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You are about to witness the perpetrator of a crime! Describe what you saw. Keep in mind, that this is a police investigation and that your testimony can be used in a court of law. Young lady or Old lady? Sensation Vs. Perception S E N S A T IO N Book Definition: The stimulation of sensory receptors and the transmission of sensory information into the central nervous system O u r s e n s e s h a v e p ic k e d u p a m e s s a g e fro m th e e n v iro n m e n t – v e r y s im p ly “ T a k in g it a ll in ” P E R C E P T IO N Book Definition: The process by which sensations are organized into an inner representation of the world In te rp re tin g w h a t w e s e n s e – M a k in g s e n s e o u t o f s e n s a tio n s 1 . P a s t e x p e rie n c e s “ S t a r s p a n g le d _ _ _ _ _ _ _ _ _ _ _ _ _ _ ” 2 . M o o d s , A t t it u d e s , a n d V a lu e s H a v i n g a b a d d a y a n d “ th in g s ” s e e m t o s n o w b a ll 3. Needs If y o u ’ r e h u n g r y , y o u t h in k a b o u t… 4 . W h a t t h e g r o u p b e lie v e s W e h a v e a t e n d e n c y t o , “ g o a lo n g w i t h th e c r o w d .” S E E IN G – H E A R IN G – T O U C H IN G – T A S T IN G – S M E L L I N G Abu Ghraib: torture and prisoner abuse • Bagdad Detention Centre • 2003 • 2004 information leaks to press. • MP 372nd Company of US Army 'Lucifer Effect' Asks Why Good People Go Bad http://www.npr.org/templates/story/story.php?storyId=9940824 http://abcnews.go.com/Video/playerIndex?id=2769000 Let’s take a look at our worksheet! Open your books to page 144-147, please. Absolute Thresholds for Humans SENSE STIMULUS RECEPTORS THRESHOLD Vision Electromagnetic Energy Rods & Cones in the retina A candle flame viewed from a distance of about 30 miles on a dark night Hearing Sound Waves Hair cells of the inner ear The ticking of a watch from about 20 feet away in a quiet room Smell Chemical substances in the air Receptor cells in the nose About one drop of perfume diffused throughout a small house Taste Chemical substances in saliva Taste buds on the tongue About 1 teaspoon of sugar dissolved in 2 gallons of water Touch Pressure on the skin Nerve endings in the skin The wing of a fly falling on a cheek from a distance of about 0.4 inches SENSE TYPE OF DISCRIMINATION WEBER’S CONSTANT (WEBER’S FRACTION) VISION Brightness of light 1/60 HEARING Pitch (frequency) of a tone 1/333 Loudness of a tone 1/10 TASTE Difference in saltiness 1/5 SMELL Amount of rubber smell 1/10 TOUCH Pressure on the skin surface 1/7 Deep pressure 1/77 Difference in lifted weights 1/53 Claim: In the film Aladdin, the hero whispers, "Good teenagers, take off your clothes." http://www.snopes.com/disney/films/aladdin.htm 1) The Pepsi Cool Can In 1990, Pepsi actually withdrew one of its “Cool Can” designs after someone protested that Pepsi was subliminally manipulating people by designing the cans such that when six-packs were stacked at grocery stores, the word SEX would emerge from the seemingly random design. Critics alleged that the red and blue lines on the “Cool Can” design were far from random <27>. http://mindbluff.com/subwords.htm Where are the following? Blind spot Iris Pupil Lens Cornea Optic Nerve Retina FIGURE 4.3 In the human eye, light travels through the pupil to the lens and is then reflected onto the retina. The optic nerve sends the visual information to the brain. Color Vision • A tomato is not red; it rejects (reflects) the long wavelengths of red. • 1/50 ppl. is color-deficient (male) • Trichromatic color theory: red, blue, and green. Types of color mixing VISUAL PROBLEMS Color Blindness Color Blind – sensitive to only black & white Dichromat – only sensitive to certain colors – partially color blind Trichromat – normal color vision Plate 1 Plate 2 Plate 3 Plate 4 Plate 5 Plate 6 Plate 7 Plate 8 Plate 9 Plate 10 Plate 11 Plate 12 Plate 13 Plate 14 Plate 15 Plate 1 • Both normal and those with all color vision deficiencies should read the number 12. Plate 2 • Those with normal color vision should read the number 8. • Those with red-green color vision deficiencies should read the number 3. • Total color blindness should not be able to read any numeral. Plate 3 • Normal vision should read the number 29. • Red-green deficiencies should read the number 70. • Total color blindness should not read any numeral. Plate 4 • Normal color vision should read the number 5. • Red-Green color deficiencies should read the number 2. • Total color blindness should not be able to read any numeral. Plate 5 • Normal color vision should read the number 3. • Red-Green deficiencies should read the number 5. • Total color blindness should not be able to read any numeral. Plate 6 • Normal color vision should read the number 15. • Red-Green deficiencies should read the number 17. • Total color blindness should not be able to read any numeral. Plate 7 • Normal color vision should read the number 74. • Red-Green color deficiencies should read the number 21. • Total color blindness should not be able to read any numeral. Plate 8 • Normal color vision should read the number 6. • The majority of those with color vision deficiencies cannot read this number or will read it incorrectly. Plate 9 • Normal color vision should read the number 45. • The majority of those with color vision deficiencies cannot read this number or will read it incorrectly. Plate 10 • Normal color vision should read the number 5. • Those with color vision deficiencies will not read the number or read it incorrectly. Plate 11 • Normal color vision should read the number 7. • Those with color vision deficiencies will not read this number or read it incorrectly. Plate 12 • Normal color vision should read the number 16. • Those with color vision deficiencies will not read this number or read it incorrectly. Plate 13 • Normal color vision will read the number 73. • Those with color vision deficiencies should nor be able to read this number or will read it incorrectly. Plate 14 • Normal color vision and those with total color blindness should not be able to read any number. • The majority of those with red-green deficiencies should read the number 5. Plate 15 • Normal color vision and those with total color blindness should not be able to read any number. • The majority of those with red-green deficiencies should read the number 45. Sound • Auditory – having to do with hearing • Sound - A wave which is created by vibrating objects and transmitted through a medium from one location to another. Compression and Expansion Pitch • Frequency – number of cycles per second as expressed in the unit Hertz. • Hertz – A unit expressing the frequency of sound waves. One Hertz, or 1Hz, equals one cycle per second. Pitch • The greater the number of cycles per second, the higher the pitch. • The greater the number of cycles per second, the higher the pitch. Loudness • Amplitude – height • The higher the amplitude of a wave, the louder the sound. • Decibel – A unit expressing the loudness of a sound. Abbreviated dB. Highest Frequency? Loudest? Highest Amplitude? Highest Pitch? A. B. C. http://www.npr.org/templates/story/story.php?storyId=5044711 Wishing for a Silent Night in Toyland by Michele Norris How Does Sound Move Through the Ear? VIDEO: GATEWAYS TO THE MIND! ARTICLE: Seeing Life in Colors: Cross wired Senses ARTICLE: Seeing—and hearing and tasting—red SOURCE: Monitor on Psychology Volume 39, No. 3 March 2008 A synesthetes alphabet http://web.mit.edu/synesthesia/www/carol.html CONDUCTION DEAFNESS SENSORY-NEURAL DEAFNESS STIMULATION DEAFNESS ARTICLE: Loss of Hearing Can Be Frustrating! February 14, 2001 Conduction Deafness • Caused by the failure of the three tiny bones inside the middle ear to pass along sound waves to the inner ear or the failure of the eardrum to vibrate in response to sound waves • Possible cause is a buildup of fluid • Hearing aids • Normal hearing may return. Sensory-Neural Deafness • Damage to the inner ear. Most often caused by loss of hair cells that will not regenerate. • Damage to the auditory nerve. • Cochlear implants can help patients with this form of deafness. Stimulation Deafness • Exposure to very loud sounds • Prolonged exposure to 85 dB can cause stimulation loss. • Ringing sound can mean hair cells have been damaged Locating Sounds • A demonstration – three volunteers are needed The nose knows! Articles: “Fragrances Enhance Emotion, Chemistry” et. al. http://www.npr.org/templates/story/story.php?storyId=4060583 Thinking, and Singing, of Smell http://www.npr.org/templates/story/story.php?storyId=4059387 Americans Win Nobel for Research on Smell ARTICLE: "A Secret Sense in the Human Nose" & ARTICLE: "A Woman's Nose Belongs to Daddy": ARTICLE: “Smells aren’t Good or Bad, They’re Learned” http://www.npr.org/templates/story/story.php?storyId=6577600 “Marketing Campaign Targets Noses at Bus Stops” ARTICLE: Just browsing at the mall? That’s what you think. (Sept. 2006) ScentAir website: http://www.scentair.com/index_flash.html http://marketplace.publicradio.org/shows/2006/10/25/PM200610255.html http://www.npr.org/templates/story/story.php?storyId=4804413 “Wine Fans Take Heart: Smells Differ in Nose, Mouth” ARTICLE: Taste and Smell – How does food seem tasteless when you have a cold? Sensations are created by chemical reactions on your taste buds Taste is heavily influenced by smell – this is called sensory interaction TASTE QUALITIES (taste is a bunch of B S’s!) •Bitter FLAVOR DEPENDS ON… •Temperature •Odor •Sour •Texture •Salty •Taste •Sweet (I T.O.T.T. you about flavor) http://www.npr.org/templates/story/story.php?storyId=1813416 Study: Tastes Form in Infancy Touch and Pressure • Sensory receptors located around the roots of hair cells fire when surface of skin is touched. • There are at least 6 basic types of touch receptors in your skin. • One for hot, cold, pain, pressure, touch, and fine touch. SKIN SENSES *Vision is usually the most dominant of the senses* • Touch • Pressure • Warmth • Cold • Pain TOUCH & PRESSURE Two-Point Threshold – to assess sensitivity to pressure – The least distance by which two rods touching the skin must be separated before the subject will report that there are two rods, not one, on 50% of occasions Most sensitive – fingertips, lips, noses and cheeks 1. nerve endings are more densely packed in the fingertips and face than in other locations 2. a greater amount of sensory cortex is devoted to the perception of sensations in the fingertips and face TEMPERATURE Warm & Cold receptors – they adapt and sometimes they fire simultaneously PAIN *Pain is a signal that something is wrong with the body* NO KIDDING! *Originates at the point of contact* *Release of various chemicals – prostaglandins, bradykinin, P* *Inflammation attracts infection-fighting blood cells* GATE THEORY – pain messengers can’t get through ENDORPHINS – Bodies natural pain killers Endorphins are inhibitory neurotransmitters. They lock into receptor sites for chemicals that transmit pain messages to the brain. Once the endorphin “key” is in the “lock,” pain-causing chemicals cannot transmit their messages. There are a number of endorphins. Endorphins also play a role in regulating respiration, hunger memory, sexual behavior, blood pressure, mood, and body temperature. ACUPUNCTURE – ancient procedures/releasing endorphins PLACEBO – bogus treatment PAIN MANAGEMENT Accurate Information Distraction & Fantasy Hypnosis Relaxation Training Coping with Irrational Beliefs http://www.npr.org/templates/story/story.php?storyId=7654964 KINESTHESIS – The sense that informs us about the positions and motion of parts of our bodies VESTIBULAR SENSE – The sense of equilibrium that informs us about our bodies’ positions relative to gravity Module 12 pp. 170-179 PERCEPTUAL ORGANIZATION RULES OR LAWS OF PERCEPTUAL ORGANIZATION RULES OR LAWS OF PERCEPTUAL ORGANIZATION RULES OR LAWS OF PERCEPTUAL ORGANIZATION RULES OR LAWS OF PERCEPTUAL ORGANIZATION RULES OR LAWS OF PERCEPTUAL ORGANIZATION DEPTH PERCEPTION MONOCULAR CUES FOR DEPTH PERSPECTIVE DEPTH PERCEPTION OVERLAPPING or INTERPOSITION MONOCULAR CUES FOR DEPTH DEPTH PERCEPTION Shadowing MONOCULAR CUES FOR DEPTH TEXTURE GRADIENT MONOCULAR CUES FOR DEPTH MONOCULAR CUES FOR DEPTH CLEARNESS BINOCULAR CUES FOR DEPTH CONVERGENCE & RETINAL DISPARITY MONOCULAR CUES FOR DEPTH PERSPECTIVE CLEARNESS OVERLAPPING or INTERPOSITION Shadowing TEXTURE GRADIENT BINOCULAR CUES FOR DEPTH RETINAL DISPARITY & CONVERGENCE PERCEPTUAL CONSTANCIES SIZE CONSTANCY PERCEPTUAL CONSTANCIES SHAPE CONSTANCY PERCEPTUAL CONSTANCIES COLOR CONSTANCY PERCEPTUAL CONSTANCIES BRIGHTNESS CONSTANCY TYPES OF OPTICAL ILLUSIONS 1. HEIGHT-WIDTH ILLUSION An upright line segment appears longer than a nearby equal horizontal line 2. ILLUSIONS OF INTERRUPTED EXTENT The distance between the portions of an interrupted line or figure appears to shrink 3. ILLUSION OF CONTOUR An open or empty figure appears to have greater area or capacity than an equal closed or filled figure 4. EQUIVOCAL ILLUSION The drawing of a three-dimensional object appears to have two or more interpretations 5. ILLUSIONS OF DEPTH Lines or figures are distorted as the result of a point, line, or figure appearing to be behind or in front of another 6. ILLUSIONS OF CONTRAST Surrounding lines or figures cause other lines or figures to appear have distorted dimensions or shapes 7. ILLUSION NON-CLASSIFIED An optical illusion that does not fall into the above categories Optical Illusions Height-Width When principles of Perceptional organization lead to misrepresentations of reality Equivocal Interrupted Extent Depth Contour Contrast