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LalunanellettoCompany/TraildireeilfareCulturalAssociation RuvodiPugliaResidence–TeatriAbitati IncooperationwithSistemaGaribaldi EduardoDeFilippoandLuigiPirandello L’ABITONUOVO–THENEWSUIT withMarcoManchisi,NunziaAntoninoeSalvatoreMarci andVittorioContinelli,AdrianaGallo,PaoloGubello,DanteManchisi,OlgaMascolo,TeaPrimiterra, AntonellaRuggiero,LuigiTagliente direction,scenesandlightsMichelangeloCampanale musicGiuseppeVerdi directionassistancePaoloGubello directionassistantsAnnaritaDeMichele,KatiaScarimbolo scenerydirectorTeaPrimiterra lightsandsounddonorMichelangeloVolpe stagetechnicianOlgaMascolo,TeaPrimiterra costumesMariaPascale scenerytechniqueMichelangeloCampanale,OlgaMascolo,TeaPrimiterra,MichelangeloVolpe scenerymasksStefanoPeroccodiMeduna furcoatsshopNicolaPapagni organizationanddistributionFrancescaD’ippolito managementIsaPellegrini communicationRosagiuliaScarongella photoPatriziaRicco graphicsEnzoRuta videoSalvatoreMagrone tanksto:DanieleLasorsa,CarloBruni,GiorgioTesta,MimmoDaoli,AnnalisaBellini,MauroIeva,PasqualeAmendolagineand Cacciatorid’ombraAssociacion,BisceglieMuniciapality,RuvodiPugliaMunicipality,PasqualedePalo,FilomenaDeLeo,the Ma…màgroup,MariaStrippoliandNicolaCudemo,MariaDeAstis,IvanPaparella,RiccardoCarbutti,Primiterraartisticunderware,LucaMontaruli,AlessiaDiBitonto,AntoniettaPugliese…andallthe“taylors“whohavecontributedtotheproduction. ViaD'Abignenti,7-70037RuvodiPuglia(BA)P.IVA04728490725,Tel./Fax0803603114 In1935EduardoandPirandellofulfilledtheartisticcooperationwithThenewsuit–adialoguedscenariobyLuigiPirandellointwoactsandthreescenes,establishedbyEduardoDeFilippowhosestaging took place in 1937 at the Manzoni Theatre in Milan. Their project was born on the namesake Pirandello’snovellawhichwasidentifiedbyEdoardoasuitablepieceforatheatreadaptation.Edoardowas fascinatedbythemaincharacterofthenovella,thescribeMicheleCrispucciwho,startingfromahumblesocialstate,doesnotaccepttheinheritancearrangedbythefateforhim,inordernottolosehis owndignityandhonesty.ThePirandello’shortstorystartsexactlywiththesuitthatthepoorCrispucci usedtowearfromimmemorialtime…andendsupwithasuitwhichseemedtotalkbyitself…Sothatthe transfer from an old suit to a new one represents the key happening of the drama. Crispucci’s deep loveforhiswife,despitetheevents,overflowsinalucidinsanity,whichtransformshiminakindof contemporaryanti-herofightingagainstmen’sdulldegradingdependenceonthingsandstuff.Atthat timeitwasaharshtext;nowadaysitissoextremelymodernthatithasinspiredanewmeeting,the one between Michelangelo Campanale, who paints the scene by a visionary direction which was inspired to Pirandello’s poetics, and Marco Manchisi, who curates the text by loyally comparing the drama written in 1935 with Edoardo’s redraft for RAI in 1965. So, direction and text are sewed togetherontheactorsnucleusthatmakesupthesoulofLalunanellettoCompanysincemanyyears. ViaD'Abignenti,7-70037RuvodiPuglia(BA)P.IVA04728490725,Tel./Fax0803603114