Latin Jazz Network
... emerges with a soaring spirit. This is what John Coltrane found most rewarding in the latter part of his career as he showed the way for numerous musicians to follow. And Elio Villafranca does so with wonderful spiritual fervor. In many respects this is a defining album for Villafranca. The music is ...
... emerges with a soaring spirit. This is what John Coltrane found most rewarding in the latter part of his career as he showed the way for numerous musicians to follow. And Elio Villafranca does so with wonderful spiritual fervor. In many respects this is a defining album for Villafranca. The music is ...
ATTAINMENT TARGET
... a) play a steady legato D major scale of two octaves b) play mixolydian on F one octave legato & staccato ...
... a) play a steady legato D major scale of two octaves b) play mixolydian on F one octave legato & staccato ...
National 5 Musical Periods and Styles
... The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted trumpets and four trombones. Trombones 1 and 2 play a glissando (a slide). ...
... The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted trumpets and four trombones. Trombones 1 and 2 play a glissando (a slide). ...
2 steady beats of sound - Elm Grove Middle School Band
... • The Time Signature has two numbers, one above the other. • The top number tells you how many steady beats are in each measure. • The bottom number tells you what value note illustrates the steady beat. ...
... • The Time Signature has two numbers, one above the other. • The top number tells you how many steady beats are in each measure. • The bottom number tells you what value note illustrates the steady beat. ...
Higher Concepts - Garnock Academy
... the 6th and 7th notes by a semitone ascending, and similarly lowers them descending. ...
... the 6th and 7th notes by a semitone ascending, and similarly lowers them descending. ...
Higher Concepts - Dunblane High School Music Website
... group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is used to describe the structure of the first movement of many sonatas, symphonies and often overture ...
... group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is used to describe the structure of the first movement of many sonatas, symphonies and often overture ...
Higher Concepts Higher Music Listening 2014 Onwards Music
... the 6th and 7th notes by a semitone ascending, and similarly lowers them descending. ...
... the 6th and 7th notes by a semitone ascending, and similarly lowers them descending. ...
Music Theory Applied Music 2206/3206
... The pattern is ALWAYS as follows. Keep in mind sometimes you may need to add a sharp or flat. T-T-S-T-T-T-S (T=Tone and S=Semitone) To write a major scale, start on the first note of the scale, write up to an octave, and go back to the original note. For example, a C scale can be written wit ...
... The pattern is ALWAYS as follows. Keep in mind sometimes you may need to add a sharp or flat. T-T-S-T-T-T-S (T=Tone and S=Semitone) To write a major scale, start on the first note of the scale, write up to an octave, and go back to the original note. For example, a C scale can be written wit ...
Music Vocabulary - TJ-Reed
... Dot- A symbol placed to the right of a not that increases the duration of the note by one half. Enharmonic-Two notes that sound the same, but are spelled musically different. Ex. Ab and G# Genre- a category of musical compositions Ex. classical, medieval, sacred, secular, rock, pop, modern Grand Sta ...
... Dot- A symbol placed to the right of a not that increases the duration of the note by one half. Enharmonic-Two notes that sound the same, but are spelled musically different. Ex. Ab and G# Genre- a category of musical compositions Ex. classical, medieval, sacred, secular, rock, pop, modern Grand Sta ...
Playing the Piano
... between two tones played at the same time. There are several ways of classifying them. One of them is known as a major interval, and it is determined by measuring a major second, third, sixth or seventh, by matching the second, third, sixth, or seventh notes on the major scale, and counting half st ...
... between two tones played at the same time. There are several ways of classifying them. One of them is known as a major interval, and it is determined by measuring a major second, third, sixth or seventh, by matching the second, third, sixth, or seventh notes on the major scale, and counting half st ...
Malaguena from Espana Op 165 No 3 by Isaac
... malaguena is usually accompanied by a mandolin, cuatro, guitar. It has a sad melancholic melody and is now associated with a religious celebration in May. ...
... malaguena is usually accompanied by a mandolin, cuatro, guitar. It has a sad melancholic melody and is now associated with a religious celebration in May. ...
lecture16
... 4b. Consonance & Dissonance between two complex tones •In this case we have to consider the roughness between the fundamental notes as well as between the harmonics •This is what explains why some intervals are more consonant than others •In the case of the perfect fifth the two lower harmonics coi ...
... 4b. Consonance & Dissonance between two complex tones •In this case we have to consider the roughness between the fundamental notes as well as between the harmonics •This is what explains why some intervals are more consonant than others •In the case of the perfect fifth the two lower harmonics coi ...
lecture16
... 4b. Consonance & Dissonance between two complex tones • In this case we have to consider the roughness between the fundamental notes as well as between the harmonics • This is what explains why some intervals are more consonant than others • In the case of the perfect fifth the two lower harmonics ...
... 4b. Consonance & Dissonance between two complex tones • In this case we have to consider the roughness between the fundamental notes as well as between the harmonics • This is what explains why some intervals are more consonant than others • In the case of the perfect fifth the two lower harmonics ...
vocabulary 1
... 8va - ottava or "at the octave." This indication is most often found above specific notes on a staff and indicates that those notes should be performed one octave higher than written. 8vb - ottava bassa or "at the octave below." This indication is found below specific notes on a staff and indicates ...
... 8va - ottava or "at the octave." This indication is most often found above specific notes on a staff and indicates that those notes should be performed one octave higher than written. 8vb - ottava bassa or "at the octave below." This indication is found below specific notes on a staff and indicates ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... Free use of diatonic scale resources (freely make chords from the notes of the diatonic scale without worrying about resolving them functionally in a traditional sense) A dense block of PITCHES A dense block-like musical TEXTURE (focuses more on texture, color, dynamics than on pitch) Simultaneous v ...
... Free use of diatonic scale resources (freely make chords from the notes of the diatonic scale without worrying about resolving them functionally in a traditional sense) A dense block of PITCHES A dense block-like musical TEXTURE (focuses more on texture, color, dynamics than on pitch) Simultaneous v ...
Sequential Chorus Curriculum for grades 6-8
... the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissance, Baroque, Classical, Romantic, Contemporary Demonstrate an understanding that the music one listens to or performs is often a re ...
... the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissance, Baroque, Classical, Romantic, Contemporary Demonstrate an understanding that the music one listens to or performs is often a re ...
Level One Benchmarks for Strings
... By the end of Level 1, the cello/bass student will have accomplished the following categories. Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the part ...
... By the end of Level 1, the cello/bass student will have accomplished the following categories. Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the part ...
GT Music Audition Requirements
... Students will be asked to sightread (Suzuki level 5 or equivalent) and demonstrate a variety of bowing techniques. ...
... Students will be asked to sightread (Suzuki level 5 or equivalent) and demonstrate a variety of bowing techniques. ...
dotted eighth notes - Introduction to Music Theory
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
dotted eighth notes - Introduction to Music Theory
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
Glossary of Terms
... Key: tonic note, and the major or minor scale on which a composition is based Tonal: music that uses one notes of a scale as a reference pitch is said to be tonal Atonal: music that does not use one pitch as a reference point. Avoidance of a tonic note and of tonal relationships in music Phrase: a s ...
... Key: tonic note, and the major or minor scale on which a composition is based Tonal: music that uses one notes of a scale as a reference pitch is said to be tonal Atonal: music that does not use one pitch as a reference point. Avoidance of a tonic note and of tonal relationships in music Phrase: a s ...
AP THEORY_files/Notation
... • If the note is above the middle line the stem goes down • If the note is below the middle line the stem goes up • When the note is in the middle the stem generally goes down except when the notes around it are opposite. • When notes are on leger lines the stems extend to the middle line ...
... • If the note is above the middle line the stem goes down • If the note is below the middle line the stem goes up • When the note is in the middle the stem generally goes down except when the notes around it are opposite. • When notes are on leger lines the stems extend to the middle line ...
Terms and Symbols
... *** eighth note triplet: Three eighth notes to be played in the time of two normal eighth notes. Or: three eighth notes to be played in the time of one quarter note. They are usually indicated by the number 3 written above or below the notes. *** ...
... *** eighth note triplet: Three eighth notes to be played in the time of two normal eighth notes. Or: three eighth notes to be played in the time of one quarter note. They are usually indicated by the number 3 written above or below the notes. *** ...
Traditional composition techniques
... inversion mirrored contour; e.g., subject and inversion in Bartok's Music for Strings, Percussion and Celeste, first movement isomelos same notes, different rhythm; used constantly in dodecaphony microtones intervals smaller than a semitone non-tonal scales scale structures that are symmetric in con ...
... inversion mirrored contour; e.g., subject and inversion in Bartok's Music for Strings, Percussion and Celeste, first movement isomelos same notes, different rhythm; used constantly in dodecaphony microtones intervals smaller than a semitone non-tonal scales scale structures that are symmetric in con ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.