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Theatrical Machines By Brendan Lacy Features of Elizabethan Theatre Architecture Often had mechanisms that allowed players to be lowered down onto the stage, and also equipped with trapdoors. Costume was extremely important. Actors wore colorful and elaborate costumes that would tell the audience the characters status, family ties or profession. Used a variety of sound effects including thunder, running horses, falling rain, cannon blasts, etc. Fundamental Features of Elizabethan Theatres 1) Conventional constructions rather than innovative designs 2) Scale corresponded to “found spaces” 3) Form recognizably classical 4) Finish of theatres was itself an illusion e.g. marble painted on, not real 5) Packed in as many people as possible Theatre Staging Possibilities Figure 2: Hodges’s interpretation of the evolution of the tiring-house façade in order to stage ‘on the walls’. There are token gestures towards creating the illusion of battlements. However, it is difficult to imagine that these were a permanent fixture, although there may be a case for employing such detail for military plays, where much of the action involved the walls, for example the three parts of Henry VI. The important, and perhaps necessary feature, is simply the space above, which could be occupied by the actors when they were required to come upon the walls. (Hodges 1999: 62–5) (2) The Globe Theatre Held about 3,000 people Circular polygon with an open roof Inside the Globe Theatre Surrounded on three sides by seating galleries 3 stories of galleries @ 12ft, 11ft, and 9ft in height Stage 43 feet wide Extended ½ way into the yard (about 27 ½ ft) Inside the Globe Theatre Flags of the Theatre Raised flag was a signal that a play would be staged that afternoon and continued to fly until the end of every performance. "Each play-house advanceth his flagge in the aire, whither quickly at the waving thereof are summoned whole troops of men, women, and children" --Curtain-Drawer of the World, 1612 White= Comedy Black= Tragedy Red= A history (associated with bloodshed) Description of the “Groundlings” in Elizabethan Theatre “Within one square a thousand heads are laid, So close that of heads the room seems made; As many faces there, filled with blithe looks, Show like the promising titles of new books Writ merrily, the readers being their own eyes, Which seem to move and to give plaudites; The very floor, as t’were, waves to and fro, And, like a floating island, seems to move, Upon a sea bound in with shores above” - Thomas Middleton (1570-1672)