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Music and Action By Constant Lambert Created by Dr. Kay Picart Edited by Jessica Labbé and Dr. Kay Picart Review Question: What is the difference between direct/present action and recollected/imaginary action? Review Question: Why is it so important that the choreographer and scenario writer exercise care when developing the theme of a ballet? Review Questions: What does Lambert say is a composer’s medium? Are compositions always sequenced? How does Lambert think we, the audience, should try to listen to a symphony? Discussion Question: Do you believe, as Lambert does, that classical ballet needs to have a “logical” progression for it to have meaning? Look to recent popular films, like Pulp Fiction, that do not organize time sequence by a “logical” progression. Can a ballet succeed if it were designed this way? Why or why not? Discussion Question: Out of the western cultural context what are some examples of how dance is structured time-wise? Review Question: How does Lambert compare the fusion of poetry and music to the fusion of music and dance? Review Question: What are some issues faced by choreographers when designing a ballet? Review Question: What does Lambert argue is the most important aspect of choreography? Discussion Question Do you agree with Lambert’s view? Why or why not? Concluding Discussion Question: What do you think came first, Dance or Music?