From Pythagoras to Johann Sebastian Bach: An
... With this ratio, and the use of the mathematically pure third, all note ratios are formed; all ratios can be computed as powers of two and three.4 Pitch Ratio Cents Pitch Ratio Cents ...
... With this ratio, and the use of the mathematically pure third, all note ratios are formed; all ratios can be computed as powers of two and three.4 Pitch Ratio Cents Pitch Ratio Cents ...
Know Your Chords - Alan`s Guitar Page
... more tones, however, two tones are known as an “interval” and don’t produce the kind of colour or flavor that is made by the combination of three or more tones. An interval is the musical difference in pitch between two different tones. An interval from one pitch to a pitch of exactly twice the freq ...
... more tones, however, two tones are known as an “interval” and don’t produce the kind of colour or flavor that is made by the combination of three or more tones. An interval is the musical difference in pitch between two different tones. An interval from one pitch to a pitch of exactly twice the freq ...
Tonal Function in Harmonic Scales
... Melodic intervals similar in size to the major third and the minor sixth approximate simple frequency ratios (4:5×2(n-1) and 5:2(n+2), respectively), but they are also only a semitone from the prototypical p4 and p5 ratios. For this reason, these intervals are inherently ambiguous because they can b ...
... Melodic intervals similar in size to the major third and the minor sixth approximate simple frequency ratios (4:5×2(n-1) and 5:2(n+2), respectively), but they are also only a semitone from the prototypical p4 and p5 ratios. For this reason, these intervals are inherently ambiguous because they can b ...
Keyboard In Western Style
... The interval between two notes is the distance between the two pitches - in other words, how much higher or lower one note is than the other. This concept is so important that it is almost impossible to talk about scales, chords, without referring to intervals. So if you want to learn western music ...
... The interval between two notes is the distance between the two pitches - in other words, how much higher or lower one note is than the other. This concept is so important that it is almost impossible to talk about scales, chords, without referring to intervals. So if you want to learn western music ...
Jazz Scale Theory - mo` better blues
... It also does not include extensive practice exercises, though there are some suggested practice methods mentioned in passing throughout and summarized at the conclusion. It is intended to be a thorough examination of the application of some key scales and modes as they are applied in the process of ...
... It also does not include extensive practice exercises, though there are some suggested practice methods mentioned in passing throughout and summarized at the conclusion. It is intended to be a thorough examination of the application of some key scales and modes as they are applied in the process of ...
1. Historical definitions.
... In harmonically based writing a dissonance is accounted a dissonant chord – that is, a chord of which the dissonance is an essential component – if two conditions apply: if, in the first place, the dissonant chord can be meaningfully explained as a piling up of 3rds (‘meaningfully’ because at a stre ...
... In harmonically based writing a dissonance is accounted a dissonant chord – that is, a chord of which the dissonance is an essential component – if two conditions apply: if, in the first place, the dissonant chord can be meaningfully explained as a piling up of 3rds (‘meaningfully’ because at a stre ...
Level 4 Workbook
... Answer the questions about the musical example, Gigue, by Telemann. 1. Name the root of the boxed broken triad in measure 1. _____ 2. Name the root of the boxed broken triad in measure 3. _____ 3. Name the interval between the circled notes in measure 4. Give both the number and the quality (Major,m ...
... Answer the questions about the musical example, Gigue, by Telemann. 1. Name the root of the boxed broken triad in measure 1. _____ 2. Name the root of the boxed broken triad in measure 3. _____ 3. Name the interval between the circled notes in measure 4. Give both the number and the quality (Major,m ...
Debussy - Nuages notes
... In contrast with later 19th century harmony, Debussy eschewed traditional chord functions, and, instead, used sonorities that did not resolve or relate to each other in the usual way. As mentioned above in relation to the Symbolist aesthetic, the individual effect of a chord and the overall effect o ...
... In contrast with later 19th century harmony, Debussy eschewed traditional chord functions, and, instead, used sonorities that did not resolve or relate to each other in the usual way. As mentioned above in relation to the Symbolist aesthetic, the individual effect of a chord and the overall effect o ...
Funki - QuT – Exploring ChromatiCism through Composition
... Figure 1 Chromatic scale Chromatic scales are built on a set of intervals that are semi-tone apart (Figure 1). The approach to this composition is to maintain a set of chord progressions but create a melodic line that lie largely outside the associated chord scales. By creating a melody derived from ...
... Figure 1 Chromatic scale Chromatic scales are built on a set of intervals that are semi-tone apart (Figure 1). The approach to this composition is to maintain a set of chord progressions but create a melodic line that lie largely outside the associated chord scales. By creating a melody derived from ...
BASIC MATHEMATICAL AND MUSICAL CONCEPTS Sets and
... minor seventh, or augmented sixth (10 semitones) major seventh (11 semitones) octave (12 semitones) minor ninth (13 semitones) ninth (14 semitones) ...
... minor seventh, or augmented sixth (10 semitones) major seventh (11 semitones) octave (12 semitones) minor ninth (13 semitones) ninth (14 semitones) ...
View
... In the Melodic minor scale, the sixth and seventh degrees are both raised one semitone on the way up the scale, and then both are lowered on the way down. This change allows for writing smoother melodic lines in minor keys. The second half of the ascending Melodic minor sounds like a Major scale. Th ...
... In the Melodic minor scale, the sixth and seventh degrees are both raised one semitone on the way up the scale, and then both are lowered on the way down. This change allows for writing smoother melodic lines in minor keys. The second half of the ascending Melodic minor sounds like a Major scale. Th ...
Chopin – Prelude No.15 in Db major, Op.28
... The texture is the reduced to single p quaver G#s ready for a repeat of the whole section so far. ...
... The texture is the reduced to single p quaver G#s ready for a repeat of the whole section so far. ...
ROMANTIC AND IMPRESSIONIST STYLE IN THE HARP
... is also associated with these Romantic themes. Moreover, as in much Romantic music, homophonic texture often emphasizes the melodic line’s characteristics.7 In the majority of the Six Noëls, the irregular phrasing typical of Romanticism abounds. In the fourth movement of the Six Noëls, for example, ...
... is also associated with these Romantic themes. Moreover, as in much Romantic music, homophonic texture often emphasizes the melodic line’s characteristics.7 In the majority of the Six Noëls, the irregular phrasing typical of Romanticism abounds. In the fourth movement of the Six Noëls, for example, ...
eVirtuoso-Online Lessons Scales Lesson 2
... note in a scale becomes its own mode. So, a seven note scale will have seven modes, one mode for each note, and all seven modes will use the same seven notes. Since each mode is played starting on a different note, each mode will be built with a different whole step and half step interval combinatio ...
... note in a scale becomes its own mode. So, a seven note scale will have seven modes, one mode for each note, and all seven modes will use the same seven notes. Since each mode is played starting on a different note, each mode will be built with a different whole step and half step interval combinatio ...
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[physics.pop-ph] 17 Sep 2012
... picking up the rules from the day they are born, perhaps even before, by hearing it all around them. Very young children can tell whether a tune or harmony is right or not. One of the joys of listening to music is a general familiarity with the way it is put together: to know roughly what to expect, ...
... picking up the rules from the day they are born, perhaps even before, by hearing it all around them. Very young children can tell whether a tune or harmony is right or not. One of the joys of listening to music is a general familiarity with the way it is put together: to know roughly what to expect, ...
Kievan notation
... `«q\w\e\r\t\y\u\i\o\p\[\]«\|~ Since the middle line of the staff is where “DO” is, all we have to do is find a treble clef scale which uses the same note positions. In this case it is the key of B-flat, which has two flats in the key signature. We still need to use the extra flat on the upper “A” pi ...
... `«q\w\e\r\t\y\u\i\o\p\[\]«\|~ Since the middle line of the staff is where “DO” is, all we have to do is find a treble clef scale which uses the same note positions. In this case it is the key of B-flat, which has two flats in the key signature. We still need to use the extra flat on the upper “A” pi ...
Basic Music Theory - 547 Canuck Squadron
... Write the number that correctly completes the sentence. Remember your note tree: 1) There are ____ half notes in a whole note. 2) There are ____ quarters in a whole note. 3) There are ____ quarters in a half note. 4) There are ____ sixteenth notes in a whole note. 5) There are ____ eighth notes in a ...
... Write the number that correctly completes the sentence. Remember your note tree: 1) There are ____ half notes in a whole note. 2) There are ____ quarters in a whole note. 3) There are ____ quarters in a half note. 4) There are ____ sixteenth notes in a whole note. 5) There are ____ eighth notes in a ...
On Ben Johnston`s Notation and the Performance
... reduction of natural relations to manageable ones. Its ubiquity in Western musical thinking, epitomized by the pianos which were once present in every home, and transferred by default to fixed-pitch percussion, modern organs and synthesizers, belies its own history as well as everyday musical experi ...
... reduction of natural relations to manageable ones. Its ubiquity in Western musical thinking, epitomized by the pianos which were once present in every home, and transferred by default to fixed-pitch percussion, modern organs and synthesizers, belies its own history as well as everyday musical experi ...
Distinguishing Predominant and Subdominant Behavior in
... In contrast, Clendinning and Marvin’s The Musician’s Guide to Theory and Analysis does present tonal music through a discussion of harmonic functions. The authors briefly contend with the terminological proliferation of subdominant versus predominant labels. They write: Predominant harmonies – ii an ...
... In contrast, Clendinning and Marvin’s The Musician’s Guide to Theory and Analysis does present tonal music through a discussion of harmonic functions. The authors briefly contend with the terminological proliferation of subdominant versus predominant labels. They write: Predominant harmonies – ii an ...
CIS 3000 Intervals Tutorial
... We don’t have to go step by step through a minor scale in order to see these intervals because the minor scales actually contains many of the same intervals as the major scale (for example, the perfect fifth). We can however see how to transform any major interval into a corresponding minor interval ...
... We don’t have to go step by step through a minor scale in order to see these intervals because the minor scales actually contains many of the same intervals as the major scale (for example, the perfect fifth). We can however see how to transform any major interval into a corresponding minor interval ...
A permutational triadic approach to jazz harmony and the chord
... God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations. Jazz speaks for life. The Blues tell a story o ...
... God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations. Jazz speaks for life. The Blues tell a story o ...
Symphony no. 26 in D Minor, `Lamentatione`: Movement I Haydn
... Joseph Haydn (1732–1809) was highly influential in establishing the symphony, but to describe him as its ‘father’ as is sometimes done does not take sufficient account of the pioneering work of, for example, G.B. Sammartini (c.1700–75) and Antonio Brioschi (active c.1725–50). No composer of symphoni ...
... Joseph Haydn (1732–1809) was highly influential in establishing the symphony, but to describe him as its ‘father’ as is sometimes done does not take sufficient account of the pioneering work of, for example, G.B. Sammartini (c.1700–75) and Antonio Brioschi (active c.1725–50). No composer of symphoni ...
COMPUTER-GENERATING EMOTIONAL MUSIC: THE DESIGN OF
... similarities with the emotion groupings used by Hevner. The circumplex model considers any emotion to be part of a two-dimensional space, in which the x-axis is related to the emotional valence and the y-axis is related to emotional arousal. Valence1 is a term with meaning shared across many domains ...
... similarities with the emotion groupings used by Hevner. The circumplex model considers any emotion to be part of a two-dimensional space, in which the x-axis is related to the emotional valence and the y-axis is related to emotional arousal. Valence1 is a term with meaning shared across many domains ...
Tuning, Tonality, and 22
... frequency ratios using prime factors no higher than 5. A more correct description is that all 5-limit intervals, or ratios involving numbers no higher than 5, aside from factors of 2 arising from inversion and extension, are treated as consonances in this music, and thus need to be tuned with some d ...
... frequency ratios using prime factors no higher than 5. A more correct description is that all 5-limit intervals, or ratios involving numbers no higher than 5, aside from factors of 2 arising from inversion and extension, are treated as consonances in this music, and thus need to be tuned with some d ...
Chord (music)
A chord, in music, is any harmonic set of three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may, for many practical and theoretical purposes, constitute chords. Chords and sequences of chords are frequently used in modern Western, West African and Oceanian music, whereas they are absent from the music of many other parts of the world.In tonal Western classical music, the most frequently encountered chords are triads, so called because they consist of three distinct notes: further notes may be added to give tetrads such as seventh chords and added tone chords, as well as extended chords and tone clusters. Triads commonly found in the Western classical tradition are major, minor, augmented and diminished chords. The descriptions major, minor, augmented, and diminished are referred to collectively as chordal quality. Chords are also commonly classified by their root note—for instance, a C major triad consists of the pitch classes C, E, and G. Chords may also be classified by inversion, the way in which their pitches are vertically arranged.An ordered series of chords is called a chord progression. Although any chord may in principle be followed by any other chord, certain patterns of chords have been accepted as establishing key in common-practice harmony. To describe this, Western music theory has developed the practicing of numbering chords using Roman numerals which represent the number of diatonic steps up from the tonic note of the scale. Common ways of notating or representing chords in Western music other than conventional staff notation include Roman numerals, figured bass, macro symbols (sometimes used in modern musicology), and chord charts. Each of these systems is more likely to appear in certain contexts: figured bass notation was used prominently in notation of Baroque music, macro symbols are used in modern musicology, and chord charts are typically found in the lead sheets used in popular music.