of the mix.Though relatively rare, songs can fade out then fade back in. Some examples of this are ""Helter Skelter"" and ""Strawberry Fields Forever"" by The Beatles, ""Suspicious Minds"" by Elvis Presley, ""Rambling On"" by Procol Harum, ""Some Girls Are Bigger Than Others"" by The Smiths, ""Thank You"" by Led Zeppelin, and ""Future"" by Paramore.