Download High School Literature 2.4

High School Literature 2.4
William Shakespeare
and the writing of Roman History
Writing Roman History
Romans had a deep devotion to their past. Many of their proud
traditions are evident in their political and legal institutions, their
religion, and in their literature.
The Roman orator and statesman Marcus Tullius Cecero was not an
historian but thought history should be useful to record the
precedents in law, military affairs, and provide models of moral
conduct from Rome’s past.
As such, the heroic legends of Rome’s past have been transformed
from oral traditions into epic poems, plays, and stories. The
responsibility of a historian was to do more than tell pleasant
stories. They should make moral judgments.
Writers of history did not merely ask what occurred or how it
happened, but more importantly, why certain events came about.
Roman Historiography:
Romans regarded the practice of writing history as an act of literary
composition rather than research. Greek historians saw research as
essential but Roman historians instead relied on a single source of
information and recast or rewrote the material or speeches into
their own prose.
This method of impressing the historian putting his conception of the
historic event into fact was so effective it radically changed the
primary source of information. This literary style caused many
discrepancies in dates and places along with the interpretation of
what had happened.
Most Roman historians wished to avoid “untruths” but a persuasive
narrative was more important to telling a story and often filled the
gap between the actual event and the highly political world of the
Roman elite.
The Roman historian Quintilian described history as “a poem in prose.”
The Roman philosopher, Cicero defined Quintilian as an
“embellisher of events.”
Interpreting history…
The writing of Roman history began with Quintas Fabius Pictor. He wrote
about the founding of the city of Rome and defended the Roman state and
its actions by using propaganda to embellish his accounts.
Cato the Elder is credited as the first historian to write in Latin. His work, the
Origines, was written to teach Romans what it means to be Roman.
Cato the Elder’s work is filled with legends illustrating Roman virtues and how
Italian cities, along with Romans, were superior to the Greeks.
Other historians wrote in what is known as the Annalistic, or year-by-year
style, followed by the Monographic tradition that we are familiar with
today.
Monographs are single topic histories. Biographies emerged from the
monographic tradition.
Factionalized history is another form of writing that was used by Roman
historians. This was especially evident in times of political unrest or social
turmoil.
Historians re-wrote history to suit their particular views of the age. This was
especially evident in 70 BC when social wars and military alliances were
being formed.
The Center of Public and Political Life
Roman history has been centered on the public and political life of the Roman
people, whether in the Senate, the Forum or on military campaigns.
This focus led Roman historians to create themes of universal importance.
We can look back at the founding and growth of Rome to a lost golden age
and the decline of the Roman Republic.
Rome’s empire grew larger while her moral values and political institutions
eroded from within. Conquest, wealth, and power eroded Rome from
within and corrupted the free Roman people leaving them the subjects of
a new monarchy.
Most important to remember, the written history of Rome grew out of the
political life of the city. Its speeches were political acts and its language
was an analysis of society. From antiquity to the present day it has been
read for its examples of heroic conduct.
Speeches were political acts.
Moral histories became the voice of future historians.
The discussion of freedom and tyranny, corruption of
individuals or civic powers, and the decline of political
and social institutions have remained.
The history of Rome continues to be read for its examples
of heroic conduct and the dream of keeping liberty
alive. Poetry, drama, and paintings commemorate the
past.
The Roman historian Tacitius believed the function of
Roman historiography was to affect the future.
Cicero said it best, “the witness of the past, the light of
truth, the survival of memory, the teacher of life, the
message of antiquity.” (On Oratory 2.9.36)
William Shakespeare
and the story of Rome
In 1599 William Shakespeare wrote about Roman history portraying
the assassination of a great Roman dictator and the defeat of the
conspirators at the Battle of Philippi.
The Tragedy of Julius Caesar by William Shakespeare, portrays the 44
BC conspiracy against the Roman dictator Julius Caesar, his
assassination and the defeat of the conspirators at the Battle of
Philippi, the final battle in the Wars of the Second Triumvirate
between the forces of Mark Antony and Octavian.
Shakespeare based his play on true events from Roman history. It is
believed the play reflects the general anxiety of England over the
refusal of an elderly Queen Elizabeth to name a successor. The fear
of a civil war similar breaking out after her death was similar to that
of Rome and the death of Julius Caesar.
The play was likely one of Shakespeare's first to be performed at the
Globe Theatre.
Who was Julius Caesar?
Julius Caesar was a Roman general, a statesman,
and a Consul along with being an author of
Latin prose. Caesar wrote accounts of both
the Gallic and Civil Wars in the form of a
memoir or diary. Caesar used this
opportunity to present his own version of the
facts.
He played a critical role in several events that
influenced the end of the Roman Republic
and the rise of the Roman Empire.
In 60 BC, Caesar formed a political alliance that
would dominate Roman politics for several
years.
Caesar amassed great power and wealth by using
certain tactics to oppose the conservative
ruling class within the Roman Senate.
Cato the Younger, and Cicero were among the
conservatives in the Senate who opposed
Caesar who eventually extended Rome’s
territory to the English Channel and the
Rhine River where he built the first bridge
across the Rhine and conducted the first
invasion of Britain.
Caesar is murdered…
In the play, Julius Ceasar was killed by a mutiny of Roman
senators fearing that Caesar intended to turn republican
Rome into a monarchy under his own rule. Caesar's
assassination is one of the most famous scenes of the play,
occurring in Act 3.
After ignoring the soothsayer as well as his wife's own
premonitions, Caesar comes to the Senate. The
conspirators create a superficial motive for the
assassination by means of a petition brought by Metellus
Cimber, pleading on behalf of his banished brother.
As Caesar, predictably, rejects the petition, Casca grazes
Caesar in the back of his neck, and the others follow in
stabbing him; Brutus is last. At this point, Caesar utters the
famous line "Et tu, Bruté? meaning "And you, Brutus?"
Brutus and Marc Antony speak
The conspirators make clear that they committed this act for Rome, not for
their own purposes and do not attempt to flee the scene.
After Caesar's death, Brutus delivers an oration defending his actions, and for
the moment, the crowd is on his side.
However, Mark Antony, with a subtle and eloquent speech over Caesar's
corpse—beginning with the much-quoted "Friends, Romans, countrymen,
lend me your ears.”
With his famous soliloquy he turns public opinion against the assassins by
manipulating the emotions of the common people. In contrast to the
rational tone of Brutus's speech he reminds them of the good Caesar had
done for Rome, his sympathy with the poor, and his refusal of the crown
questioning Brutus' claim of Caesar's ambition.
Antony shows Caesar's bloody, lifeless body to the crowd to have them shed
tears and gain sympathy for their fallen hero; and he reads Caesar's will, in
which every Roman citizen would receive 75 drachmas. Antony rouses the
mob to drive the conspirators from Rome.
Brutus
Be patient till the last. Romans, countrymen, and lovers! Hear me for my
cause, and be silent that you may hear. Believe me for mine honor, and
have respect to mine honor that you may believe. Censure me in your
wisdom, and awake your senses that you may the better judge.
If there be any in this assembly, any dear friend of Caesar’s, to him I say that
Brutus' love to Caesar was no less than his. If then that friend demand why
Brutus rose against Caesar, this is my answer: not that I loved Caesar less,
but that I loved Rome more.
Had you rather Caesar were living and die all slaves, than that Caesar were
dead, to live all free men? As Caesar loved me, I weep for him. As he was
fortunate, I rejoice at it. As he was valiant, I honor him. But, as he was
ambitious, I slew him. There is tears for his love, joy for his fortune, honor
for his valor, and death for his ambition.
Who is here so base that would be a bondman? If any, speak—for him have I
offended. Who is here so rude that would not be a Roman? If any, speak—
for him have I offended. Who is here so vile that will not love his country? If
any, speak—for him have I offended. I pause for a reply. Then none have I
offended. I have done no more to Caesar than you shall do to Brutus.
Marc Antony
Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him.
The evil that men do lives after them; The good is oft interred with their bones; So let it be
with Caesar. The noble Brutus Hath told you Caesar was ambitious: If it were so, it was a
grievous fault, And grievously hath Caesar answer'd it.
Here, under leave of Brutus and the rest-- For Brutus is an honourable man;
So are they all, all honourable men-- Come I to speak in Caesar's funeral.
He was my friend, faithful and just to me: But Brutus says he was ambitious;
And Brutus is an honourable man.
He hath brought many captives home to Rome Whose ransoms did the general coffers fill:
Did this in Caesar seem ambitious?
When that the poor have cried, Caesar hath wept: Ambition should be made of sterner stuff: Yet
Brutus says he was ambitious; And Brutus is an honourable man.
You all did see that on the Luperca. I thrice presented him a kingly crown, Which he did thrice
refuse: was this ambition?
Yet Brutus says he was ambitious; And, sure, he is an honourable man.
I speak not to disprove what Brutus spoke, But here I am to speak what I do know.
You all did love him once, not without cause: What cause withholds you then, to mourn for him?
O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me;
My heart is in the coffin there with Caesar, And I must pause till it come back to me.
What do Brutus’ and Antony’s
speeches tell us about themselves?
A soliloquy is a speech made by a person who is
alone on stage, or who is alone speaking to
himself. By speaking aloud, the person reveals
his thoughts and character.
A monologue is a speech given by a single
person to an audience with the purpose of
entertaining, instructing, or teaching.