Operational Amplifiers in Chemical Instrumentation
... instrument or piece of electronic equipment, it would be likely to find one or more op amps. This fact, along with the ease of complex functions that may be accomplished, makes clear the importance of understanding their principles of operation. In this chapter, we will briefly discuss some operatio ...
... instrument or piece of electronic equipment, it would be likely to find one or more op amps. This fact, along with the ease of complex functions that may be accomplished, makes clear the importance of understanding their principles of operation. In this chapter, we will briefly discuss some operatio ...
Electronics
... Bipolar junction transistor operation modes, transconductance, output resistance, characteristics and modeling. Transistor applications as amplifier; nonlinear operation as a switch; cutoff and saturation. BJT amplifier frequency response characteristics and design considerations. BJT digital applic ...
... Bipolar junction transistor operation modes, transconductance, output resistance, characteristics and modeling. Transistor applications as amplifier; nonlinear operation as a switch; cutoff and saturation. BJT amplifier frequency response characteristics and design considerations. BJT digital applic ...
Xm-224/Xm-124
... operation ("1in2Mode"). This uses only one filter module for both channels. Each frontal control can be separately protected against unauthorized or inadvertent manipulation, using optionally available protectors (control covers, 16mm, 358 235). ...
... operation ("1in2Mode"). This uses only one filter module for both channels. Each frontal control can be separately protected against unauthorized or inadvertent manipulation, using optionally available protectors (control covers, 16mm, 358 235). ...
LC Tunable Oscillator
... It is not easy to get higher frequency values (Giga hurts) as we would in practice. The transformer ferromagnetic losses, the lag phase brought by Q1, Q2 and Q3, the output impedance of Q3 and the stray capacity in parallel with R1//R2 limit this high frequency value. Designing more powerful amplitu ...
... It is not easy to get higher frequency values (Giga hurts) as we would in practice. The transformer ferromagnetic losses, the lag phase brought by Q1, Q2 and Q3, the output impedance of Q3 and the stray capacity in parallel with R1//R2 limit this high frequency value. Designing more powerful amplitu ...
Equalization (audio)
Equalization (British: equalisation) is the process of adjusting the balance between frequency components within an electronic signal. The most well known use of equalization is in sound recording and reproduction but there are many other applications in electronics and telecommunications. The circuit or equipment used to achieve equalization is called an equalizer. These devices strengthen (boost) or weaken (cut) the energy of specific frequency bands.In sound recording and reproduction, equalization is the process commonly used to alter the frequency response of an audio system using linear filters. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. An equalizer is the circuit or equipment used to achieve equalization. Since equalizers, ""adjust the amplitude of audio signals at particular frequencies,"" they are, ""in other words, frequency-specific volume knobs.""In the field of audio electronics, the term ""equalization"" has come to include the adjustment of frequency responses for practical or aesthetic reasons, often resulting in a net response that is not truly equalized. The term EQ specifically refers to this variant of the term. Stereos typically have adjustable equalizers which boost or cut bass or treble frequencies. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent.Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement to correct the response of microphones, instrument pick-ups, loudspeakers, and hall acoustics. Equalization may also be used to eliminate unwanted sounds, make certain instruments or voices more prominent, enhance particular aspects of an instrument's tone, or combat feedback (howling) in a public address system. Equalizers are also used in music production to adjust the timbre of individual instruments by adjusting their frequency content and to fit individual instruments within the overall frequency spectrum of the mix.The most common equalizers in music production are parametric, semi-parametric, graphic, peak, and program equalizers. Graphic equalizers are often included in consumer audio equipment and software which plays music on home computers. Parametric equalizers require more expertise than graphic equalizers, and they can provide more specific compensation or alteration around a chosen frequency. This may be used in order to remove (or to create) a resonance, for instance.