Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Chapter 13 The Musical On Musicals American musical theatre is our indigenous art form. We can’t claim drama, ballet, or opera, but musical theatre is our very own. . . . Musicals are in our blood and in our bones, are part of our collective personality. Molly Smith, Artistic Director of the Arena Stage Broad Categories of Musicals Book musicals Rodgers and Hammerstein Lerner and Loewe Dance musicals Michael Bennett Bob Fosse Tommie Tune Operatic musicals Andrew Lloyd Webber Stephen Sondheim Adam Guettel Musical Theatre Genres Opera Operetta Revue Variety show Vaudeville Burlesque Musical comedy Straight musical Rock musical Avenue Q Components of the Musical Music Composer Lyricists Book Librettist Types of Musical Numbers Overture Ballad Designed for comic relief Showstopper Usually a slow love song Comedy number Previews the music from the show by playing a medley of tunes before the show begins A big brass production number Reprise Repetition of pieces of a song or melody line Musicals: A Brief History Opera Opera Originated in Italy in the 1500s Reached its peak in the 19th century with composers like Wagner, Mozart, Puccini, Rossini, and Handel Comic Opera Developed from intermezzi Gilbert and Sullivan’s opera are regarded by most as the epitome of this form Exists today in the form of the rock opera Musicals: A Brief History Early American Musicals Ballad Operas Vaudeville Caricatured African-American plantation life in song and dance Revues 1890 – 1920 was its height of popularity Minstrel Shows Began with John Gay’s Three Penny Opera in 1728 Ziegfeld Follies was the epitome of this unique form of the American musical theatre Extravaganzas The Black Crook in 1866 spawned this unique form of musical that emphasized elaborate scenery and scantily glad female dancing chorines Musicals: A Brief History African American Musicals A Trip to Coontown (1898) The Origin of the Cakewalk (1898) Scuffle Along (1921) Running’ Wild (1923) Porgy and Bess (1935) Cabin in the Sky (1940) The Wiz (1975) Bring in da Noise; Bring in da Funk (1996) Musicals: A Brief History The Show Boat (1927) Revolution The quintessential American musical Integrated book, lyrics, and music into a unified whole Focused on serious themes in American culture Brought Euro-American and African-American performers together on the same stage at the same time First musical to win the Pulitzer Prize Established Jerome Kern and Oscar Hammerstein II as major figures in the development of the American musical Musicals: A Brief History 1927 - Today Oklahoma! (1943) West Side Story (1957) Cabaret (1966) Hair (1967) A Chorus Line (1975) Cats (1982) Rent (1996) The Producers (2001) The Light in the Piazza (2005) Musicals Today The main problems for Broadway musicals has to do with the exorbitant cost of producing them Disneyification of the musical Reliance upon revivals to recoup huge investments The Tourist Musical is challenged by smaller cast musicals like Urinetown and Avenue Q