Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Russian Music of the Romantic Era: Victor Ewald’s Brass Quintet No.1, Op. 5 John Eagan, Michael Friesen, Cynthia Hartwell, Matthew LaMar, Kyle Shirk Major(s): Biochemistry; Business Finance; Spanish, Education, ACT-In; Oxbridge: Music; Business Admin/Finance, Spanish Faculty Sponsor: Mr. Phil Schaefer The Russian-born Victor Ewald made his living as a highly successful civil engineer, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. However, those who know his name today may find it more relevant and important to know that for sixteen years he performed as the cellist with the Beliaeff Quartet, the most influential ensemble in St. Petersburg during the late 19th century. Though originally a string musician, his name is known for composing some of the first—and most highly notable—pieces of literature for brass quintet. The most famous of his four brass quintet pieces is his Op. 5 in B flat minor, and was the only one published during his lifetime (in 1912). Inspired by Ewald’s interest in Russian folk music, this piece is cherished for its minor tonality, rich harmonic structures, and atypical meters. These aspects and others which make up Ewald’s stylistic mannerisms make the quintet demanding, but rewarding, for players. After presenting a brief look into Ewald’s life as a composer, we will perform from his Brass Quintet No. 1, Op. 5—an excerpt from the second movement, Adagio non troppo lento, and the third movement, Allegro moderato, in its entirety.