Download MARKETING MANUAL Big League Productions Inc. is looking

MARKETING MANUAL
Big League Productions Inc. is looking forward to bringing MY FAIR LADY to your market! The
enclosed materials will help you in developing your Marketing, PR and Group Sales strategy for
this show.
Demographic Information
Primary Target:
Traditional Broadway Theater-goers
The MY FAIR LADY core single ticket audience is your traditional Broadway single ticket buyers
(F 25-64)
Secondary Targets:
Seniors, Teenage Girls, Gay Community
We have included programs in the marketing guide to target niche groups for MY FAIR LADY as
well.
 Many seniors will be reached through the traditional Broadway marketing efforts,
however we feel specific targeting for senior groups focusing on the nostalgia of the show
is important.
 Eliza Doolittle is a great character for young women to relate to and we feel it is important
to tap into that teenage girl/Glee-watching audience
 MY FAIR LADY is a popular musical in the gay community and this audience should
definitely be marketed to as well
True Marketing
100 South Eola Drive Suite 100 ● Orlando FL 32801
407.841.4675
Contact Information
All advertising materials, budgets, marketing schedules and discount programs must be
approved in advance. Please contact True Marketing for information or with any questions
regarding the marketing of My Fair Lady.
Wendy Connor
President
True Marketing
E: [email protected]
W: 407.704.6191
F: 407.841.4738
M: 407.718.9101
Jannet Busto
Vice President of Marketing
True Marketing
E: [email protected]
W: 407.841.4675
F: 407.841.4738
M: 407.718.9105
Donna Fiegel
Public Relations Director
True Marketing
E: [email protected]
W: 407.841.4675
F: 407.841.4738
M: 407.462.4961
MY FAIR LADY official marketing website:
http://www.bigleague.org/myfairlady
u: rain
p: spain
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Season Brochure Copy
MY FAIR LADY
The World’s Greatest Musical
Big League Productions Inc. presents a sparkling new production of the musical by which
all others are measured. Based on Shaw’s play and Pascal’s movie “Pygmalion,” with book music
and lyrics by Lerner and Loewe, MY FAIR LADY is triumphant. With Wouldn’t It Be Loverly?,
With a Little Bit of Luck, The Rain in Spain, I Could Have Danced All Night, On the Street
Where You Live, Get Me to the Church on Time and I’ve Grown Accustomed to Her Face, it’s no
wonder everyone – not just Henry Higgins – falls in love with Eliza Doolittle.
The show’s 1956 Broadway production was a smash hit, setting a new record for the
longest run of any major theatre production in history. It was followed by a hit London
production, a popular film version starring Audrey Hepburn-which won eight Academy Awards,
and numerous revivals. It has been called “the perfect musical”
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PROMOTIONAL OPPORTUNITIES

FLOWER SHOP Tie-In: Partner with a local flower shop or national chain for the time
leading up to your engagement of MY FAIR LADY. In store, web presence. “Buy a flower,
miss.” Tie in ticket and flower giveaways.

HATS: Create a contest to make your own My Fair Lady-inspired [Kentucky Derby-esqe] hat.
Viewers can submit pictures of their hats via MFL facebook- winner chosen by # of “likes” or
through a local partner.

LONDON BRIDGE IS FALLING DOWN…: One of the main themes of the show surrounds
Eliza theme of the show is her becoming educated. Work with local school system or library
on a MY FAIR LADY Reading Program - if a child reads 10 books from an approved list, and
answers a question sheet about each book (could be via online)- with parent approval, they
receive a pair of tickets to the show. (Or if done through a class/group – each child receives
one ticket and attends with the teacher/chaperone.) This would be a good PR opportunity as
well.

GET ME TO THE CHURCH ON TIME 1: Partner with local wedding websites, publications or
conventions along with a local florist or cake shop. Giveaways can include tickets for the
bridal party, flowers for the wedding, wedding cake.

GET ME TO THE CHURCH ON TIME 2: On-air or online promotion encouraging
listeners/viewers to share their stories of obstacles in getting to the church on time for their
weddings/special events. Winners receive tickets.

GET ME TO THE CHURCH ON TIME 3: Host an event where you ask people to wear their old
bridesmaids dresses. The worst dress wins tickets for them and several friends to attend the
show. This could be a fun PR event at a local night club.

LADIES NIGHT: Partner with local bar/restaurant to package a “My Fair Ladies Night” to
include pre –show dinner, tickets to the show, post show cocktail event.

I’VE GROWN ACCUSTOMED TO HER FACE: Create a program to nominate deserving ladies
in the community for a day of beauty. Partner with local salon/spa, department store
(clothing), make-up counter (makeover). MAC might be a good option for this promotion.

ISN’T SHE LOVERLY: Partner with local salon, spa, department store, make-up counter for a
makeover promotion.
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
I COULD HAVE DANCED ALL NIGHT: Partner with a local adult dance class/studio – have
the instructors teach the classes to music from MY FAIR LADY. A dance contest could be
created with the grand prize winners dance video featured online and tickets to the show.

I’M GETTING MARRIED IN THE MORNING 1: Partner with a local bridal shop to host a oneday promotion inviting brides/bridesmaids to come to the event to register-to-win tickets and
a discount/package from the bridal shop.

ENGLISH TEACHERS: Work with the local school system to create an education program
around English language and diction.

TREAT HER LIKE ROYALTY: Partner with a local jeweler, spa, high-end restaurant, clothing
store, etc. Promote via more male-skewed media for men to win a package for their lady
including tickets to the show.

SING FOR YOUR TICKETS: Partner with a local radio station to either create an event or a
call-in program where listeners are encouraged to call in and sing songs from the show.

DOOLITTLE OR DO A LOT: The MY FAIR LADY website will have a charitable section outline
ways to help in your local community. Local markets can create programs where people earn
points for community service hours and a certain number of hours earns a pair of tickets.
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ADVERTISING
Print: If you have good deals or trade opportunities with color rates we recommend using color
for print wherever possible. For one & two night markets, we have created some strip/banner
ads to garner front page/section placement.
Television: We recommend working with a television partner to garner as much additional
support for our buy as possible, including trade, promotional and bonus spots.
Programming Recommendations:
We suggest concentrating on females 25-64 and your traditional theatergoer through the
following programming: Today (NBC), Good Morning America (ABC), CBS Sunday
Morning, Face The Nation, ET, Access Hollywood, Limited programming on Dr. Phil,
Oprah, Ellen, Martha Stewart.
Cable – Bravo, HGTV, ABC Family, Nickelodeon, Lifetime, E! Entertainment, A&E,
Oxygen, PBS – Theatrical Programming
For one & two night markets, we recommend concentrating the buy into M-W-F in order
to reach efficiently.
Radio: The music from MY FAIR LADY is very recognizable so radio can be a strong medium
for this show. We do require promotional support to accompany any radio cash buys and
encourage trade opportunities wherever possible.
Programming Recommendations:
A/C; Hot A/C; lite rock stations
For one & two night markets, we recommend concentrating the buy into M-W-F in order
to reach efficiently.
Outdoor: The MY FAIR LADY title is very recognizable so outdoor can be impactful if your
market has a good outdoor deal.
Online: We highly recommend doing advance priority offers to as many lists as possible to
start the buzz on the show early. We recommend utilizing online advertising opportunities with
major media websites in your market including the major daily, television partner sites, city
social sites, etc. We have Flash and static ads available for any online needs.
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407.841.4675
PUBLICITY
Advance Press Opportunities
Here are some viable options for pitching advance press. These are not the only angles, but ones that have
garnered quite a bit of advance press in other markets:
1. Playing an Iconic Character: We’ve seen quite a bit of press from this angle. Reporters can
speak with Eliza or Henry Higgins to discuss what it is like for them to play such iconic characters
and really make the performance appeal to the audience without simply copying what Audrey
Hepburn and Rex Harrison did in the 1964 movie and also, how the live stage show is different
from the movie.
2. Creative Team: Again, we’ve seen quite a bit of press with our creative team members along the
same angle – how did you handle making MY FAIR LADY your own and pay homage to the film
without copying it? Our director, choreographer and costume and set designer can all speak to that
question and elaborate on what makes the stage version of MY FAIR LADY worth seeing!
3. Costume Designer: MY FAIR LADY is such an iconic musical with elaborate vintage
costumes. There is an opportunity to meet with the costume designer, Anne Marie Couto, for a
behind-the-scenes wardrobe tour.
4. Comparison to the King’s Speech: Both MY FAIR LADY and the newly release THE
KING’S SPEECH have very similar stories. Both the movie and musical have themes of
overcoming not only enormous odds but also prevailing over speech impediments. The success of
the movie and King George IV’s triumphant story brought this issue into the media and can be
compared to the success of Eliza Doolittle in MY FAIR LADY.
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Additional Opportunities
Live Performances: For live performance requests we can offer the following:
 SONG TBD– Eliza Doolittle (In Costume Available – may require dresser fee)
**Live performances require a body mic and monitor. The track will be provided on a CD.
Backstage Tours:
 These can be arranged – please use the appropriate request forms found on the marketing site.
NOT available on opening night or closing night.
Chat Back, Master Class Opportunities:
 These can be arranged – please use the appropriate request forms found on the marketing site.
NOT available on opening night or closing night.
Backstage Wardrobe Tour
 The costumes from the show are elegant and vintage. Behind-the-scenes wardrobe tours with the
designer, Anne Marie Couto are available upon request.
Additional Requests
 Should individual media or press requests arise for live TV, other spots or wanting to take a
particular angle in regards to the show (i.e. behind the scenes, costumes, etc.) - all should be
forwarded to National Press Representative for consideration.
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CREATIVE TEAM
ALAN JAY LERNER (Book and Lyrics) & FREDERICK LOEWE (Music) Alan Jay Lerner got his
beginnings writing musicals as a sophomore at Harvard for the Hasty Pudding Club. His first musical, a
1938 collaboration with Nathaniel Benchley and Benjamin Welles, was a satirical salute to Hitler and
Mussolini, So Proudly We Hail. The son of a Viennese actor-singer and a piano prodigy himself by the
age of four, Frederick Loewe was exposed to music all his life. At thirteen, he debuted with the Berlin
Symphony Orchestra and continued to perform in many concert halls after coming to the United States
in 1930. Lerner approached Loewe at the Lambs Club in New York in 1942, and the composer/lyricist
team was born. Lerner's first Broadway collaboration with Loewe was the production of What's Up?
which ran for a modest eight weeks. In 1947, their labors paid off with the creation of the fantastical
Brigadoon, winner of the New York Critics' Circle award as the Best Musical of the Year. In 1948, Lerner
wrote the book and lyrics to Love Life, with the music by Kurt Weill. He was then commissioned by
Hollywood to write a libretto for "An American in Paris," which became the first film musical to win an
Oscar. While Lerner and Loewe were working on their 1951 stage musical Paint Your Wagon, the writing
of My Fair Lady began. Two years after its tremendous Broadway success, the pair collaborated once
again on a musical film version of "Gigi," which won nine Oscars. In 1960, four and a half years after My
Fair Lady topped Broadway charts, Camelot was brought to the stage. With Julie Andrews and Richard
Burton heading the cast, it had a very successful run of 25 months on Broadway, totaling 873
performances. After the success of Camelot, Loewe retired to the French Riviera and Lerner continued to
write. Despite Loewe's retirement, they collaborated on two more ventures in the early 1970s: The Little
Prince and the transference to the stage of "Gigi," the film that they had produced years earlier.
JEFFREY B. MOSS (Director) is an award winning director of live theatre - both in America and
around the globe – whose work includes new plays and musicals such as Passin’ It On By, by Larry Atlas
and Terry Cashman and Charles Strouse’s Real Men as well as the staging of many national and
international tours including Peter Pan, The Best Little Whorehouse In Texas, Music Of The Night, 42nd
Street, Annie Get Your Gun, MAME, Hello, Dolly!, A Funny Thing Happened On The Way To The
Forum, Man Of La Mancha, and The Sunshine Boys. Also, he directed the critically praised new
production of RAGS for The Coconut Grove Playhouse and Paper Mill Playhouse and is currently in preproduction for a new Broadway staging of The Rothschild. Martin , a new musical by Charles Strouse and
Leslie Lee will open in New York City in November 2011.
DENIS JONES (Choreographer) Recent productions include Piece of My Heart (NYSF), A Funny Thing
Happened on the Way to the Forum, She Loves Me! (Williamstown), Liberty Smith (Fords Theater),
Pirates (Huntington Theater), and Coraline (MCC). Also, The Kennedy Center Honors, “Rosie Live” and
“Oprah's Surprise Spectacular.” Denis is proud to have directed Broadway Bares (2004-8), benefitting
Broadway Cares.
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KENNETH FOY (Scenic Design) Credits Include: Potholes, Candida, Macbeth, The Rise of David
Levinsky, Gypsy, Oh, Kay!, The Apple Doesn’t Fall..., Annie, A Good Swift Kick, Romeo and Juliet,
Dame Edna: The Royal Tour, Red, Hot and Blue!, The King and I, Doctor Doolittle, and High School
Musical.
CHARLIE MORRISON (Lighting Design) Charlie Morrison's lighting for theatre, national and
international tours, architecture and events, has been seen worldwide on four continents and in every
state in the U.S. National and International tours include: Guys and Dolls; Groovaloo (Off B'way, LA and
US Tour); Chitty Chitty Bang Bang; Aida (U.S. and China); The 25th Annual Putnam County Spelling
Bee; Gypsy; 42nd Street (U.S. and Japan); Miss Saigon; Smokey Joe’s Café; The Who’s Tommy (Japan
and Europe); Titanic; The Music Man; and many others. Charlie has worked at many of the nation's
regional theatres including Papermill Playhouse; The Shakespeare Theatre Company (DC); Goodspeed
Musicals; Theatre Under the Stars; Playmaker's Rep; Fulton Theatre; Olney Theatre Center; and many
others. Charlie is the recipient of the 2006 and 2007 Helen Hayes Awards for Outstanding Lighting
Design, and has been nominated for seven Helen Hayes awards over the past five years. For more
information, please visit www.cmlighting.com.
ANNE MARIE COUTO (Costume Design) has been designing and executing costumes for movies,
television and theatre for over thirty years, and is the resident designer for Salve Regina University in
Newport RI. Some of Ms. Couto's credits include: A&E's “America's Castles”, The History Channel's “Fall
River Outrage,” starring Anthony Quinn. PBS’ “Romeo and Juliet,” Mikhail Baryshnikov, artistic director;
PBS’ “The American Experience.” A Chorus Line, national and international tours. American Musical
Theatre Films include: Amistad; Passionada; An Old Fashioned Christmas. Ms. Couto has won the
Kennedy Center for the Arts Award, New England Designer of the Year, the ARTA, and most recently was
named by Motif Theatre Magazine's designer of the year 2010. She has costumed over 500 productions,
and is proud to add Big League Productions to this prestigious list. Ms. Couto wishes to thank Chad, her
amazing staff and her wonderful husband Ray.
CHAD JASON (Hair Design/Costume Coordinator) is thrilled to be working on this wonderful
production of My Fair Lady. His credits span from Broadway to Regional Theatre. Broadway: The Lion
King, White Christmas, Wicked, In The Heights, How The Grinch Stole Christmas, Damn Yankees.
National Tours: Sweet Charity, Annie, Oklahoma!, Cinderella, Ragtime, Funny Girl, How The Grinch
stole Christmas and Les Miz. He recently directed and designed You're a Good Man Charlie Brown. He
would like to thank Tony, Anne, and Momi, for their hard work & dedication on this project.
CHERIE ROSEN (Musical Supervisor) current musical home is in the jungle pit at the Minskoff
Theater in NYC where she is the Associate Conductor for the Broadway production of The Lion King. Her
other Broadway conducting credits include Man of La Mancha (starring Brian Stokes Mitchell), The King
and I, Jekyll and Hyde and Annie Get Your Gun. Cherie’s musical career has taken her from Anchorage,
Alaska to Palermo, Italy conducting and/or playing the piano and guitar for numerous touring musicals
such as West Side Story, The Who’s Tommy, A Chorus Line, Man of La Mancha, 42nd Street and many
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more. Cherie has conducted orchestras behind Brian Stokes Mitchell, Raul Julia, Bernadette Peters,
Marie Osmond, Faith Prince and Lou Diamond Phillips. She has also served as an accompanist for Donna
Murphy, Brian Stokes Mitchell, and Tae Won Kim among others. She makes her home in New York City
with her husband and two sons.
JOHN ANDREW TARBET (Music Director/ Conductor) Other credits include Peter Pan (national
tour), Broadway All-Stars (Norwegian Cruise Lines), numerous shows and cabarets in the New York City
area as well as numerous school productions. John is also a composer and has written music for the
stage, church and concert hall. He is a graduate of the Musical Theatre Writing Program at New York
University. Thanks to such a wonderful cast and crew and also to his parents, siblings (6 brothers, 1
sister) and friends for all their love and support.
www.JohnAndrewTarbet.com
MATT DENNÉ (Sound Design) started his audio career as a luthier in high school. Denné’s passion for
audio led him to attend William Paterson University as a Music Studies major with a concentration in
Audio Recording. Denné co-founded the Audio Association and aided the school in getting its Audio
Engineering Society chapter established. While at college, Denné realized his desire of live sound over
studio work. He took a job at Masque Sound and Recording, the premier Broadway audio rental house at
the time, in January of 2000. Denné, after a short period became part of the prestigious technical
department. Since 2003, Denné has owned Millstone Audio Group LLC, a custom audio hardware
development company. Millstone Audio Group has developed some of the first and best computer
playback systems yet for use on Broadway. The resulting show-control hardware and switchover systems
can be found on nearly all Broadway shows and tours. Denné designed rock and roll tours for such varied
artists from Van Halen to Lil Wayne as head technical engineer for Masque Live. Denné was audio head
for New Jersey Nets Basketball from 06’ to 09’. Denné is now Audio Department Head for Production
Resource Group focusing on company wide technical standards and customer relations. Starting in mid
2011, Denné has been consulting with A1 Entertainment, forming a new company, A1 Sound Farm.
COLLE T. BUSTIN (Sound Design) has been working in the field of Audio engineering and design since
his first exploration into theatre most lately as production sound engineer for Legally Blonde, Fiddler on
the Roof and Grease for their 2010 national tours. Working on productions across the globe in more than
10 countries spread across three continents production credits include: Reel to Real in Beijing and at
Edinburgh Fringe, 101 Dalmatians The Musical, Chicago, 42nd Street, The King and I, Sweet Charity to
name a few. Colle has designed sound for regional theatres such as Gateway Playhouse and Revelation
Theatre for shows that included Evita, The Full Monty, Sugar, Gypsy, Fosse, and Lovelace The Musical.
Colle’s passion for sound is still growing and hopes that every audience member enjoys this show as he
enjoyed developing it.
ALISON FRANCK/LIZ LEWIS CASTING (Casting Director) was the Resident Casting Director for
Paper Mill Playhouse for 10 years, where she cast over 50 productions, including the Broadway transfer
of I’m Not Rappaport, starring Judd Hirsch and Ben Vereen, directed by Daniel Sullivan. Regional:
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Pirates! (Goodspeed - Paper Mill), Hairspray, and Les Misérables (North Shore) and 2007’s mini-tour of
Seven Brides for Seven Brothers (TUTS/Paper Mill Playhouse/North Shore/TOTS). Recent: National
Tour of Guys and Dolls and the premiere National Tour of Chitty Chitty Bang Bang. Alison has recently
joined the staff of Liz Lewis Casting Partners: www.lizlewis.com
NATIONAL TOUR CAST
CHRIS CARSTEN (Henry Higgins) is overjoyed to be joining MY FAIR LADY. This marks his seventh
stint with BIG LEAGUE, and taking on Henry Higgins is one of his most challenging roles to date.
Recently Mr. Carsten appeared in productions of Sugar Babies, The Crucible and Stalag 17and
performed in a world tour of West Side Story. Some his favorite roles include John Adams in 1776,
Andrews in Titanic, and Captain Hook in Peter Pan. As always, Chris would like to dedicate his
performance to his wonderful wife Amalie and two daughters, Maisie and Evangeline!
AURORA FLORENCE (Eliza) Having just graduated in musical theater at BYU, Aurora is thrilled to be
making her debut into the ‘real world’ as Eliza! Favorite Shows: Hairspray (Penny), Thoroughly Modern
Millie (Dorothy), Tartuffe (Dorine), and Puck and Beatrice with California’s TNT. “Thanks and love to so
many, especially my husband and the big man upstairs.”
RICHARD SPRINGLE (Colonel Pickering) Richard is a 30 year veteran of stage, TV and Film. He has
performed Nationally and Internationally in all 48 Continental States, Canada and the Far East in
multiple tours of 42nd Street as Julian Marsh, My Fair Lady as Colonel Pickering and with Bill W. and
Dr. Bob as Dr. Bob Smith. He has appeared in over 30 feature films and is featured in the upcoming
television documentary “One Day At A Time.” You may recognize Richard from his commercial
appearances in NY Life Insurance, Tylenol Arthritis Pain, Sam Adams Light Beer and as the Dr. for
Flonase Nasal Spray and currently representing Medicare. Richard just completed Pass It On An Evening
With Bill W. & Dr. Bob. As always Richard dedicates his performance to a Higher Power.
JOYCE GILBERT BOHUS (Mrs. Higgins) is delighted to be once again appearing as Mrs. Higgins in
the international tour of “My Fair Lady.” Her many credits include: The Sound of Music (Mother
Abbess), The King And I (Anna), Brighton Beach Memoirs (Kate), and Broadway Bound. Joyce resides
in Florida with husband Emil.
DANIEL CARDENAS (Freddy Eynsford-Hill) originally from Milwaukee, WI, Daniel is thrilled to be in
My Fair Lady for his first US National Tour. He graduated from Arizona State University in 2010 and
has performed in Phoenix for the past five years. Thanks to Lisa, Mom, Dad, Alicia and Mina for their
love and support!
JESSE GRAHAM (Mrs. Pearce) NY theatre: The Rover (New York Classical), Hey God? (Times Square
Equity Showcase). Regional: YouthInk! (McCarter Theatre), Comedy of Errors (Playhouse on Park), A
Funny Thing... Monomony Theatre). Tours: A Christmas Carol (Troupe America). Film: Trailerpark,
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Death of the Cool. MFA: Ohio University. Heartfelt thanks to all my mentors and advocates, and warm
open arms to Bud’s Chele!
ARTHUR WISE (Alfred Doolittle) is thrilled to be part of the Big League Production tour of My Fair
Lady. Regional credits include Chess (Molokov, Playhouse Square), Mystery of Edwin Drood (u/s
Chairman, GLTF) Amadeus (Northern Stage). Thanks to the Luedtke Agency, DBA, Vicky & Scott, and
Baldwin Wallace family. Love to his supportive friends and family!
JOSH GILES ALEXANDER (Ensemble) is thrilled to make his national tour premiere. Regional:
Crazy for You (Mingo - Cohoes, NY), RENT (Mark - Company Carolina, Chapel Hill, NC).
NICOLE BENOIT (Ensemble) is tremendously grateful to be performing in her favorite childhood
musical. Regional: Paper Mill Playhouse, Musical- Fare, Artpark, Infringement Fest. BFA Musical
Theatre, BA Dance. ww.nicolebenoitonline.com
JEFFREY H. DICKAMORE (Ensemble/Swing) Grateful to be traveling with his very own Fair Lady,
Jeff's favorite roles include Mr. Frank in Diary of Anne Frank, Paul in Born Yesterday, and Joseph
Smith in Nauvoo.
TOMMY J. DOSE (Ensemble) National Tour Debut! NYC: HUSH(NYCFringe.) Regional: Sweeney
Todd, Phantom, My Fair Lady, Oliver, Urinetown, Into the Woods, Assassins, Oklahoma! Special
thanks to everyone involved in this production.
MARY JOE DUGGAN (Ensemble) Kansas City native, has performed in multiple theatre venues
regionally. Most recently, The MGR Playhouse's Hairspray and The Arvada Center's All Shook Up.
Special thanks to family and friends, you are always with me!
JOHN GALAS (Ensemble) National Tours: The Music Man (Oliver Hix). Regional: The Mikado (PoohBah), Fiddler on the Roof (Avram), Sweeney Todd (Judge Turpin). Love to friends and family.
SCOTT HAMILTON (Ensemble/Dance Captain) International tours: Dancing Queen, The Spirit of
Christmas. Regional: Damn Yankees (Mickey). Film/TV: “Oprah's Farewell Spectacular,” "OWN
Upfront," “Oxygen Network Upfront,” “WhiteCollar.” WMU graduate and proud Michigander! Thanks
family and friends!
ANDREW HASERLAT (Ensemble/Harry) is thrilled to join the MFL family after touring North
America as Scarecrow in The Wizard of OZ. Recent Regional: Oklahoma!, Les Miserables, The
Producers, and Jesus Christ Superstar. TV/Film: “L&O: CI,” “Gossip Girl,” and “Disney's The
Surrogates.” Love to family and friends!
www.andrewhaserlat.com
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KEVIN ROBERT KELLY (Ensemble) is proud to be in this company! Favorite Regional: Guys and
Dolls, Anything Goes, Jekyll and Hyde. BFA Musical Theatre from the University of South Dakota. Love
to my Family.
LAUREN LUKACEK (Ensemble) New York: Genesius, The Musical. Regional: North Shore Music
Theatre, John W. Engeman Theatre, Bard SummerScape. BFA Boston Conservatory. Love to Mom, Dad
and Casey.
DEBORAH MCCASLAND (Ensemble) National tour debut! Recently performed all around the South
Pacific with Princess Cruises. Some past favorites: Footloose (Ariel), Guys and Dolls, Hot Mikado,
Anything Goes. Love to the family and Justin.
KATE SCOTT (Ensemble/Mrs. Eynsford-Hill) Regional: My Fair Lady, Rocky Horror Show, Wizard of
Oz, Christmas Carol, Hudson Vagabond Puppets. Concert dance: Forces of Nature, Incidents Physical
Theater. BFA, SUNY Purchase.
ARIANA VALDES (Ensemble) Regional: My Fair Lady, Guys & Dolls, Jerry Springer: The Opera,
Gypsy, Showboat, Little Shop of Horrors, Company, Kiss Me Kate. BM Vocal Performance Opera
Emphasis, The Boston Conservatory.
HILARY WERTHMANN (Ensemble) First national tour! Regional: Boston’s Lyric Stage and
SpeakEasy Company. Boston Conservatory BFA in musical theatre. Love to Mom, Dad, Meme,
Brittany,and Chandler!
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