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Final Exam Format
I. 10 listening (list provided)
composer/title + period
II. Choice of 2-3 binary terms: justify
III. 2 Objective Sections
IV. 2 Essay Questions
Sample of what listening list will look like
A. Composers
B. Works
Schoenberg
Brahms
Leoninus
Liszt
Beethoven
Appalachian Spring
Un di felice
Mazurka in B-flat
Tristan und Isolde: Liebestod
Aguns Dei from the Pope
Marcellus Mass
Voiles (Sails)
Symphony #5: 3rd Movement
Trancendental Etude: Wild Hunt
Adams
Schubert
Mahler
Selected terms for Final Exam
(NB the list is NOT comprehensive: use as a good test of where you are in your studying.)
Monody
Medieval (isorhythmic) motet program music
minimalism
musique concréte
The Sick Moon
Basso continuo
chorale
concerto grosso
concertino
melismatic ritornello
a cappella singing
strophic form
row or series
subject
madrigal
Alban Berg
minut and trio
Josquin
Point of imitation
Art of the Fugue
cadenza
fugue subject
col legno
Well-Tempered Clavier
Lutheran cantata
Walking bass
rubato
Gesamtkunstwerk
Gregorian chant
Handel
classical era
basso ostinato
Whole tone scale
aleatory music
Erlkönig
rounded binary form
Marriage of Figaro Liebestod
Troubadou r
O Greenest Branch
Eroica Symphony
Ravel
recapitulation
Double exposition form rondo
finale
Gretchen at the Spinning Wheel
absolute music
dissonance
aria
serial composition
exposition
ritornello form
diminution augmentation
madrigalism
Ring cycle
figured bass
Counter-Reformation Liebestod
variations
Mozart
throughcomposed
Mazurka
Leonin
polychoral motet
The Seasons
contrapuntal
leitmotif
Idée fixe
Ordinary of the Mass
Lied
Heroic Period
Renaissance motet
Sprchstimme
Surprise Symphony Alberti bass
Aria
dance suite
Brandenburg concertos
organum
cori spezzati
surprise return
Così fan tutte