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Final Exam Format I. 10 listening (list provided) composer/title + period II. Choice of 2-3 binary terms: justify III. 2 Objective Sections IV. 2 Essay Questions Sample of what listening list will look like A. Composers B. Works Schoenberg Brahms Leoninus Liszt Beethoven Appalachian Spring Un di felice Mazurka in B-flat Tristan und Isolde: Liebestod Aguns Dei from the Pope Marcellus Mass Voiles (Sails) Symphony #5: 3rd Movement Trancendental Etude: Wild Hunt Adams Schubert Mahler Selected terms for Final Exam (NB the list is NOT comprehensive: use as a good test of where you are in your studying.) Monody Medieval (isorhythmic) motet program music minimalism musique concréte The Sick Moon Basso continuo chorale concerto grosso concertino melismatic ritornello a cappella singing strophic form row or series subject madrigal Alban Berg minut and trio Josquin Point of imitation Art of the Fugue cadenza fugue subject col legno Well-Tempered Clavier Lutheran cantata Walking bass rubato Gesamtkunstwerk Gregorian chant Handel classical era basso ostinato Whole tone scale aleatory music Erlkönig rounded binary form Marriage of Figaro Liebestod Troubadou r O Greenest Branch Eroica Symphony Ravel recapitulation Double exposition form rondo finale Gretchen at the Spinning Wheel absolute music dissonance aria serial composition exposition ritornello form diminution augmentation madrigalism Ring cycle figured bass Counter-Reformation Liebestod variations Mozart throughcomposed Mazurka Leonin polychoral motet The Seasons contrapuntal leitmotif Idée fixe Ordinary of the Mass Lied Heroic Period Renaissance motet Sprchstimme Surprise Symphony Alberti bass Aria dance suite Brandenburg concertos organum cori spezzati surprise return Così fan tutte
