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Transcript
Hearing Physiology
1
Auditory Physiology
• Sense organ that responds to sound vibrations over
a frequency range of 16-20,000 Hz
• Middle ear- Mechanical
• Inner Ear- Hydraulic
• How do these pieces send coded messages to the
brain?
– Encoding frequencies & intensities
– Brain assembles elements of sound (pitch, loudness and
quality)
2
Hydraulic Process
• Both frequency & intensity
characteristics arrive at the oval window
of inner ear as mechanical vibrations
• Within the cochlea, the hydraulic waves
that result correspond to these vibrations
– Frequency is reflected in the # of waves of
compression generated per second,
intensity is reflected in their amplitudes.
3
Hydraulic Process
• How does the cochlea respond to these
waves?
– Basilar membrane shape
• Short and stiff at the basal end near oval
window
• Wide and lax at the other end near
helicotrema
• “Tuned” membrane responds selectively to
different frequencies
– High frequencies at narrow end
– Low frequencies at the wide end
4
Basilar Membrane “Tuning”
Vestibule
More Stiff
Narrow
Basal
End
Helicotrema
Wide
Apex
Less Stiff
5
Traveling Waves
• Vibration transmitted along the basilar membrane -ex. Shake a bed sheet
• Fluid in cochlea moves with movement of stapes
& round window
• Tuning of wave also dictated by stapes
• Wave crest= Frequency of that place on membrane
6
Frequency Analysis
• Sound generating traveling wave- Tuning fork
(vibrates single frequency)
– Air-conducted energy delivered to stapes
– Rocking in and out of perilymph in vestibule
• greater sound, greater movement
– Rocking creates compression wave; moves toward exit
(round window)
– Round window displaced outward
– Rarefraction (bounce back) pushes footplate backwards
and doing this sucks in the round window
7
Generation of Hydraulic Wave
Compression Wave
Vestibular Canal
Rarefaction Wave
Basilar membrane
8
Frequency
• Low frequency (50 Hz)
– Wave will travel to far end of basilar membrane before
peaking (near apex)
• Mid Frequency (1,000 Hz)
– Wave will grow to maximum amplitude about half-way
along basilar membrane (higher frequency=shorter
distance traveled)
• High Frequency (up to 20,000 Hz)
– Crests near basal end of membrane
• Higher frequency, the more resistance the
perilymph offers to being moved by stapes
9
Traveling Wave Peaks at Different Frequencies
Low
Basilar Membrane
Mid
High
10
Neural Processes
• How does the mechanical motion of the
basilar membrane encode into neural
auditory signals?
– Organ of Corti mounted on the basilar
membrane
– Bending the cilia of hair cells
– Key to bending action is the manner of
attachment to basilar and tectorial membranes
11
Shearing Force Bending of Hair Cell Cilia
Tectorial Membrane
Pivot Point
Shearing force
Fluid Pressure
Basilar Membrane
Pivot Point
Shearing force
Fluid Pressure
12
Cilia Bending
• When tectorial membrane is displaced
downward, basilar membrane will move
downward; these two membranes will also
move upward together
– Lateral movement of cilia = up & down
movement of basilar membrane
– Radial movement= shearing force of cilia
• Result in complex bending of cilia
13
Cilia
Hair Cell
Traveling
Wave
Directions of
Cilia bending
Basilar
Membrane14
Traveling Wave
• Another aspect of the complex motion:
– Wave Envelope
• Summarizes amplitudes of vibration
• Peak at about the same frequency
1,000 Hz
15
Generating the Auditory Signal
• Base of hair cell in contact with auditory nerve end
• Outer hair cell primarily responsive to lateral shear
• Inner hair cells, do not drag against tectorial
membrane, have different function, activated by
basilar membrane movement rather than shearing
• Base of hair cell makes a synaptic contact with
auditory nerve ends when cilia move
16
Auditory Pathways to Brain
• 30,000 nerve fibers from organ of Corti
join to form auditory nerve
• Organized like two parallel railway
systems between the same city, each
having its own passenger terminals:
– Neural traffic travels from one line to another at
several terminals
17
Auditory Pathways to Brain
• Auditory nerve feeds into cochlear nucleus
(first terminal in auditory pathway)
• From cochlear nucleus transfer to ascending
pathways then to auditory cortex, one in each
temporal lobe.
18
Auditory Pathways to Brain
• Between cochlear nucleus and auditory cortex:
– 3 sets of terminals
• Superior olive- lowest & smallest (auditory information can
be matched with infor from other ear)
• Lateral lemniscus- next highest level (Info from both ears
provides a basis for a quick reflexive response)
• Auditory projection fibers- last terminal in brainstem
(transfer of auditory neural impulses from one side of brain to
the other at three levels:
– Cochlear nucleus
– Superior olive
– Inferior colliculus
19
Auditory Pathways to Brain
• Input from both ears are well represented on
both sides of the brain
– permits:
• Comparison of information about frequency,
intensity and time of arrival of the acoustic signal to
both ears
• “Main line” contralateral auditory pathway
does make it slightly easier to understand
speech better with right ear (main line to
temporal lobe)
20
Auditory Pathway
Auditory
Cortex
Medial
Geniculate
Inferior
Colliculus
Lateral
Lemniscus
Superior Olive
Cochlear
Nerve
Cochlear
Nucleus
21
Ascending-Descending
Auditory Pathways
Afferent Pathways
Middle Ear
Muscles
22
Descending Pathways
• Sensory nerve- Auditory nerve
• 98% of fibers carry afferent information from the
cochlea to brain
• 500 nerve fibers carry efferent neural impulses
from brain to ear
• This information controls the operation of ear
– Some goes to middle ear muscles (protection)
– Most goes to or near the hair cells of the cochlea
23
Reading/Assignments
• Seikel: Pgs.565-588
24