Music Theory 101
... three triplet quarter notes total that same duration. Similarly, three triplet eighth notes are equal in duration to one quarter note. ...
... three triplet quarter notes total that same duration. Similarly, three triplet eighth notes are equal in duration to one quarter note. ...
REVIEW FOR FINAL EXAM
... Triple Meter - three beats per measure Compound Meter - combination of 2s and 3s Ascending - a melody whose steps move upward Descending - a melody whose steps move downward. ...
... Triple Meter - three beats per measure Compound Meter - combination of 2s and 3s Ascending - a melody whose steps move upward Descending - a melody whose steps move downward. ...
Doc 2
... (octave) or more) or “small” (less than an octave) Phrase: a complete musical idea with a beginning and end. Usually between 4-8 measures. Texture: how the different melodies are put together. Can be described as “thick” (lots of notes on top of each other) or “thin” (unison (all doing the same thin ...
... (octave) or more) or “small” (less than an octave) Phrase: a complete musical idea with a beginning and end. Usually between 4-8 measures. Texture: how the different melodies are put together. Can be described as “thick” (lots of notes on top of each other) or “thin” (unison (all doing the same thin ...
Band Review Sheet
... - Mezzo - medium - Fortissimo - very loud - Pianissimo - very soft Tempo - speed of music - Andante - walking speed - Vivace - quick, lively - Grave - very slow Accidentals - Sharp, flat or natural that is not part of the key signature, changes a note only for the measure in which it is written - Sh ...
... - Mezzo - medium - Fortissimo - very loud - Pianissimo - very soft Tempo - speed of music - Andante - walking speed - Vivace - quick, lively - Grave - very slow Accidentals - Sharp, flat or natural that is not part of the key signature, changes a note only for the measure in which it is written - Sh ...
Concert Orchestra Final Exam STUDY GUIDE
... d. D MAJOR – 2 Sharps (F# and C#) 2. The above are all MAJOR KEYS. Major keys can have sharps OR flats, and Minor keys can have sharps OR flats, depending on the key. 3. Natural notes are NOT all the same distance apart. a. B-C is a half step, E-F is a half step. b. C MAJOR SCALE is: i. C D E^F G A ...
... d. D MAJOR – 2 Sharps (F# and C#) 2. The above are all MAJOR KEYS. Major keys can have sharps OR flats, and Minor keys can have sharps OR flats, depending on the key. 3. Natural notes are NOT all the same distance apart. a. B-C is a half step, E-F is a half step. b. C MAJOR SCALE is: i. C D E^F G A ...
Kindergarten - PaxinosaVocalandGeneralMusic
... instruments in their respective families Hi/lo; loud/soft; fast/slow; moving up/moving down/staying the same Movement to music Proper audience behavior Exposure to various musical styles and the music of famous composers ...
... instruments in their respective families Hi/lo; loud/soft; fast/slow; moving up/moving down/staying the same Movement to music Proper audience behavior Exposure to various musical styles and the music of famous composers ...
Music Notation Guide - Delta Academies Trust Arts
... bars (musical units a song is divided up into) which contain 4 quarter note long beats. Here are some examples of Time Signatures and notes contained within their measures: ...
... bars (musical units a song is divided up into) which contain 4 quarter note long beats. Here are some examples of Time Signatures and notes contained within their measures: ...
MUSICAL ELEMENTS
... 4/4 = 4 beats per measure & quarter note determines the beat. ¾ = 3 beats per measure & quarter note determines the beat. ...
... 4/4 = 4 beats per measure & quarter note determines the beat. ¾ = 3 beats per measure & quarter note determines the beat. ...
Elements of Music
... The symbols that we place on the staff represent pitches and rhythms. In a 4/4 time signature the following note lengths apply… ...
... The symbols that we place on the staff represent pitches and rhythms. In a 4/4 time signature the following note lengths apply… ...
Semester Exam Review
... Rhythmthe organization of long or short sounds and silences. Beat vs. Rhythm How is the beat different from the rhythm? ...
... Rhythmthe organization of long or short sounds and silences. Beat vs. Rhythm How is the beat different from the rhythm? ...
File - The Whole Schools Initiative
... Strings (violin, viola, cello, bass), woodwinds (flute, oboe, clarinet, bassoon), Brass (trumpets, trombone, French horn, tuba), ● Voices: Soprano, Alto, Tenor, Bass 6. Musical Notation ● A system of symbols used to represent music when writing it down. These symbols specify the pitch, rhythm and me ...
... Strings (violin, viola, cello, bass), woodwinds (flute, oboe, clarinet, bassoon), Brass (trumpets, trombone, French horn, tuba), ● Voices: Soprano, Alto, Tenor, Bass 6. Musical Notation ● A system of symbols used to represent music when writing it down. These symbols specify the pitch, rhythm and me ...
Elements of Music: Melody and Rhythm (Chapters 1
... 11. Meters that subdivide beats into groups of two are called _________________________ 12. Meters that subdivide beats into groups of three are called _______________________ 13. The meter of the folk song Greensleeves is best described as ____________________________. Rather than beginning on a d ...
... 11. Meters that subdivide beats into groups of two are called _________________________ 12. Meters that subdivide beats into groups of three are called _______________________ 13. The meter of the folk song Greensleeves is best described as ____________________________. Rather than beginning on a d ...
Elementary Music Glossary
... G-Clef: Signifies the treble clef or notes of the upper half of the piano, indicates the G-line in the treble staff. Harmony: two or more pitches sounding at the same time. Head Voice: Refers to singing notes that resonate in the head (higher range). Interval: The distance between two pitches. The ...
... G-Clef: Signifies the treble clef or notes of the upper half of the piano, indicates the G-line in the treble staff. Harmony: two or more pitches sounding at the same time. Head Voice: Refers to singing notes that resonate in the head (higher range). Interval: The distance between two pitches. The ...
abrsm 2 - ISAS Portal
... n) What key is the melody in? ______________ o) Which bar has only notes belonging to the tonic triad? ____________ p) Name the degree of the scale of the first note in bar 3. __________ q) Draw a circle around two notes next to each other that make the interval of an octave. r) Complete. Bar 6 has ...
... n) What key is the melody in? ______________ o) Which bar has only notes belonging to the tonic triad? ____________ p) Name the degree of the scale of the first note in bar 3. __________ q) Draw a circle around two notes next to each other that make the interval of an octave. r) Complete. Bar 6 has ...
Defintions - WordPress.com
... Forte- loud Fortissimo- very loud Form- organizton of musical ideas in time FanfareHalf Note- quick note Harmony- how chords are constructed and follew Home Key- both the beginning and end note of a piece Homophonic- main melody is accompanied by chords Indefinite PitchIdiomaticKey Signature- sharp ...
... Forte- loud Fortissimo- very loud Form- organizton of musical ideas in time FanfareHalf Note- quick note Harmony- how chords are constructed and follew Home Key- both the beginning and end note of a piece Homophonic- main melody is accompanied by chords Indefinite PitchIdiomaticKey Signature- sharp ...
Document
... The second grade music students are becoming more proficient in their music reading skills. Sight reading a song requires that they music understand the relationship of the beat and rhythm, understand the function of the music staff, and derive the rhythm and pitch of the song we are singing from th ...
... The second grade music students are becoming more proficient in their music reading skills. Sight reading a song requires that they music understand the relationship of the beat and rhythm, understand the function of the music staff, and derive the rhythm and pitch of the song we are singing from th ...
TERMS AND CONCEPTS OF 20TH C. MUSIC GENERAL: ostinato
... added values -- the addition of some note value to beats of a measure additive rhythm -- passages in which some short note value remains constant but is used in groups of predictably varying lengths ametric -- music in which there is no perceivable metric organization assymetrical meter -- usually, ...
... added values -- the addition of some note value to beats of a measure additive rhythm -- passages in which some short note value remains constant but is used in groups of predictably varying lengths ametric -- music in which there is no perceivable metric organization assymetrical meter -- usually, ...
4 - Edmodo
... silences in music. • To create a rhythm combine any variety of notes (sounds) and rests (silences) together (see next slide for value trees). • Rhythms are performed throughout any piece of music by any instrument, however, we can most easily recognize a rhythm when it is performed on a percussion i ...
... silences in music. • To create a rhythm combine any variety of notes (sounds) and rests (silences) together (see next slide for value trees). • Rhythms are performed throughout any piece of music by any instrument, however, we can most easily recognize a rhythm when it is performed on a percussion i ...
Document
... •Two types of patterns for analyzing music •Signatures •Earmarks •Other than just notes, harmony, rhythm… ...
... •Two types of patterns for analyzing music •Signatures •Earmarks •Other than just notes, harmony, rhythm… ...
Music Structure
... Rhythm - The recurring pulse or beat arranged in groupings called measures. Time Signature - The numbers of beats in each measure often identified in terms of a fraction. The upper portion identifies the number of beats in each measure, while the lower portion defines what kind of note gets one beat ...
... Rhythm - The recurring pulse or beat arranged in groupings called measures. Time Signature - The numbers of beats in each measure often identified in terms of a fraction. The upper portion identifies the number of beats in each measure, while the lower portion defines what kind of note gets one beat ...
HIGH FREQUENCY VOCABULARY AND DEFINITIONS 5TH
... Theatrical performance combining music and drama Interval of eight notes, either up or down A short repeated rhythmic or melodic pattern Music based on a five tone scale Very soft Soft The highest pitched instrument in the woodwind family , ; in 4/4 time, receives one beat Single-reed instrument i ...
... Theatrical performance combining music and drama Interval of eight notes, either up or down A short repeated rhythmic or melodic pattern Music based on a five tone scale Very soft Soft The highest pitched instrument in the woodwind family , ; in 4/4 time, receives one beat Single-reed instrument i ...
Time signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are to be contained in each bar and which note value is to be given one beat. In a musical score, the time signature appears at the beginning of the piece, as a time symbol or stacked numerals, such as 11px or 34 (read common time and three-four time, respectively), immediately following the key signature or immediately following the clef symbol if the key signature is empty. A mid-score time signature, usually immediately following a barline, indicates a change of meter.There are various types of time signatures, depending on whether the music follows simple rhythms or involves unusual shifting tempos, including: simple (such as 34 or 44), compound (e.g., 98 or 128), complex (e.g., 54 or 78), mixed (e.g., 58 & 38 or 68 & 34), additive (e.g., 3+2+38), fractional (e.g., 2½4), and irrational meters (e.g., 310 or 524).