Download proposals 2015 - the pirate ship

The Pirate Ship
International Theatre Ensemble
Associazione Culturale
Repertory2015
Next May Balinese Master I Made Djimat will join us dancing with Gamelan
Gong Cenik and leading workshops
Rita Colani / Veronica Piccoli Gangsa pemade Paolo Cucchi / Massimiliano Panza Reong
Jos Olivini Gong Maurizio Bolis Kempli Renato Carminati Suling Luciano Togni Kendang
Saveria Savidya Ceng-ceng Enrico Masseroli Dance & Direction I Made Djimat Master
Pig’s head
In the island of Bali theatre, music and dance are the
very core of social and religious life, the expression
of a culture where aesthetic and devotion are
harmoniously linked. Topeng is one of the most old
and popular style of the Balinese theatre. Its
performance celebrates, between myth and history,
the epos of old courts, providing as well an hilarious
entertainment for everybody. The story of King
Bedahulu narrates the events of the mythologized
Javanese conquest of Bali in the fourteenth century,
namely how an ascetic king found himself with the
head of a pig.
https://vimeo.com/78905878
Sidha Karya: the divine stranger
"Sidha Karya", means literally "who has the power to fulfill the
work (the rite)", his appearence is necessary for the proper
achievement of each ceremonial Topeng. His vigorous and wild
dance raises the hilarious amazement of onlookers and the
attention of the demons, thus allowing the high priest (who works
in Balinese temple very closed) to carry out undisturbed his ritual
prayer to sanctify the water.
The story of the birth of this mask reveals a conflict nowadays still
very current: the relationship with the stranger. Clear its moral
warning: people cannot live happy and at peace, if dispels the
stranger as an enemy. A community that fails to incorporate
positively what appears potentially destructive, is vulnerable. "The
Other" is our brothers.
http://youtu.be/-JQm33K4uDw
Gamelan, Demons and Warriors
Gamelan Gong Cenik, small orchestra with original instruments
from Bali, present Ujian Mas (golden rain), a classic of the
fabulous 30s and two original compositions Cewek Cantik
(beautiful girl) and Pirate Suite (with rare Tek of bamboo,
accompanying moreover three dances: Baris Tunggal (solo baris)
and the demonic character Djauk with long threatening fingernails
in the two characterizations, Keras with red mask, impetuous and
arrogant, Manis with white mask, refined and playful.
The incredible story of the king Bedahulu
By & with Enrico Masseroli - Master I Made Djimat
Performance of Topeng with original recorded music
The scene alternating 13 characters and the tale of the most famous story
of Topeng. Successfully presented in Italy, Austria, Germany, Spain,
Sweden, Switzerland, Corsica and Malta, in Italian, German, English and
French.
http://www.youtube.com/watch?v=4susUQfqRuo
Topeng: masks from the island of the Gods
Lecture/demonstration on Balinese Theatre by Enrico Masseroli
The danced theater of Bali, rich in ancient dramatic genres and modern
creations, is expression of an original stage language that shapes the body
tension, gestures, poses and choreographic units. Topeng masks will be
unveiled within the historical, social and religious context of the Island.
BaliKarma
A western Journey into the Balinese music on the tracks of Walter Spies and Colin McPhee
joining stories and masks of the Island of Gods, with the illegal assistance of Antonin Artaud
theatrical concert for two pianos, gong, gangsa pemade, percussions
music by Colin McPhee transferred and reworked by Davide& Daniele Trivella
Pianists Davide e Daniele Trivella
Texts & Dancer Enrico Masseroli
http://www.youtube.com/watch?v=tMtDHyHbNiY&feature=feedu
Sir Gawayn and the Grene Knyght
adapted and interpreted by Enrico Masseroli
An amazing and exciting story from the most beautiful novel in
verse of the European tradition of chivalry. King Arthur is
celebrating the New Year in Camelot, around him the knights of
the Round Table "in splendid feast and carefree pleasure". When
suddenly come forward the "wonderful" in person: a giant
knight on horseback, "both of purest green." Has an ax in his
hand "monstrous and enormous." Proposes a challenge that
shakes. Gawain, pearl of the knights, will to pick it up. Within
an enchanted courteous frame, among castles, hunts and ladies
expert in risky skirmishes of love, we are captivated by the myth: the relationship between the hero
and the fate, i.e. the Enemy / Master of lif
https://vimeo.com/76725010
Sacred representation of Via Crucis
music by Franz Liszt
piano & harmonium or organ by Davide & Daniele Trivella
performer Enrico Masseroli http://vimeo.com/76999208
The play arises from the counterpoint between the music of
Liszt and the quotations from the Gospels, according to the
traditional Christian liturgy.
Masks of the sacred tradition of Topeng in the island of Bali
(Indonesia) give the face to the displayed characters: Anna,
Caiaphas, Pilate, Herod, Mary, Simon of Cyrene, Veronica,
Centurion, the two thieves, while Narrator and Jesus Christ
only appearing with the actor's face.
Laboratori condotti da Enrico Masseroli
La tecnica e il fiore arti d’attore, tra disciplina e creazione
Taksu: l’attore e la maschera dalla tradizione di Bali l’energia che anima la maschera
Keras / Manis
introduzione al teatro /danza di Bali
Trampoli danzanti trampoli, arti e tecniche del teatro di strada
Contatti www.pirshiptheatre.it [email protected] 035 233094 - 333 4530146