Introduction to Scales
... major scale. Write the 8 notes beginning and ending on C in the treble clef and work out the relationship between each of the notes with the class. Let the class write down C Major scale with the semi-tones marked by a slur. Move onto G Major: Write the 8 notes beginning and ending on G in the trebl ...
... major scale. Write the 8 notes beginning and ending on C in the treble clef and work out the relationship between each of the notes with the class. Let the class write down C Major scale with the semi-tones marked by a slur. Move onto G Major: Write the 8 notes beginning and ending on G in the trebl ...
Level 9 - The Music Makers
... Identiff the tonality of a four-measure phrase in Major or minor. Be able to identi$, the Roman numerals and figured bass for a modulating chord progression. Identiff Major, Dominant, minor, half-diminished, or diminished 7th chords, root position only. Be able to identify the difference between All ...
... Identiff the tonality of a four-measure phrase in Major or minor. Be able to identi$, the Roman numerals and figured bass for a modulating chord progression. Identiff Major, Dominant, minor, half-diminished, or diminished 7th chords, root position only. Be able to identify the difference between All ...
Major Scales - LearnMusicTheory.net
... The lower tetrachord and the upper tetrachord each follow the major tetrachord pattern: W-W-h, with a whole step between them. To visualize the whole step/half step pattern shown above, review 1.2 The Chromatic Scale and the Piano. Remember that E to F and B to C are natural half steps (no accidenta ...
... The lower tetrachord and the upper tetrachord each follow the major tetrachord pattern: W-W-h, with a whole step between them. To visualize the whole step/half step pattern shown above, review 1.2 The Chromatic Scale and the Piano. Remember that E to F and B to C are natural half steps (no accidenta ...
Musical system of ancient Greece
... Below elaborates the mathematics that led to the logic of Tetrachords were classified in ancient Greek theory into genera depending on the position of the third note the system of tetrachords just described. lichanos (the indicator) from the bottom of the lower tetrachord (in the upper tetrachord, re ...
... Below elaborates the mathematics that led to the logic of Tetrachords were classified in ancient Greek theory into genera depending on the position of the third note the system of tetrachords just described. lichanos (the indicator) from the bottom of the lower tetrachord (in the upper tetrachord, re ...
Materials of Music Study Guide Medium Melody Harmony
... The tonic is the central tone around which a melody and its harmonies are built; this principle of organization is called tonality. Dissonance is created by an unstable, or discordant, harmony, while consonance occurs with the resolution of dissonance, producing a concordant sound. In music of some ...
... The tonic is the central tone around which a melody and its harmonies are built; this principle of organization is called tonality. Dissonance is created by an unstable, or discordant, harmony, while consonance occurs with the resolution of dissonance, producing a concordant sound. In music of some ...
Serial Music - Toot Hill School
... tone scale are also unconventional and colourful (different) sounding. A composer who used the whole tone scale quite a lot was Debussy. He is also known for being influenced by Indonesian Gamelan music (see the page on Minimalism for an explanation of Gamelan). Debussy’s use of pedal points (like a ...
... tone scale are also unconventional and colourful (different) sounding. A composer who used the whole tone scale quite a lot was Debussy. He is also known for being influenced by Indonesian Gamelan music (see the page on Minimalism for an explanation of Gamelan). Debussy’s use of pedal points (like a ...
BASIC MATHEMATICAL AND MUSICAL CONCEPTS Sets and
... is the numbering of sxale tones. Numbers with a circumflex, or “hat”, 1̂, 2̂, 3̂, . . . , will be used to denote specific notes of the diatonic major scale. Thus in the key of A , A is the first scale tone and is therefore denoted by 1̂. B is denoted by by 2̂, C by 3̂, and so on. ...
... is the numbering of sxale tones. Numbers with a circumflex, or “hat”, 1̂, 2̂, 3̂, . . . , will be used to denote specific notes of the diatonic major scale. Thus in the key of A , A is the first scale tone and is therefore denoted by 1̂. B is denoted by by 2̂, C by 3̂, and so on. ...
Tones and Semitones
... In the "C major" scale, both the first and the last notes are Cs- but how do we know what the inbetween notes are? On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to us ...
... In the "C major" scale, both the first and the last notes are Cs- but how do we know what the inbetween notes are? On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to us ...
AUGMENTED SIXTH CHORDS Definition
... A6 chords are most often built on the note a half step above the dominant (b6) of the scale in both major and minor keys (as the above examples in the key of C). A6 chords may also be built on the note a half step above the tonic (b2) or the fourth scale degree (see below for examples). Sound: It6 s ...
... A6 chords are most often built on the note a half step above the dominant (b6) of the scale in both major and minor keys (as the above examples in the key of C). A6 chords may also be built on the note a half step above the tonic (b2) or the fourth scale degree (see below for examples). Sound: It6 s ...
chromatic scale
... Minor Scale – The minor scale is another common diatonic scale. It is more varied in pitch material because there are two different versions of both the sixth and seventh scale degrees. Traditionally, the minor scales have been described as having three distinct forms, but the practice, composers u ...
... Minor Scale – The minor scale is another common diatonic scale. It is more varied in pitch material because there are two different versions of both the sixth and seventh scale degrees. Traditionally, the minor scales have been described as having three distinct forms, but the practice, composers u ...
Modern Western Tuning System - Digital Commons @ Kent State
... perfect fifth, while 2:1 or 1:2 represent an ascending or descending octave. In order to create a 12-tone chromatic scale Pythagoras had to omit the Gb (which is supposed to be the same note as F#, however this tuning produces two different frequency rations for these notes) only using the 12 remain ...
... perfect fifth, while 2:1 or 1:2 represent an ascending or descending octave. In order to create a 12-tone chromatic scale Pythagoras had to omit the Gb (which is supposed to be the same note as F#, however this tuning produces two different frequency rations for these notes) only using the 12 remain ...
Music of Ancient Greece (ca. 7 Century B.C.E. – 476 C.E.)
... Diatonic Genera– the tetrachord is generically divided into two Pythagorean whole tones and the small Pythagorean semi-tone descending from the top note: (204 – 204 – 90) Chromatic Genera– the tetrachord is divided into one Pythagorean minor 3rd and the division of the Pythagorean whole tone, descen ...
... Diatonic Genera– the tetrachord is generically divided into two Pythagorean whole tones and the small Pythagorean semi-tone descending from the top note: (204 – 204 – 90) Chromatic Genera– the tetrachord is divided into one Pythagorean minor 3rd and the division of the Pythagorean whole tone, descen ...
Дисциплина «Профессиональное общение на иностранном языке
... raised IV and VII steps is mostly spread. In the scale of such a mode there are two tetrachords of harmonic minor. This very fact is reflected in its name – twice (double) harmonic minor. It is characteristic of Bulgarian, Ukrainian, Moldavian, Tatar, Gypsy music. Minor in the gamut of which the VI ...
... raised IV and VII steps is mostly spread. In the scale of such a mode there are two tetrachords of harmonic minor. This very fact is reflected in its name – twice (double) harmonic minor. It is characteristic of Bulgarian, Ukrainian, Moldavian, Tatar, Gypsy music. Minor in the gamut of which the VI ...
MSP_lecture3
... Construct as a geometric series - successive multiplication by 1.5 How many intervals to create – e.g., how to divide up the octave? Answer = 12 and still holds true today (for western music anyway) Interesting that we don’t use his system anymore but standardized on 12 ...
... Construct as a geometric series - successive multiplication by 1.5 How many intervals to create – e.g., how to divide up the octave? Answer = 12 and still holds true today (for western music anyway) Interesting that we don’t use his system anymore but standardized on 12 ...
Week 3 Pitch Class
... Use all seven letters once and repeat the first again at the end-no other repeats! ...
... Use all seven letters once and repeat the first again at the end-no other repeats! ...
Scales - University of Rochester
... Pythagorean tuning, as a chain of perfect fifths, but in a meantone, each fifth is narrowed in order to make the other intervals like the major third closer to their ideal or perfect just ratios. Quarter-comma meantone is the most well known type of meantone temperament, and the term meantone temper ...
... Pythagorean tuning, as a chain of perfect fifths, but in a meantone, each fifth is narrowed in order to make the other intervals like the major third closer to their ideal or perfect just ratios. Quarter-comma meantone is the most well known type of meantone temperament, and the term meantone temper ...
Stage 1: Desired Results Stage 2 : Assessment Evidence Stage 3
... A. Sight-‐singing (major and minor modes, treble and bass clefs, diatonic and chromatic melodies, simple and compound meters) B. Melodic dictation (major and minor modes, treble and bass clefs, diatonic and ...
... A. Sight-‐singing (major and minor modes, treble and bass clefs, diatonic and chromatic melodies, simple and compound meters) B. Melodic dictation (major and minor modes, treble and bass clefs, diatonic and ...
Higher Concepts - Garnock Academy
... set to words of the Roman Catholic liturgy, such as the Mass. Plainchants are modal and have no regular metre. They follow the rhythm of the Latin words. Term used to describe music based on a mode, a type of early scale used before major and minor keys were developed. Modes are used in jazz and pop ...
... set to words of the Roman Catholic liturgy, such as the Mass. Plainchants are modal and have no regular metre. They follow the rhythm of the Latin words. Term used to describe music based on a mode, a type of early scale used before major and minor keys were developed. Modes are used in jazz and pop ...
Higher Concepts - Dunblane High School Music Website
... words of the Roman Catholic liturgy, such as the Mass. Plainchants are modal and have no regular metre. They follow the rhythm of the Latin words. Term used to describe music based on a mode, a type of early scale used before major and minor keys were developed. Modes are used in jazz and pop music ...
... words of the Roman Catholic liturgy, such as the Mass. Plainchants are modal and have no regular metre. They follow the rhythm of the Latin words. Term used to describe music based on a mode, a type of early scale used before major and minor keys were developed. Modes are used in jazz and pop music ...
Higher Concepts Higher Music Listening 2014 Onwards Music
... set to words of the Roman Catholic liturgy, such as the Mass. Plainchants are modal and have no regular metre. They follow the rhythm of the Latin words. Term used to describe music based on a mode, a type of early scale used before major and minor keys were developed. Modes are used in jazz and pop ...
... set to words of the Roman Catholic liturgy, such as the Mass. Plainchants are modal and have no regular metre. They follow the rhythm of the Latin words. Term used to describe music based on a mode, a type of early scale used before major and minor keys were developed. Modes are used in jazz and pop ...
GT Music Audition Requirements
... Adjudicators will request a chromatic scale in two octaves, one major scale and one minor scale in two octaves from within a range of four sharps to four flats ascending and descending in quarternotes at 92 beats per minute. ...
... Adjudicators will request a chromatic scale in two octaves, one major scale and one minor scale in two octaves from within a range of four sharps to four flats ascending and descending in quarternotes at 92 beats per minute. ...
Mode (music)
In the theory of Western music, mode (from Latin modus, ""measure, standard, manner, way, size, limit of quantity, method"") (Powers 2001, Introduction; OED) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours. This use, still the most common in recent years, reflects a tradition dating to the Middle Ages, itself inspired by the theory of ancient Greek music.