1.5V Square-Root Domain Band-Pass Filter With Stacking Technique
... weak inversion, but its operation is limited only to kilo hertz range. In order to improve the issue of Psychalinos [8], Yu [9] and Lopez-Martin [10,11] also adopted MOSFETs operated in saturation region to implement the square-root domain filters. In this paper, a square-root domain filter scheme b ...
... weak inversion, but its operation is limited only to kilo hertz range. In order to improve the issue of Psychalinos [8], Yu [9] and Lopez-Martin [10,11] also adopted MOSFETs operated in saturation region to implement the square-root domain filters. In this paper, a square-root domain filter scheme b ...
Chapter 25 Powerpoint
... What is the voltage across the resistor? VR = 50A x 2Ω = 100V What is the voltage across the capacitor? VC = 50A x –j5Ω = 250-90˚V What is the voltage across the inductor? VL = 50A x j5Ω = 25090˚V Kirchoff’s Voltage Law still holds Although it seems like there is no VT = VR + VC + VL voltage left ...
... What is the voltage across the resistor? VR = 50A x 2Ω = 100V What is the voltage across the capacitor? VC = 50A x –j5Ω = 250-90˚V What is the voltage across the inductor? VL = 50A x j5Ω = 25090˚V Kirchoff’s Voltage Law still holds Although it seems like there is no VT = VR + VC + VL voltage left ...
physics 202 - La Salle University
... 3. We saw from the analysis above that a circuit with an inductor and a capacitor, an LC circuit, displays oscillatory behavior. This frequency is the so-called natural frequency to distinguish it from the driving frequency we are about to introduce into the circuit. In the circuit shown below we in ...
... 3. We saw from the analysis above that a circuit with an inductor and a capacitor, an LC circuit, displays oscillatory behavior. This frequency is the so-called natural frequency to distinguish it from the driving frequency we are about to introduce into the circuit. In the circuit shown below we in ...
Preliminary Work
... 1. Replace your AC voltage source (VAC) with a sinusoidal source that allows transient analysis called VSIN. 2. Set the amplitude (VAMPL) to 1 and the frequency (FREQ) to your midband region. You also need to set VOFF=0, TD=0, and DF=0. 3. Place markers on both your voltage source and your output. 4 ...
... 1. Replace your AC voltage source (VAC) with a sinusoidal source that allows transient analysis called VSIN. 2. Set the amplitude (VAMPL) to 1 and the frequency (FREQ) to your midband region. You also need to set VOFF=0, TD=0, and DF=0. 3. Place markers on both your voltage source and your output. 4 ...
Equalization (audio)
Equalization (British: equalisation) is the process of adjusting the balance between frequency components within an electronic signal. The most well known use of equalization is in sound recording and reproduction but there are many other applications in electronics and telecommunications. The circuit or equipment used to achieve equalization is called an equalizer. These devices strengthen (boost) or weaken (cut) the energy of specific frequency bands.In sound recording and reproduction, equalization is the process commonly used to alter the frequency response of an audio system using linear filters. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. An equalizer is the circuit or equipment used to achieve equalization. Since equalizers, ""adjust the amplitude of audio signals at particular frequencies,"" they are, ""in other words, frequency-specific volume knobs.""In the field of audio electronics, the term ""equalization"" has come to include the adjustment of frequency responses for practical or aesthetic reasons, often resulting in a net response that is not truly equalized. The term EQ specifically refers to this variant of the term. Stereos typically have adjustable equalizers which boost or cut bass or treble frequencies. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent.Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement to correct the response of microphones, instrument pick-ups, loudspeakers, and hall acoustics. Equalization may also be used to eliminate unwanted sounds, make certain instruments or voices more prominent, enhance particular aspects of an instrument's tone, or combat feedback (howling) in a public address system. Equalizers are also used in music production to adjust the timbre of individual instruments by adjusting their frequency content and to fit individual instruments within the overall frequency spectrum of the mix.The most common equalizers in music production are parametric, semi-parametric, graphic, peak, and program equalizers. Graphic equalizers are often included in consumer audio equipment and software which plays music on home computers. Parametric equalizers require more expertise than graphic equalizers, and they can provide more specific compensation or alteration around a chosen frequency. This may be used in order to remove (or to create) a resonance, for instance.