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FOR IMMEDIATE RELEASE January 31, 2011 CONTACT: Brenda Kean Tabor (202) 533-1886 [email protected] André Previn conducts the NHK Symphony Orchestra of Japan in Prokofiev’s Symphony No. 5 Daniel Müller-Schott performs Elgar’s Cello Concerto Washington, D.C.- Japan’s NHK Symphony Orchestra performs at the Music Center at Strathmore with Principal Guest Conductor André Previn and cellist Daniel Müller-Schott on March 16 in their fourth performance for WPAS and their first at Strathmore. The orchestra also participates in Carnegie Hall’s JapanNYC festival this season. A top Japanese orchestra, the NHK Symphony Orchestra was founded in 1926 as the New Symphony Orchestra and was briefly called the Japan Symphony Orchestra before being renamed the NHK Symphony Orchestra after André Previn Photo: Lillian Birnbaum receiving full financial support from Nippon Hoso Kyokai (Japan Broadcasting Corporation) in 1951. The Orchestra has been conducted by many of the world’s most renowned conductors, including Herbert von Who: NHK Symphony Orchestra of Japan André Previn, conductor Daniel Müller-Schott, cello The Music Center at Strathmore Wednesday, March 16, 2011 at 8 p.m. Where: When: Program: Takemitsu Green Prokofiev Symphony No. 5 Elgar Cello Concerto Tickets: $20-$65, available at www.wpas.org or (202) 785-9727 Karajan and Ernest Ansermet, and has worked with some of the world’s most celebrated soloists. The Orchestra has won worldwide acclaim for its 29 overseas concert tours which began in 1960, its presentation of commissioned premiere works of world famous composers, as well as for its audio recordings which have been released by some of the world’s most respected music labels. 1 In recent years, the Orchestra has presented approximately 120 concerts annually in Japan, including 54 subscription concerts at NHK Hall and Suntory Hall in Tokyo, which were broadcast on NHK television and radio. Conductors who are closely associated with the NHK Symphony Orchestra include Charles Dutoit (Music Director Emeritus), Vladimir Ashkenazy (Conductor Laureate), Wolfgang Sawallisch (Honorary Conductor Laureate), Herbert Blomstedt (Honorary Conductor), Yuzo Toyama (Permanent Conductor), Tadaaki Otaka (Permanent Conductor) and André Previn (Principal Guest Conductor). A regular guest with the world’s major orchestras, both in concert and on recordings, conductor, composer and pianist André Previn frequently works with the Boston Symphony Orchestra, New York Philharmonic and Vienna Philharmonic. In addition, he has held chief artistic posts with such orchestras as the Houston Symphony, London Symphony, Los Angeles Philharmonic, Pittsburgh Symphony and Royal Philharmonic orchestras. In 2009, Previn was appointed Principal Guest Conductor of the NHK Symphony Orchestra. As a pianist, André Previn is involved in recording and performing song recitals, chamber music and jazz and has given recitals with Renée Fleming at Lincoln Center and with Barbara Bonney at the Mozarteum in Salzburg. He regularly gives chamber music concerts with Anne-Sophie Mutter and Lynn Harrell, as well as with members of the Boston Symphony and London Symphony orchestras, and the Vienna Philharmonic. André Previn has enjoyed a number of successes as a composer. His first opera, A Streetcar Named Desire, was awarded the Grand Prix du Disque. Other highlights include the premiere of his Double Concerto for Violin and Double Bass for Anne-Sophie Mutter and Roman Patkoló, premiered by the Boston Symphony in 2007. His Harp Concerto commissioned by the Pittsburgh Symphony premiered in 2008; his work Owls was premiered by the Boston Symphony Orchestra in 2008; his second opera, Brief Encounter, commissioned by the Houston Grand Opera, premiered in 2009; and his double concerto for violin and viola, written for Anne-Sophie Mutter and Yuri Bashmet, received its premiere in 2009. Carnegie Hall presented four concerts for his 80th birthday celebrations in 2009, showcasing the diversity of his career. Other recent highlights include concerts with the Leipzig Gewandhaus, London Symphony Orchestra, Dresden Philharmonic, and the Czech Philharmonic at the Prague Spring Festival. André Previn records for Deutsche Grammophon. 2 Previn has received a number of awards and honors for his outstanding musical accomplishments, including both the Austrian and German Cross of Merit, and the Glenn Gould Prize. He is the recipient of Lifetime Achievement Awards from the Kennedy Center, the London Symphony Orchestra, and Classic FM Gramophone, and this year was honored with a Grammy Lifetime Achievement Award from the Recording Academy. He has also received several Grammy awards for recordings, including the CD of his violin concerto Anne-Sophie and Bernstein’s Serenade featuring Anne-Sophie Mutter together with the Boston and London Symphony orchestras. Cellist Daniel Müller-Schott quickly rose to international stature after winning the International Tchaikovsky competition at age 16. He has studied with some of the great cellists, including Heinrich Schiff and Steven Isserlis and became the mentee of violinist AnneSophie Mutter. Müller-Schott has appeared in concert worldwide with such renowned conductors as Vladimir Daniel Műller-Schott Ashkenazy, Charles Dutoit, Alan Gilbert, Christoph Eschenbach, Bernard Haitink, Kurt Masur and André Previn, and has performed all over Europe and the United States with such internationally acclaimed orchestras as the New York Philharmonic, the Boston and Chicago Symphony Orchestras, the Philadelphia Orchestra, the Philharmonia Orchestra, London and the City of Birmingham Symphony Orchestra. He debuted at the Hollywood Bowl Festival with the Los Angeles Philharmonic. Müller-Schott’s first CD of the Bach suites was very well-received. In July 2007, the New York Times wrote, “The magnetic young German cellist Daniel Müller-Schott administered a dose of adrenaline ... a fearless player with technique to burn ... But even more impressive were his gorgeous, plush tone and his meticulous attention to expression.” Politiken (Denmark) said, “The world now has a new great cellist.” Said BBC Music Magazine in 2008 of his Shostakovich CD, “This latest warmly recorded release from German cellist Daniel Müller-Schott must rank amongst the finest.” He was awarded the Vierteljahrespreis der Deutschen Schallplattenkritik for his recordings of Elgar and Walton’s Cello Concertos and for his release of the Shostakovich Cello Concertos recorded with the Bavarian Radio Orchestra. His recordings can be found on the Orfeo, Deutsche Grammophon, Pentatone and EMI Classics labels and have won other awards, including the 3 Gramophone “Editor’s Choice,” the Strad “Selection” and the Vierteljahrespreis der Deutschen Schallplattenkritik. A new disc of the Schumann and Volkmann cello concertos, recorded with the NDR Symphony Orchestra under Christoph Eschenbach was released in the autumn of 2009 to critical acclaim. The second part of the Beethoven cycle with Angela Hewitt was released in November 2009. In the 2009/10 season, Müller-Schott was heard playing Saint-Saëns’ First Cello Concerto under Sir Neville Marriner and the Academy of St Martin in the Fields in Germany, Austria and Turkey and the Elgar Cello Concerto in Spain with the Euskadi Symphony Orchestra, in Mexico with the Orquesta Sinfónica Nacional de México under Carlos Miguel Prieto and with the Lucerne Symphony Orchestra. A regular at many summer festivals including Tanglewood and Aspen, SchleswigHolstein, and Mecklenburg-Vorpommern, Müller-Schott has partnered with such outstanding young artists as Julia Fischer and Jonathan Biss, Nicolas Angelich, Renaud Capuçon, Julia Fischer, Jonathan Gilad, Viviane Hagner, Angela Hewitt, Steven Isserlis, Anne-Sophie Mutter, André Previn and Jean-Yves Thibaudet, as well the Fauré Quartet, the Quatuor Ebène and the Vogler Quartet. Daniel Müller-Schott performs on the “Ex Shapiro” Matteo Goffriller cello, made in Venice in 1727. He currently lives in his home town of Munich. In his leisure time he is a keen jogger and soccer player. Downloadable high-resolution images are available at www.wpas.org Funded in part by the D.C. Commission on the Arts & Humanities, an agency supported in part by National Endowment for the Arts. WPAS is committed to making every event accessible for persons with disabilities. Please call the WPAS Ticket Services Office for more information on accessibility to the various theaters in which our performances are held. Services offered vary from venue to venue and may require advance notice. Washington Performing Arts Society has created profound opportunities for connecting the community to artists, in both education and performance. Through live events in venues that criss-cross the landscape of the D.C. metropolitan area, the careers of emerging artists are guided, and established artists who have bonded with the local audience are invited to return. In this way, the space between artists and audiences is eliminated, so that all may share life-long opportunities to deepen their cultural knowledge, enrich their lives, and expand their understanding and compassion of the world through the universal language of the arts 4