Download Musicianship notes - University High School 2014

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Transcript
Musicianship Midterm Notes
Audition is to music as thinking is to speaking.”
Values of Intervals
Qualitative
What it sounds like, and number of half steps.
Quantitative
# of interval. i.e. 2nd, 3rd…
Definition of a Scale
Succession of consecutive pitches
Definition of Intervals
Distance between two pitches
Musical Textures
Monophonic- one melody
Polyphonic- two independent melodies
Homophonic- two melodies working together
Intervallic Content
Maj. Scale = WWHWWWH
Harmonic Minor = WHWWH‘A2’H
Accidentals (sharps, flats, naturals)
# sharp- raises pitch one half step
x double sharp- raises pitch two half steps, or one full step
b flat- lowers pitch one half step
bb double flat- lowers pitch two half steps, or one full step
natural- cancels out all sharps and flats, including key signature
Enharmonic Equivalence
Two pitches that sound the same, but are notated differently
Tetrachords
Four consecutive pitches, two tetra cords make a scale
Resting tones
Major- Do
Minor- La
Dorian- Re
Mixolydian- Sol
The Elements of Music
Rhythm
Melody
Harmony
Form in Music
Call and Response- Solo then Echo
Srofic- Repetition and Contrast
Definition and Parts of a Triad
Three pitches together built on thirds
Root- Bottom tone, names triad
3rd- Middle tone
5th- Top tone
Types of Harmonic Motion
Oblique- Drone with a melody played over top
Similar- Two melodies moving together
Contrary- Two melodies moving in opposite directions
Principle Functions
Major- I IV V
Minor- i iv V
Dorian- i IV V
Mixolydian- I VII
Innovator and Developer of the Gothic Period
Hildegard Von B“ingen
Traveling Musicians
Troubardors- South France
Trouveres- North France
Minnesingers- Germany
Minstrels- England
Polyphonic Organum
Developed by Perotin Magister
First great Polyphonic textured music
Harmonic Language of Gothic Period
Perfect intervals
P4
P5
P8
Definition of Music
Art of organizing sounds into meaningful patterns.
Types of melodies
Conjunct- by steps
Disjunct- by skips
National Music
Accosiated with a country or people
Traditional Music
No know composer
No written notation
Passed down across generations
Triad Qualities
Major- M3+m3, sounds happy
Minor- m3+M3, sounds sad
Augmented- M3+M3, sounds like its going somewhere
Deminished- m3+m3, sounds sinister
Scale Degrees, Roman numberals and functions in major tonality
Tonic-SuperTonic-Mediant-SubDominant-Dominant-SubMediant-LeadingTone
I ii iii IV V vi vii°
Identifying Key Signatures
Father # is Ti
Charels b is Fa
Goes Maj. is Do
Down Min. is La
And
Ends
Battle
Advances in music by era
Paleolithic
Music is created by humans. This is done with the copy of the sounds of nature, shown
with the Ba nbuti Crickets song.
Neolithic
Music advances and a call and response form is created. Music is now moved from a
mithical device to a task driven use, shown in the Irish cloth song.
Medieval
Gregorian chants are developed in Oblique motion, done with drone and simple a simple
melody.
Early Gothic
Hildigard
Moved to simple polyfonic texture and extended range of melody.
Middle Gothic
Development of Polyfonic Organum shows mastery of simplistic polyfonic textures in
music. Done with most mastery by Perotine.
Intervalic Content Chart
0 Perfect Unison (PU)
1 Minor Second (m2)
2 Major Second (M2)
3 Minor Third (m3)
4 Major Third (M3)
5 Perfect Forth (P4)
6 Dininished Fifth or Augmented Fourth (D5, A4)
7 Perfect Fifth (P5)
8 Minor Sixth or Augmented Fifth (m6, A5)
9 Major Sixth (M6)
10 Minor Seventh or Augmented Sixth (m7, A6)
11 Major Seventh (M7)
12 Perfect Octave (P8)
13 Minor Ninth (m9)
14 Major Ninth (M9)
15 Minor Tenth (m10)
16 Major Tenth (M10)
Other Definitions
Relitve keys- major and minor keys with the same do
Parallel keys- major and minor keys with the same starting pitch
Intervalic Contents
Major- WWHWWWH
Natural Minor- WHWWHWW
Harmonic Minor- WHWWH’A2’H
Melodic Minor- up WHWWWWH down WWHWWHW
Ars Antiqua- The music of the Medival Period
Ars Nova- The music of the Gothic Period
Cantus Firmus (fixed melody)- The basis and foundation for the majority of the part
music of Medival and Gothic Periods. Many were derived from Gregorian Chants.
Modes
Ionian- CDEFGAB
Dorian- DEFGABC
Phrygian- EFGABCD
Lydian- FGABCDE
Mixolydian- GABCDEF
Aeolian- ABCDEFG
Locrian- BCDEFGA
Duration- The length of individual sounds and tones. Rhythm is a funtion of duration
Augmentation- increasing (lengthening) the duration of a sound
Diminution- decreasing (shortening) the duration of a sound
Visionary, Unique, Master, Prolific- attributes of a great composer
Art Music- Strategic Plan
|
V
Realizing Artistic Vision
|
V
Higher order Musical Thinking