Help with analysing in listening tests
... Is it phrased regularly or irregularly? Is it treated in sequence, repeated a lot, developed in a cellular way? Does it feature any particular intervals (eg tritone) Is it varied in pitch, instrumentation etc? How is the melody structured? Is there a countermelody? Any imitation? Harmo ...
... Is it phrased regularly or irregularly? Is it treated in sequence, repeated a lot, developed in a cellular way? Does it feature any particular intervals (eg tritone) Is it varied in pitch, instrumentation etc? How is the melody structured? Is there a countermelody? Any imitation? Harmo ...
Title: Perception of pitch and time in music Description: Music is
... Music is defined by pitch (how high or low a note is) and time (when a note occurs and how long it lasts). However much of the research on music perception has focused on one or the other dimension, rather than how they combine. The research that does exist has been largely contradictory, with some ...
... Music is defined by pitch (how high or low a note is) and time (when a note occurs and how long it lasts). However much of the research on music perception has focused on one or the other dimension, rather than how they combine. The research that does exist has been largely contradictory, with some ...
05 Elements Unit 5
... Down a scale flat (b) Black key above C is C#, D is D#, etc. Black key below D is Db, E is Eb, etc. ...
... Down a scale flat (b) Black key above C is C#, D is D#, etc. Black key below D is Db, E is Eb, etc. ...
1 Terms and Definitions Characteristics of Modern and Postmodern
... Characteristics of Modern and Postmodern Music Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Impressionism and Impressionist Music (See textbook and lecture notes) Modernism and Modernist Music ...
... Characteristics of Modern and Postmodern Music Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Impressionism and Impressionist Music (See textbook and lecture notes) Modernism and Modernist Music ...
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... melodies to create denser textures. Also explored is how harmony and melody combine to create the concept of key or tonal center. ...
... melodies to create denser textures. Also explored is how harmony and melody combine to create the concept of key or tonal center. ...
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... melodies to create denser textures. Also explored is how harmony and melody combine to create the concept of key or tonal center. ...
... melodies to create denser textures. Also explored is how harmony and melody combine to create the concept of key or tonal center. ...
What is Tonality - California State University, Los Angeles
... principle. The diatonic scales themselves are reorderings of seven-note segments of the cycle of fifths,2 and the triads are derived by filling in those fifths with intervening scale tones. Moreover, the tonalities (C major, G major, etc.) are defined by functional relations among their constituent ...
... principle. The diatonic scales themselves are reorderings of seven-note segments of the cycle of fifths,2 and the triads are derived by filling in those fifths with intervening scale tones. Moreover, the tonalities (C major, G major, etc.) are defined by functional relations among their constituent ...
21.0
... A period of rapid change & development • Revolution in tonality especially captured early 20th century imagination • Along with rethinking of melody & harmony ...
... A period of rapid change & development • Revolution in tonality especially captured early 20th century imagination • Along with rethinking of melody & harmony ...
View printable PDF of 6.3 Analyzing Diatonic Modes
... Tonic by assertion = Establishing a tonal center without the formulas of common practice period music. Common practice period tonality (about 1600-1910) uses melodic formulas like Mi-Re-Do and cadential progressions like V-I, ii-V-I, etc. to establish the tonic as the tonal center. Many pitch-centri ...
... Tonic by assertion = Establishing a tonal center without the formulas of common practice period music. Common practice period tonality (about 1600-1910) uses melodic formulas like Mi-Re-Do and cadential progressions like V-I, ii-V-I, etc. to establish the tonic as the tonal center. Many pitch-centri ...
National 5 - Musical Periods and Styles
... music. Write an appropriate definition beside each concept and, where appropriate, state the abbreviated name given to the form of music. (a) Binary form: ________________________________________________ ______________________________________________________________ _________________________________ ...
... music. Write an appropriate definition beside each concept and, where appropriate, state the abbreviated name given to the form of music. (a) Binary form: ________________________________________________ ______________________________________________________________ _________________________________ ...
Music History and Literature Exemplar 2
... a day. Sometimes the clouds can be peaceful and pretty, and other times, they can be dark and gloomy. Debussy's compositional devices reflect this by juxtaposing sweet sounding tones, melodies, and chords with darker sounds. Expressionism also evokes a sense of emotion, but the emotions evoked are q ...
... a day. Sometimes the clouds can be peaceful and pretty, and other times, they can be dark and gloomy. Debussy's compositional devices reflect this by juxtaposing sweet sounding tones, melodies, and chords with darker sounds. Expressionism also evokes a sense of emotion, but the emotions evoked are q ...
Guidelines for the Analysis of Twentieth
... Guidelines for the Analysis of Twentieth-Century Music I. General considerations for analysis A. Become familiar with 20th-century styles, composers, and techniques, so that in individual pieces you will have an immediate sense of what kinds of musical processes may be at work. B. In any 20th-centur ...
... Guidelines for the Analysis of Twentieth-Century Music I. General considerations for analysis A. Become familiar with 20th-century styles, composers, and techniques, so that in individual pieces you will have an immediate sense of what kinds of musical processes may be at work. B. In any 20th-centur ...
Harmonic Progression - LearnMusicTheory.net
... Since the subdominant chord (IV or iv) is a fifth below the tonic, it is the third strongest harmony after tonic and dominant. Subdominant can move down a third to ii (shown above), or to leading tone, dominant, or tonic. IV to I (or iv to i) is called the plagal progression. All of these progressio ...
... Since the subdominant chord (IV or iv) is a fifth below the tonic, it is the third strongest harmony after tonic and dominant. Subdominant can move down a third to ii (shown above), or to leading tone, dominant, or tonic. IV to I (or iv to i) is called the plagal progression. All of these progressio ...
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... create denser textures. The chapter investigates how harmony and melody combine to create the concept of key or tonal center. It concludes with the organization of musical ideas into forms. ...
... create denser textures. The chapter investigates how harmony and melody combine to create the concept of key or tonal center. It concludes with the organization of musical ideas into forms. ...
Power Point presentation: basics of music
... – Riff = motive with a distinct rhythm that repeats throughout piece ...
... – Riff = motive with a distinct rhythm that repeats throughout piece ...
No 6: Tonality
... scales were called modes. There were about twelve modes to learn, many more than we use today. Ancient philosophers and musicians knew their sound flavours. For example, the mixolydian mode sounded gloomy, depressing, and was used for mourning. Hypodorian mode was tender and gentle. Dorian mode was ...
... scales were called modes. There were about twelve modes to learn, many more than we use today. Ancient philosophers and musicians knew their sound flavours. For example, the mixolydian mode sounded gloomy, depressing, and was used for mourning. Hypodorian mode was tender and gentle. Dorian mode was ...
Tonality
Tonality is a musical system in which pitches or chords are arranged so as to induce a hierarchy of perceived relations, stabilities, and attractions. The pitch or chord with the greatest stability is called the tonic. The most common use of the term ""is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910"" (Hyer 2001). While today classical musics may practice or avoid any sort of tonality, harmony in popular musics remains tonal in some sense, and harmony in folk and jazz musics include many, if not all, modal or tonal characteristics, while having different properties from common-practice classical music.""All harmonic idioms in popular music are tonal, and none is without function"" (Tagg 2003, 534).""Tonality is an organized system of tones (e.g., the tones of a major or minor scale) in which one tone (the tonic) becomes the central point to which the remaining tones are related. In tonality, the tonic (tonal center) is the tone of complete relaxation, the target toward which other tones lead"" (Benward & Saker 2003, 36).""Tonal music is music that is unified and dimensional. Music is unified if it is exhaustively referable to a precompositional system generated by a single constructive principle derived from a basic scale-type; it is dimensional if it can nonetheless be distinguished from that precompositional ordering"" (Pitt 1995, 299).The term tonalité originated with Alexandre-Étienne Choron (1810) and was borrowed by François-Joseph Fétis in 1840 (Reti 1958,; Simms 1975, 119; Judd 1998a, 5; Heyer 2001; Brown 2005, xiii). According to Carl Dahlhaus, however, the term tonalité was only coined by Castil-Blaze in 1821 (Dahlhaus 1967, 960; Dahlhaus 1980, 51).Although Fétis used it as a general term for a system of musical organization and spoke of types de tonalités rather than a single system, today the term is most often used to refer to major–minor tonality, the system of musical organization of the common practice period. Major-minor tonality is also called harmonic tonality, diatonic tonality, common practice tonality, functional tonality, or just tonality.