Download LS 6: The Nature and Purpose of Christian art

LS 7: The Nature and Purpose of Christian art:
THE DAY OF THE DEAD FESTIVAL
[Los Dias de Los Muertos]
Introduction
At first glance, Day of the Dead decorations, colored paper garlands, little
skeletons performing daily tasks and sugar skulls inscribed with names remind
visitors of Halloween. But Day of the Dead in Mexico represents a mixture of
Christian devotion and Pre-Hispanic traditions and beliefs. As a result of
this mixture, the celebration comes to life as a unique Mexican tradition
including an altar and offerings dedicated to the deceased.
More than 500 years ago, when the Spanish Conquistadors landed in what is now Mexico, they encountered
natives practicing a ritual that seemed to mock death. It was a ritual the indigenous people had been practicing
at least 3,000 years. A ritual the Spaniards would try unsuccessfully to eradicate. This ritual is known today as
Día de los Muertos, or Day of the Dead. The ritual is celebrated in Mexico and certain parts of the United
States. Although the ritual has since been merged with Catholic theology, it still maintains the basic principles
of the Aztec ritual, as presented in the art of the festival.
The Aztec component
The festival fell on the ninth month of the Aztec Solar Calendar, approximately the beginning of August, and
was celebrated for the entire month. Festivities were presided over by the goddess Mictecacihuatl. The goddess,
known as "Lady of the Dead," was believed to have died at birth.
During the pre-Hispanic era, ‘death’, as we understand it, did not exist. Death was seen, instead, as
simply a transition, a voyage through time and space towards true life. This is quite a different
concept than what is believed today, where people believe death symbolizes the end of the road.
Unlike the Spaniards, who viewed death as the end of life, the natives viewed it as the continuation of
life. Instead of fearing death, they embraced it. To them, life was a dream and only in death did they
become truly awake.
"The pre-Hispanic people honored duality as being dynamic," said Christina Gonzalez, senior lecturer
on Hispanic issues at Arizona State University. "They didn't separate death from pain, wealth from
poverty like they did in Western cultures."
Daily life in ancient Mexico was so uncertain and difficult that death was expected at every turn.
Death, in fact was revered, believed to be the ultimate experience of life, life's own reward, even
welcomed as a better option when people are struggling for survival.
The Mexican still views death as a transition of life, a normal stage in the circle of life on earth, a
natural progression, not an ending. Writer Octavio Paz commented about his people's relationship
with death saying, The Mexican is familiar with death, jokes about it, caresses it, sleeps with it, and
celebrates it. It is one of his favorite playthings and his most steadfast love."
In this tradition tradition, people die three deaths:
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The first death is when our bodies cease to function; when our hearts no longer beat of their
own accord, when our gaze no longer has depth or weight, when the space we occupy slowly
loses its meaning.
The second death comes when the body is lowered into the ground, returned to mother earth,
out of sight.
The third death, the most definitive death, is when there is no one left alive to remember us.
The Catholic component
However, the Spaniards considered the ritual to be sacrilegious. They perceived the indigenous people to be
barbaric and pagan. In their attempts to convert them to Catholicism, the Spaniards tried to kill the ritual, but
like the old Aztec spirits, the ritual refused to die.
From Samhain to All Souls Day to Halloween to the Day of the Dead
To make the ritual more Christian, the Spaniards moved it so it coincided with All Saints' Day and All
Souls' Day (Nov. 1 and 2), which is when it is celebrated today.
In the eighth century, the church decreed November 1 as All Saints Day. Setting aside the day to honor
the martyrs and saints was an attempt to replace the 2000-year tradition of the Celts and their Druid
priests who combined harvest festivals and celebrated the new year on November 1.
The Celtic dead were believed to have access to earth on Samhain, October 31st, when the boundary
between the worlds of the living and the dead relaxed. The Celts danced around huge bonfires, wearing
animal heads and hides to confuse the spirits and burned crops and animals as offerings to the returning
dead.
Around the end of the first millennium, the church reinforced its attempt to cover the Celtic celebration by
designating November 2 as All Souls' Day to honor the dead. All Souls' Day was celebrated with parades,
big bonfires and the people dressed as saints, angels and devils.
In the language of the day, All Saints Day and All Souls' Day were known as All-hallowsmas, and October
31 was "All Hallowed's Eve" or Hallow'e'en.
When the Spaniards arrived in Mexico they encountered two-month celebrations honoring death, the fall
harvest and the new year. For more than 500 years, the goddess Mictecacihuatl (Lady of the Dead)
presided over Aztec harvest rituals using fires and incense, costumes of animal skins, images of their
dead and offerings of ceramics, personal goods, flowers and foods, drink and flowers.
While the church attempted to transform the joyous celebration to a suitably tragic image of death and a
serious day of prayer focusing attention and reflection on the saints and martyrs. The people of Mexico did
not fully adopt the early priests' ideas, and by keeping their familiar ceremonies, All Saint's Day and All
Soul's Day evolved into the celebrations that today honour the dead with colour, candles, joy.
As with moving the date of the original Aztec festivals, Mexicans also
began to employ the religious imagery of their forced conversion to
Christianity. Wanting to hold on to their celebration they used the Christian
icons to appease the Spaniards and it seems to have worked to some
degree.
Originally the Christian symbology meant nothing to the Aztecs, but as time
passed these religious icons became part of the celebration and the holiday
became a mixture of Aztec traditions and Catholic imagery.
THE DAY OF THE DEAD TODAY
An important aspect of the holiday is the closure that it provides for families who have lost a loved one
during the previous year. Without embalming, burial must take place within 24 hours of death. During this
short period, the body is laid out in the coffin at home, surrounded by candles, flowers, family and friends.
While the family and friends gather, and sit in vigil during the night, then return for another week to recite
the rosary, there is often little time for acceptance or reality. Preparing for the return of the spirit each fall
lets the family remember and honor their dead, and gives them a chance to heal.
Some families prepare the Day of the Dead altar of offerings at the family grave site, lighting a candle for
each dead one, remembering the names, and placing flowers or coronas (wreaths) at the cemetery. Many
stay to visit, eat, drink and pray while they keep a vigil during the night. All night, throughout the cemetery
there is a grand family reunion of huge extended families, alive and dead, as one by one, through stories,
memories and dreams, the dead return. On this night, those who wait realize the importance of living to be
well remembered, working to be well respected and loving to be well missed.
Once the night has passed, and the spirits have returned to their world, the ones remaining known that for
another year they have triumphed in the struggle of life and that the only way to celebrate death is to live
with courage. They have faced death and have won, saying, "Look here, you old bald skull - you fleshless
one - you didn't get me - I have survived to live again today."
THE ART OF THE DAY OF THE DEAD festival [The Important Part]
The purpose of the art
The Mexican flatters and woos death, he sings to her, dances with her, lifts his
glass to her, he laughs at her. Finally, he challenges her, and in the
challenging, death loses her power to intimidate him Once he knows death
intimately, death is no longer wrapped in a cloak of mystery or causes him to
fear the darkness.
Once the fear of death has been defeated, the clutch she has on the hearts and
minds of the living is lessened once and for all. Death's morbid side is buried
under music and remembrances, while skeletons laugh and dance and sing as
Mexico celebrates life in its embrace of death.
The representation of the mixture of Christian and Aztec beliefs through art
Flowers, symbolizing the brevity of life, are massed and fashioned into
garlands, wreaths and crosses to decorate the altar and the grave. The
marigold is the most traditional flower of the season. In Aztec times it
was called the cempasuchil, the flower of 400 lives. The fragrance of
the cempasuchil leads the spirits home. Sometimes paths of the petals
lead out of the cemetery and to the house to guide the spirits. A cross
of marigold petals is formed on the floor so that as the spirit
approaches the altar, he will step on the cross and expel his guilt.
Saints as Skeletons – Further to the
representation of the Catholic component as
mentioned above, many Saints are represented in
terms of Mexican folk magic. The image on the
left is of “La Santisima Muerte”, a skeleton
equivalent / version of the Virgin Mary - a female
saint with awesome powers, in Mexican folklore.
The Grim Reaper on the right, however, is not a
traditional Mexican icon at all. The figure is
dressed up in the clothes of a monk and is
presented as a saint.
Calaveras (skeletons): The hand crafted skeletons, Calaveras are funny and friendly rather than
frightening or spooky. They represent the beloved dead ones, their occupations and hobbies. As they are
placed on the altar, the delightful skeleton figures bring back fond memories and cause the grieving ones
to smile. The figures with the smells of favourite foods, help the spirits find the right house.
Three calaveras, which represent the Holy Trinity, are placed on the second level.
Colourful tissue paper, papel picado, is cut into intricate designs and strung to flutter over around the altar.
This custom comes from the Aztecs who used paper banners in rituals. The colours used represent:
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Black for the Prehispanic religions and land of the dead
Purple from the Catholic calendar to signify pain, suffering, grief, mourning
Pink for celebration
White for purity and hope
Yellow and Orange for the marigold, the sun, light
Red representing for Christians, the blood of Jesus; and for the indigenous, the life blood of
humans and animals.
Specifically Aztec art in the festival (not needed in the exam, but for your own interest)
The altar: The altar consists of offerings dedicated to the deceased. It includes four main elements of
nature — earth, wind, water, and fire.
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Earth is represented by crop: The Mexicans believe the souls are fed by the aroma of food.
Wind is represented by a moving object: Tissue paper is commonly used to represent wind.
Water: is placed in a container for the soul to quench its thirst after the long journey to the altar.
Fire is represented by a wax candle: Each lit candle represents a soul, and an extra one is placed
for the forgotten soul. Four candles are placed on the top level to represent the cardinal directions.
A candle is lit for each dead family member, and one extra so that no one is left out. The candles,
which represent hope and faith, burn during the night, so that there is no darkness.
Personal items of the spirits remembered, the child's toys, household saints, photos of those honoured are
added to the altar, along with the tools and utensils used each day, serapes, guitars or drums, gourds for
carrying water and cigars or cigarettes.
Skulls: Today, people don wooden skull masks called calacas and dance in honor of their deceased
relatives. The wooden skulls are also placed on altars that are dedicated to the dead. Sugar skulls, made
with the names of the dead person on the forehead, are eaten by a relative or friend.
The Aztecs and other Meso-American civilizations kept skulls as trophies and displayed them during the
ritual. The skulls were used to symbolize death and rebirth. The skulls were used to honor the dead, whom
the Aztecs and other Meso-American civilizations believed came back to visit during the month long ritual.
IMPORTANT TASK:
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As with the other five art objects, you should complete the relevant sheets in your ‘Nature and Purpose of
Christian Art’ booklet.
However, note that it is the art that explicitly merges Christian and Aztec beliefs (marigold cross, trinity
calaveras, saints as skeletons) that must be mentioned.
And being able to summarise how this merging of Christian and Aztec beliefs happened, and how this
festival came about is also very important.