Definitions List
... Measure. A rhythmic group or metrical unit that contains a fixed number of beats, divided on the musical staff by bar lines. Also known as Bar. ...
... Measure. A rhythmic group or metrical unit that contains a fixed number of beats, divided on the musical staff by bar lines. Also known as Bar. ...
Review of Music Rudiments
... Time signatures use numbers to represent note values (4=quarter, 8=eighth) There is no number that can represent a dotted value Compound duple time uses the number 8 in the ...
... Time signatures use numbers to represent note values (4=quarter, 8=eighth) There is no number that can represent a dotted value Compound duple time uses the number 8 in the ...
Lecture 1 - University of Colorado Boulder
... Rhythm-how music is organized in time 1. beat-or pulse, basic unit of length, regular clocklike pattern 2. meter- the measurement of time in music: groupings of beats with accented patterns a) duple meter-ONE two : ONE two … etc. b) triple meter- One two three: One two three …etc. ...
... Rhythm-how music is organized in time 1. beat-or pulse, basic unit of length, regular clocklike pattern 2. meter- the measurement of time in music: groupings of beats with accented patterns a) duple meter-ONE two : ONE two … etc. b) triple meter- One two three: One two three …etc. ...
cookiebeats.com
... tech class and install computers, drum pads, and Reason software (Figure app) at the Community Music Center of Boston (CMCB). Through CMCB I was introduced to the Music Ace software they were using on their 10-yearold PCs. I thought the software was well designed but a bit archaic and it only featur ...
... tech class and install computers, drum pads, and Reason software (Figure app) at the Community Music Center of Boston (CMCB). Through CMCB I was introduced to the Music Ace software they were using on their 10-yearold PCs. I thought the software was well designed but a bit archaic and it only featur ...
CFE Fifth Grade Study Guide
... John Philip Sousa – American. worked for the Marine Corps Band. famous for marches such as Stars and Stripes Forever. John Williams – American. famous composer of movie music such as Jurassic Park and Star Wars Louis Armstrong – American musician/composer. played trumpet. nickname Satchmo Duke Ellin ...
... John Philip Sousa – American. worked for the Marine Corps Band. famous for marches such as Stars and Stripes Forever. John Williams – American. famous composer of movie music such as Jurassic Park and Star Wars Louis Armstrong – American musician/composer. played trumpet. nickname Satchmo Duke Ellin ...
Music - tl594
... Tempo-the pace at which a piece of music is performed Rhythm-the way a pattern of sound moves through time Pitch-the highness or lowness of a tone or sound Melody-a series of musical notes arranged one after another Harmony-sounding two or more tones at the same time Texture – the character of music ...
... Tempo-the pace at which a piece of music is performed Rhythm-the way a pattern of sound moves through time Pitch-the highness or lowness of a tone or sound Melody-a series of musical notes arranged one after another Harmony-sounding two or more tones at the same time Texture – the character of music ...
Music Glossary
... half step—the smallest interval between two tones of a scale harmony—sounding two or more tones at the same time improvisation—the act of making up music on the spot improvise—to make up music on the spot, usually with a purpose, using guidelines improvise—to make up music on the spot, sometimes wit ...
... half step—the smallest interval between two tones of a scale harmony—sounding two or more tones at the same time improvisation—the act of making up music on the spot improvise—to make up music on the spot, usually with a purpose, using guidelines improvise—to make up music on the spot, sometimes wit ...
Elements of rock styles - KU Information Technology
... characteristics • Often from a particular time period or location ...
... characteristics • Often from a particular time period or location ...
Basic Music Powerpoint
... itself but how it sounds. • Such as whether it sounds dark, or bright. • A melody from Beethoven’s Moonlight Sonata sounds dark (which is playing in the background) • While a Bach Fugue Will sound brighter ...
... itself but how it sounds. • Such as whether it sounds dark, or bright. • A melody from Beethoven’s Moonlight Sonata sounds dark (which is playing in the background) • While a Bach Fugue Will sound brighter ...
ZCHS Performing Arts Department 2015-2016
... Slur: smoothly connects two or more notes of different pitches by a curved line over or under the notes Staccato: play the note short and detached Tempo: "rate of speed" or how fast or slow to play the music Tie: two notes of the same pitch joined by a curved line over or under the note. Each note j ...
... Slur: smoothly connects two or more notes of different pitches by a curved line over or under the notes Staccato: play the note short and detached Tempo: "rate of speed" or how fast or slow to play the music Tie: two notes of the same pitch joined by a curved line over or under the note. Each note j ...
Advanced Ensemble Exams – Semester II (50 questions)
... Slur: smoothly connects two or more notes of different pitches by a curved line over or under the notes Staccato: play the note short and detached Tempo: "rate of speed" or how fast or slow to play the music Tie: two notes of the same pitch joined by a curved line over or under the note. Each note j ...
... Slur: smoothly connects two or more notes of different pitches by a curved line over or under the notes Staccato: play the note short and detached Tempo: "rate of speed" or how fast or slow to play the music Tie: two notes of the same pitch joined by a curved line over or under the note. Each note j ...
Learning Outcome
... Minor scale (open & Closed - 1 octave) All 5 basic chord shapes Introduction to power chords Understanding of time signatures and sub-divisions up to eighth notes How to read tablature How to read standard notation Performance of basic tune How to play and identify the natural notes on all six strin ...
... Minor scale (open & Closed - 1 octave) All 5 basic chord shapes Introduction to power chords Understanding of time signatures and sub-divisions up to eighth notes How to read tablature How to read standard notation Performance of basic tune How to play and identify the natural notes on all six strin ...
van tech music
... We call this “spelling a chord”. Triads can also be called chords and are used by composers to add musical interest by accompanying a melody. ...
... We call this “spelling a chord”. Triads can also be called chords and are used by composers to add musical interest by accompanying a melody. ...
Music Notation
... Each Major scale is made up of two tetrachords, one beginning of the 1st scale degree (1st note of the scale) and the 5th scale degree (the 5th note of the scale). ...
... Each Major scale is made up of two tetrachords, one beginning of the 1st scale degree (1st note of the scale) and the 5th scale degree (the 5th note of the scale). ...
Music Study Guide - Moore Public Schools
... Blues, a 12-bar form developed during the late 19th century by African American performers. Blues embraces a variety of styles, including downhome or country blues, boogie-woogie, classic blues, jump blues, and Chicago (urban) blues. Blues directly or indirectly influenced the vast majority of popul ...
... Blues, a 12-bar form developed during the late 19th century by African American performers. Blues embraces a variety of styles, including downhome or country blues, boogie-woogie, classic blues, jump blues, and Chicago (urban) blues. Blues directly or indirectly influenced the vast majority of popul ...
1 Elements of Music Olli F16
... Besides these two most fundamental dimensions, there are many other attributes that are notated in other ways: loudness with p, m, and f symbols, release times with slurs and staccato markings, timbre by labeling each staff with an instrument name, and so on. Here are what are commonly defined to be ...
... Besides these two most fundamental dimensions, there are many other attributes that are notated in other ways: loudness with p, m, and f symbols, release times with slurs and staccato markings, timbre by labeling each staff with an instrument name, and so on. Here are what are commonly defined to be ...
Print version
... Emphasis on a note, word, or phrase The way a sound is started and ended The beginning of a sound One cycle of inspiration/expiration Two or more pitches sounding together Moving in half-steps Meter that is made up of simple meters 2/4+3/4 Mentally breaking down a rhythm into divisions Moving within ...
... Emphasis on a note, word, or phrase The way a sound is started and ended The beginning of a sound One cycle of inspiration/expiration Two or more pitches sounding together Moving in half-steps Meter that is made up of simple meters 2/4+3/4 Mentally breaking down a rhythm into divisions Moving within ...
AP THEORY_files/Notation
... • If the note is above the middle line the stem goes down • If the note is below the middle line the stem goes up • When the note is in the middle the stem generally goes down except when the ...
... • If the note is above the middle line the stem goes down • If the note is below the middle line the stem goes up • When the note is in the middle the stem generally goes down except when the ...
Additional Teaching Notes for Trinity College London Piano exams
... entitled Mikrokosmos which Bartók assembled during the years 1926–1939. These dances are characterised by asymmetrical rhythms and bar-lengths. In this particular dance, there are three beats in a bar but, as can be seen by the time signature (2+2+3), the beats are not all the same length. The first ...
... entitled Mikrokosmos which Bartók assembled during the years 1926–1939. These dances are characterised by asymmetrical rhythms and bar-lengths. In this particular dance, there are three beats in a bar but, as can be seen by the time signature (2+2+3), the beats are not all the same length. The first ...
Notation Note lengths and rests from semibreve to semiquaver
... willbe used in the listening test. Candidates will not be penalised for correctly using other terminology outside of the list. Many of the terms are basic musical terms which candidates will be familiar with when entering the course. Candidates will also use many of the concepts listed in their perf ...
... willbe used in the listening test. Candidates will not be penalised for correctly using other terminology outside of the list. Many of the terms are basic musical terms which candidates will be familiar with when entering the course. Candidates will also use many of the concepts listed in their perf ...
Elements of Music PowerPoint
... Whole Rest= (do nothing for the whole measure or 4 beats) 8th rest= ½ rest ...
... Whole Rest= (do nothing for the whole measure or 4 beats) 8th rest= ½ rest ...
Shostakovich 1
... The melody of the fugue is based on a subject, which consists entirely of the notes of an A major chord, and two countersubjects… ...
... The melody of the fugue is based on a subject, which consists entirely of the notes of an A major chord, and two countersubjects… ...
Time signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are to be contained in each bar and which note value is to be given one beat. In a musical score, the time signature appears at the beginning of the piece, as a time symbol or stacked numerals, such as 11px or 34 (read common time and three-four time, respectively), immediately following the key signature or immediately following the clef symbol if the key signature is empty. A mid-score time signature, usually immediately following a barline, indicates a change of meter.There are various types of time signatures, depending on whether the music follows simple rhythms or involves unusual shifting tempos, including: simple (such as 34 or 44), compound (e.g., 98 or 128), complex (e.g., 54 or 78), mixed (e.g., 58 & 38 or 68 & 34), additive (e.g., 3+2+38), fractional (e.g., 2½4), and irrational meters (e.g., 310 or 524).