Download Program - Ensemble Theatre

nothing personal
By david williamson
world premiere
From 1 december 2011
Cast (in order of appearance)
Naomi
EMMA JACKSON
Bea
GRETA SCACCHI
Roxanne
JULIE HUDSPETH
Kelvin
ANDREW McFARLANE
Simon
MATTHEW MOORE
Lucy
RACHAEL COOPES
Carla
JEANIE DRYNAN
Director
MARK KILMURRY
Assistant Director
ANNA CRAWFORD
Designer
STEVEN BUTLER
Lighting Designer
PETER NEUFELD
Stage Manager
KELLY SPICE
Wardrobe Coordinator
LISSETTE ENDACOTT
The performance will run for 2 hours including a 20 minute interval.
DAVID WILLIAMSON – Playwright
David Williamson is Australia’s best known and most widely performed playwright.
His first full-length play THE COMING OF STORK was presented at La Mama Theatre in
1970 and was followed by THE REMOVALISTS and DON’S PARTY in 1971. His prodigious
output since then includes THE DEPARTMENT, THE CLUB, TRAVELLING NORTH, THE
PERFECTIONIST, SONS OF CAIN, EMERALD CITY, TOP SILK, MONEY AND FRIENDS,
BRILLIANT LIES, SANCTUARY, DEAD WHITE MALES, AFTER THE BALL, CORPORATE
VIBES, FACE TO FACE, THE GREAT MAN, UP FOR GRABS, A CONVERSATION, CHARITABLE INTENT,
SOULMATES, BIRTHRIGHTS, AMIGOS, FLATFOOT, OPERATOR, INFLUENCE, LOTTE’S GIFT, SCARLET
O’HARA AT THE CRIMSON PARROT, LET THE SUNSHINE and RHINESTONE REX AND MISS MONICA.
His latest play DON PARTIES ON, a sequel to DON’S PARTY, was produced by the Melbourne Theatre
Company before a Sydney transfer in early 2011. His new play WHEN DAD MARRIED FURY had its
world premiere in Perth at the Metcalfe Playhouse and AT ANY COST? co-written with Mohamed
Khadra opened at the Ensemble Theatre in July. His plays have been translated into many languages
and performed internationally, including major productions in London, Los Angeles, New York and
Washington. DEAD WHITE MALES completed a successful UK Production in 1999. UP FOR GRABS went
on to a West End production starring Madonna in the lead role. In 2008 SCARLET O’HARA AT THE
CRIMSON PARROT premiered at the Melbourne Theatre Company starring Caroline O’Connor and
directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including
THE REMOVALISTS, DON’S PARTY, THE CLUB, TRAVELLING NORTH and EMERALD CITY along with
his original screenplays for feature films including LIBIDO, PETERSEN, GALLIPOLI, PHAR LAP, THE
YEAR OF LIVING DANGEROUSLY and BALIBO. The adaptation of his play FACE TO FACE, directed by
Michael Rymer, recently won the Panavision Spirit Award for Independent Film at the Santa Barbara
International Film Festival. David was the first person outside Britain to receive the George Devine
Award (for THE REMOVALISTS). His many awards include twelve Australian Writers’ Guild AWGIE
Awards, five Australian Film Institutes’ Awards for Best Screenplay and, in 1996 The United Nations
Association of Australia Media Peace Award. In 2005 he was awarded the Richard Lane Award for
services to the Australian Writers’ Guild. David has received four honorary doctorates and been made an
Officer of the Order of Australia. David has been named one of Australia’s Living National Treasures.
MARK KILMURRY – Director
As well as acting in many productions, Mark’s Ensemble directing credits include
WARNING: EXPLICIT MATERIAL, CASANOVA, LAST OF THE RED HOT LOVERS,
MURDERERS, ANIMALS OUT OF PAPER, AND THE COW JUMPED OVER THE MOON
(also writer), ABIGAIL’S PARTY, LITTLE NELL, TUESDAYS WITH MORRIE, MARY STUART,
YOU TALKIN’ TO ME? DIARY OF AN OLYMPIC CABBIE (also adaptor), THE BUSY WORLD
IS HUSHED, HALPERN & JOHNSON, DERRIDA IN LOVE, THEY’RE PLAYING OUR SONG,
HAMLET, THE RETREAT FROM MOSCOW (Ensemble Theatre); KING LEAR, HAMLET (Studio Company/
Riverside Theatre); THE LOVER (Belvoir Street Theatre) and HAMMERKLAVIER (SBW Stables Theatre).
Mark is the recipient of two Norman Kessell Memorial Awards for an Outstanding Performance by an
Actor for his roles in HAMLET and JAPES and was awarded with the 2006 Hayes Gordon Memorial
Award for Important Contribution to Theatre. Mark is currently Artistic Director at the Ensemble Theatre.
RACHAEL COOPES – Lucy
Rachael trained for 2 years with the infamous Philippe Gaulier in Paris after receiving the
Marten Bequest Scholarship and Ian Potter Foundation Cultural Trust. Rachael’s television
work includes PLAYSCHOOL, DANCE ACADEMY, BALLS OF STEEL, THE POLITICALLY
INCORRECT PARENTING SHOW, MCLEOD’S DAUGHTERS, LIFE SUPPORT 3 Series, ALL
SAINTS, SECRET LIFE OF US, WHITE COLLAR BLUE, DOG’S HEAD BAY and NORMAN!
IS THAT YOU?. Film work includes THE GHOST (Short), HIGH MAINTENANCE (Short),
BILLY’S HOLIDAY, SIRENS, X (Written/Dir/Prod: Rachael Coopes) PIP, SHORT CHANGED. Theatre work
includes THE GOD COMMITTEE (Ensemble Theatre), THE SUGAR HOUSE (Company B), STONING
MARY (Griffin Theatre Company) and THE DECAMERON (Old Fitzroy Hotel). Her produced writing work
includes SAVE DRAFT in Short and Sweet Festival 2011, TWO WOMEN as part of Grifffringe 2010 at
Griffin, ART HOUSE at Washington University and at Zoo Venues Edinburgh Fringe 2009, LIFE SUPPRT
SERIES 3 Comedy Sketches and the devising, writing and performing of the show I’M NOT SURE I’M
AN ADULT YET as part of Novemberism 2011 at Theatre 505. She is currently working on a writing
commission through Australian Theatre for Young People to be produced in 2013.
JEANIE DRYNAN – Carla
Jeanie Drynan is one of Australia’s beloved faces of film, television and theatre. She is
perhaps best known to audiences for her critically acclaimed role as Muriel’s mum in
MURIEL’S WEDDING; a performance which earned her an Australian Academy Award
nomination. Jeanie was previously nominated for Best Actress by the Australian
Academy for her starring role in Bruce Beresford’s comedy, DON’S PARTY, a film by David
Williamson, as well as for her role in Christina Andreef’s SOFT FRUIT. Other film credits
include co-starring with Bryan Brown in Bruce Beresford’s MONEY MOVERS, the classic British comedy
THEY’RE A WEIRD MOB, FANTASY MANN CAPPUCCINO and PICTURE SHOW MAN. Jeanie’s television
credits include CHOPPER SQUAD, CLASS OF ‘74 the mini-series, PASTURES OF THE BLUE CRANE
based on the popular novel, and the internationally renowned PRISONER in which she played the
memorable role of Angela Jeffries and most recently the ABC’s comedy/drama RAKE. On stage Jeanie
has performed for JC Williamson: BOEING, BOEING and A VOYAGE AROUND MY FATHER. Belvoir:
MAKASSAR REEF, GULLS. The Theatre Royal: THE IMPORTANCE OF BEING EARNEST. Darlinghurst
Theatre: BEDROOM FARCE. She is delighted to be making her debut at the Ensemble Theatre.
JULIE HUDSPETH – Roxanne
Julie Hudspeth has always wanted to work in the Publishing Industry until reading David
Williamson’s play. She is so pleased she has had an opportunity to do it vicariously. She is
delighted to be working with Mark and Greta again in this premiere production. They first
worked together in Chekhov’s THE THREE SISTERS for ABC Radio Drama in 1995. Since
then they have appeared together in Pinter’s OLD TIMES at the Ensemble and in 2008
in MARY STUART directed by Mark Kilmurry. Julie has worked as an actor for over thirty
years in stage, radio, film and television and has been a member of MEAA since 1974. Other Ensemble
productions include ABIGAIL’S PARTY, HARP ON THE WILLOW and TWO. She has also appeared in
SPEAKING IN TONGUES for Perth Theatre Company, PLAYBOY OF THE WESTERN WORLD, THE MAN
FROM MUKINUPIN and ESSINGTON LEWIS: I AM WORK for the Hunter Valley Theatre Company and
at Belvoir; MAKASSAR REEF with Jeanie Drynan and THE SEA for Nimrod Theatre. Film and television
includes HOME AND AWAY, BLACKFELLAS. Her play, EFFIE FELLOWS, THE GREAT PRETENDER was
produced in Perth. She has also adapted Vikram Seth’s GOLDEN GATE and Geraldine Brookes’ YEAR OF
WONDERS for ABC Radio. She has taught acting, improvisation, creative writing and speech and drama
to adults and children in a variety of institutions, including the WA Academy of Performing Arts, LaSalle
School of Drama, Singapore and the Actors Centre, Sydney.
EMMA JACKSON – Naomi
Emma Jackson’s career has spanned extensively over theatre, film, and television since
her graduation from the National Institute of Dramatic Art in 1999. She won the Marten
Bequest travelling scholarship for acting in 2006 and relocated to New York to train
with the SITI Co and intern with The Wooster Group. Emma has worked with many
theatre companies in Australia and last year received widespread critical acclaim for her
performance as ‘May’ in B Sharp’s FOOL FOR LOVE. Other credits include Melbourne
Theatre Company’s DEAD MAN’S CELLPHONE, Griffin Theatre’s STONING MARY, and internationally;
REASONABLE DOUBT in London and in Edinburgh, as part of the Edinburgh Festival, and THE BIRD,
READER, WINDOWS and BED, all at the One Year Lease theatre company in New York and C4 THE
CHEKOV PROJECT at the Prospect Theatre in New York. Emma’s film credits include the US feature
MASK II, and Australian productions WEST, THUNDERSTRUCK, BLURRED and SWAY. Most recently
Emma has been seen on the small screen in the ABC TV’s legal drama CROWNIES and will soon be
seen in the controversial Screentime production of KILLING TIME. Other television credits include
RESCUE: SPECIAL OPS (Season 3), ALL SAINTS, WATER RATS, THE ALICE and WHITE COLLAR BLUE.
Emma has previously performed with Ensemble Theatre in David Williamson’s LET THE SUNSHINE
and is thrilled to rejoin the team with his new play NOTHING PERSONAL.
ANDREW McFARLANE – Kelvin
A graduate from NIDA, Andrew has had an extensive career in film & television. He has
starred in some of Australia’s most successful TV dramas including THE SULLIVANS,
PATROL BOAT, THE FLYING DOCTORS, WATER RATS, BLUE HEELERS, HOME & AWAY, THE
ALICE, and UNDERBELLY: A TALE OF TWO CITIES. Andrew is also a regular presenter
on PLAYSCHOOL. In theatre, Andrew has worked for every state theatre company in
Australia and for numerous independent companies in roles as diverse as King Henry
in HENRY IV PT 1, George in WHO’S AFRAID OF VIRGINIA WOOLF?, Salieri in AMADEUS and Mr Myers,
the drama teacher in FAME, THE MUSICAL on which he was also resident director. This is Andrew’s
fourth production with the Ensemble, having appeared previously in EMERALD CITY, AFTER THE BALL,
LOSING LOUIS, and LET THE SUNSHINE. Andrew has performed in six David Williamson plays; THE
CLUB, EMERALD CITY, CORPORATE VIBES, AFTER THE BALL and LET THE SUNSHINE, and NOTHING
PERSONAL is his third World Premiere of David’s work.
MATTHEW MOORE – Simon
Matthew graduated from the Western Australian Academy of Performing Arts in 1998 where
he received the prestigious Leslie Anderson Award. Theatre credits include THE GREAT and
THE TAMING OF THE SHREW for Sydney Theatre Company, ROMEO AND JULIET (for which he
received a Sydney Theatre Award nomination for Best Actor in a Supporting Role), MEASURE
FOR MEASURE, WARS OF THE ROSES, THE SERVANT OF TWO MASTERS, TWELFTH NIGHT and
THE TEMPEST for Bell Shakespeare Company, TWELFTH NIGHT for Belvoir St Theatre, THE
BUSY WORLD IS HUSHED for Ensemble Theatre, THE CAT LADY OF BEXLEY for Australian Theatre of the Deaf
and ANTIGONE for Australian Theatre for Young People. In 2007 Matthew participated in the International
Actors Fellowship for Shakespeare’s Globe London. Television Credits include RAKE, ME AND MY MONSTERS,
CHANDON PICTURES, HOME AND AWAY, ALL SAINTS and BAD COP BAD COP. Matthew also appeared in the
Australian feature films THE DISH and BURNING MAN.
GRETA SCACCHI – Bea
Emmy award-winning Italian-born Greta Scacchi has had a truly international career, working
in film, television and theatre in Europe, the US and Australia for 25 years. She burst onto the
screen in Merchant Ivory’s HEAT AND DUST (1982), receiving a BAFTA nomination. Her body
of work includes two other Merchant Ivory productions – JEFFERSON IN PARIS and COTTON
MARY – WAYS TO LIVE FOREVER, BRIDESHEAD REVISITED, FLIGHTPLAN alongside Jodie Foster,
Kevin Spacey’s BEYOND THE SEA, THE RED VIOLIN which won a Golden Globe for Best Foreign
Film, EMMA, THE BROWNING VERSION, Robert Altman’s THE PLAYER, SHATTERED, Gillian Armstrong’s FIRES
WITHIN, PRESUMED INNOCENT, WHITE MISCHIEF, A MAN IN LOVE and GOOD MORNING, BABYLON. She has
returned throughout this time to Australia, appearing in Ana Kokkinos’ THE BOOK OF REVELATIONS, LOOKING
FOR ALIBRANDI (winning an AFI award for Best Supporting Actress), BURKE & WILLS, THE COCA COLA KID and
COUNTRY LIFE, an adaptation of Chekhov’s UNCLE VANYA in which she starred at London’s National Theatre,
which was also directed by Blakemore. Her television credits are RASPUTIN alongside Alan Rickman and Ian
McKellen, for which she received an Emmy award for Outstanding Supporting Actress in a Miniseries or Special
and was nominated for a Golden Globe; WATERFRONT (winning Best Actress Penguin and Logie Awards);
THE FARM (receiving an AFI nomination); and British telefilms JEFFREY ARCHER: THE TRUTH, MACBETH, THE
ODYSSEY and THE EBONY TOWER with Laurence Olivier.
ANNA CRAWFORD – Assistant Director
Anna received the Order of Australia Association NSW Young Director’s Training Grant
in 2006, and completed the Ensemble Theatre’s first Director’s Fellowship in 2008.
Directing credits include: MY WONDERFUL DAY, BROOKLYN BOY, A YEAR WITH FROG
AND TOAD (joint winner with Bell Shakespeare’s JUST MACBETH! of the GLUGS Award
for Best Children’s Production of 2008) and SNOOPY!!! THE MUSICAL for Ensemble
Theatre; CRIMES OF THE HEART, ONLY CONNECT and THE STAR-SPANGLED GIRL (The
Actors Studio Australia); EDUCATING RITA (Independent Production); THE BREAKFAST CLUB, DAGS and
NOISES OFF (Ensemble Studios). Musical directing and vocal arranging credits include: FUDDY MEERS
(The Actors Studio Australia); A YEAR WITH FROG AND TOAD, SNOOPY!!! THE MUSICAL, ALL IN THE
TIMING, PAGEANT FOR A PRINCESS and HARP ON THE WILLOW (finale) for Ensemble Theatre, and
the a’cappella group ROOFTOP BEETLES. Anna assistant directed CABARET CLASSIFIEDS (Ensemble
Theatre) and the ENSEMBLE STUDIOS GRADUATE SHOWCASES 2001, 2003 and 2004. A graduate of the
Ensemble Acting Studios in 2000, Anna has appeared in DERRIDA IN LOVE, CHARITABLE INTENT, HARP
ON THE WILLOW, ALL IN THE TIMING, UNDER MILKWOOD and LATINO LOCO (Ensemble Theatre);
HONEY (Hash Honey Productions); GODSPELL (Independent Theatre); BUDDIES & THE HURTING
GAME (Brainstorm Productions); WOLF LULLABY (REP Theatre Company); LAUNDRY AND BOURBON,
NUNSENSE, THE GIFT OF THE GORGON, THE IMPORTANCE OF BEING EARNEST, THE LIFE I GAVE
YOU and WHALEMUSIC (Ensemble Studios). Film and television credits include THE WOMAN IN THE
WINDOW, SORRY WITH A FRINGE ON TOP, FORTRESS, COP SHOP, SPECIAL SQUAD, PRIME TIME, TRAPP
WINKLE AND BOX, THE FLYING DOCTORS, CARSON’S LAW and PRISONER.
STEVEN BUTLER – Designer
Steven trained at NIDA in Theatrical Design, graduating in 2004, and is currently finishing
his Masters in Architecture at UNSW. Recent works include; HMS PINAFORE (Melbourne)
& the Ensemble Theatre production WARNING: EXPLICIT MATERIAL. Other theatre
designs include; THE MAGIC FLUTE (Adelaide), PLAYHOUSE CREATURES (Hobart),
FAUSTUS (B Sharp), THE WILD DUCK (New Theatre), THE ALTRUISTS (B Sharp), THE
GRAPES OF WRATH (NIDA), VINEGAR TOM, SPARKLESHARK, THE ILLUSION, and STAGES
AND HENS. In addition Steven has been the assistant designer for the MTV awards, Nickelodeon Kids
Choice Awards, Channel 9 TV program RAGGS, Adelaide Festival and Bangarra. During this time Steven
has also had solo art exhibitions, and continues to lecture in Set and Costume design. Whilst pursuing
his love for theatre, Steven is also utilizing his background in Architecture by merging Architectural
practices with the theatre design process.
PETER NEUFELD – Lighting Designer
For the Ensemble Theatre: WARNING: EXPLICIT MATERIAL, RHINESTONE REX AND MISS
MONICA, MURDERERS, LITTLE NELL, TUESDAYS WITH MORRIE, TRYING, THE DRAWER BOY,
A LOCAL MAN, AUNTY AND ME, SPINNING INTO BUTTER and I’M NOT RAPPAPORT. For
Sydney Theatre Company: THE PIG IRON PEOPLE, THE VERTICAL HOUR, INFLUENCE, THE
CLUB, ROME TREMBLE and WUNNERFUL LIBERACE. For Bell Shakespeare: MEASURE FOR
MEASURE, THE WAR OF THE ROSES, THE SERVANT OF TWO MASTERS, HAMLET and THE
MERCHANT OF VENICE. Other productions include LOOKING THROUGH A GLASS ONION (including its
season in the West End), THE BLONDE, BRUNETTE AND VENGEFUL REDHEAD, CAFÉ BREL, THE BASTARD
FROM THE BUSH, THE ELOCUTION OF BENJAMIN FRANKLIN, DON’S PARTY, PEARLS BEFORE SWINE and
PELL MELL. Peter has designed and been technical production manager on many national & International
corporate events. He has also been involved technically in various aspects for the Sydney 2000 Olympics,
Rugby World Cup (Australia), Melbourne Commonwealth Games, Vancouver Winter Olympics among others
for The Electric Canvas. He has just lit the massive BHP steel foundry exhibit in the Newcastle Regional
Museum. An expert on Computer Aided Design (Vectorworks) he also teaches at five universities.
KELLY SPICE – Stage Manager
Kelly Spice graduated from Queensland University of Technology with a Bachelor of Fine
Arts in Technical Production in 2008. Kelly has an interest in Theatre & Event Management,
particularly related to musicals, dance & opera. Positions recently include Assistant Stage
Manager for Sydney Festival’s THE GIACOMO VARIATIONS and SUFJAN STEVENS (2011) and
OEDIPUS REX & THE SYMPHONY OF PSALMS (2010), Stage Manager for The Conservatorium
of Music’s Opera Productions ‘LA FINTA GIARDINIERA (2011) and THE MERRY WIVES OF
WINDSOR (2010), Assistant Stage Manager for THE MAN THE SEA SAW (2011), Stage Manager for Darlinghurst
Theatre’s NO WAY TO TREAT A LADY (2011), Assistant Stage Manager at Woodford Folk Festival (2010), Stage
Manager of NAISDA’s BENEATH THE ANCESTORS (2010) & Stage Manager of Harvest Rain Theatre Company’s
JOSEPH & THE TECHNICOLOUR DREAMCOAT, PETER PAN (2009), THE SOUND OF MUSIC and A MIDSUMMER
NIGHT’S DREAM (2008). Kelly is enjoying her first production, NOTHING PERSONAL, with Ensemble Theatre.
LISSETTE ENDACOTT – Wardrobe Coordinator
Lissette’s wardrobe and costume experience spans a variety of genres. For the Ensemble
Theatre, Lissette has been Wardrobe Coordinator for FOUR FLAT WHITES IN ITALY, AT
ANY COST?, MURDERERS, RHINESTONE REX AND MISS MONICA, THE GOD COMMITTEE,
BROOKLYN BOY, ABSURD PERSON SINGULAR, THE SUNSET LIMITED, THE LITTLE DOG
LAUGHED, LET THE SUNSHINE, ABIGAIL’S PARTY, LITTLE NELL, TUESDAYS WITH MORRIE,
WRONG TURN AT LUNGFISH, McREELE, DEATH OF A SALESMAN, QED, YOU TALKIN’ TO ME? DIARY OF AN
OLYMPIC CABBIE, BURNT PIANO, THE BUSY WORLD IS HUSHED, HALPERN & JOHNSON, GLORIOUS, RABBIT
HOLE, and STELLA BY STARLIGHT. She also coordinated the wardrobe of SHAKESPEARE’S R & J, SOLDIER
The Ensemble Theatr
BOY,atand
THE BAMBOO
FLUTE. She
has been
involved
with the wardrobe department on the Children’s TV
Peggy trained
Artransa
Film Studios,
London
BBC
and Universal
series PENELOPE K BY THE WAY, feature film BLACKWATER and short films THE HEIST and FRAIL. Lissette has
Studios in Los
Angeles for special effects. For theatre, she has
also designed the costumes for short films THE BIND, THE EYE OF THE BEHOLDER, DEATH IN
THE
GARDEN,
Chris
& Bev
Holmes Nicholas Playous
designed make-up
CATSand
and
CATS RUN
AWAYLissette
TO THE
FEELING for
LONELY
REBECCA.
As a Stylist,
hasCIRCUS,
worked on several Television Commercials and the
Music
Videos
of
TEARDROPS
by
Kate
Alexa
and
FRIEND
by
Bob
Evans.
the national tours of JESUS CHRIST SUPERSTAR, SWEET BIRD OF
Anonymous x 1
YOUTH, KING LEAR (Royal Queensland TC), JOSEPH, HELLO DOLLY
Jeanette Beaumont
Special Thanks:
Dr. Ulysses Chioatto of SSAMM
and 42ND STREET,
DEAD WHITE
MALES,
ST JOAN,
MIRACLE
CITY,at Penguin Australia, for
David Williamson
would
like to thank
Bob Sessions,
Publisher
kindly reading
Management Consulting
the
play
and
helping
me
correct
inaccuracies
in
terminology
and
process.
Thanks
also
to Margie Seale,
HERETIC and COMEDY OF ERRORS, PETER PAN, SHOWBOAT,
Anne Clark
Director and all the staff at Random House, Jason from Plastix, Claude Sebastian Menswear,
CYRANO DEManaging
BERGERAC
and RENT.LuLu
For television,
Peggy has created
Rouge Handbags, and North Sydney Council.
the make-up for LOVE BOAT, CIRCUS OF THE STARTS (Los Angeles
Neil & Denise Buchanan
Philip & Sheila Jacob
and Australia), I CAN’T GET STARTED, Linda Croppers character
Despina Kallinikos
make-up in MELBA and SIX PACK for Bob Weiss. In 1999 she won the
Make-Up Award for the Barry Kosky production of KING LEAR for the
Anonymous x 2
John Bell Theatre Company and won the National Make-Up Award for
Alex Carmichael
Hugh Cranswick
overall contribution to the industry in 2000.
Margaret Cutler
Anonymous x 7
Alexandra Amon
David & Carol Bailey
Victor Bear
Stephanie Berry
Roderick Best
Edward Bevins
Miriam Bodie
Marianne Boyer
Axel Buchner
Norma Burrows
Ingrid Butters
Blanche Cassen
Colin Chapman
Mhairi Clark
Priscilla Cocks
Ensemble Theatre proudly supports
Don’t want to queue for a drink at interval?
not pre-order your drinks before the show at the foyer bar!
f house staff up until 10 minutes before show time to place your order.
th, Pier Production Set Builders, Peter Crome
HEARING AID WEARERS USE “T” SWITCH
William D
Warren G
Margaret
Sarah Law
Victor H Cohen
Brian Coleman
David Collison
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Davis
John & Di Dorter
Paul Dressler
Peter Druce
Bruce Dunbar
Correll Fawcett
Ronald Ferguson
Marilyn Forbes
Steven Fouracre
Chris Fraser
Anonymous x 23
John Clark
John
Phillip Alt
Marion Coulson
John
Robert Anderson
Suzanne Davidson
W&D
Ian & Cherry Archer
Bev Davis
Paddy
Patricia Ball
Margaret Deakin
Toni G
Prof. & Mrs Banner
Nola Desmarchelier
Tony
Ian Barnett
Warren Dewar
Annie
Jan Barr
Mary Doughty
Pame
Eric & Audrey Bevan
Valerie Downer
David
Eric & Vera Bonyhady
Grace Dureau
Bronw
Tom & Phil Breaden
Joyce Eaton
Gai H
Kay & Geoff Brunner
Sue Edwards
Doug
Diana Bryant
Pamela Edwards
Richa
Caryl Bryars
William Eyre
Hope
Carolyn Burt
Correll Fawcett
Patric
Robert Campbell
Lesley Ferguson
Jill Ha
Anne Carolan
Alexander Ferson
Betty
Julie Carroll
Rosalind Fischl
Bruce
Jan Carver
Margaret Fisher
Heath
The Ensemble Theatre gratefully acknowledges donations from our patrons
benefactors
In memory of Val Lovett, a long time subscriber
Edgar Harcourt OBE & Erica Harcourt
The Clitheroe Foundation
Victoria Wildie
GOLD PATRON $1,000 - $2,499
Peter Murray
Barbara Osborne
John Plummer
Chris & Bev Holmes
Mark Kilmurry
Geoffrey & Carol Lack
Judith Morrison
Ulysses Chioatto
Anne Clark
Miriam Davis
Jayati Dutta
Anonymous x 2
Jeanette Beaumont
Debby Cramer &
Bill Caukill
Janis Salisbury
Mark & Ruth Sampson
George & Diana Shirling
SILVER PATRON $500 - $999
Anonymous x 1
Frederick Blackwood
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Anonymous x 1
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Ross & Susan Benger
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Hugh Cranswick
Margaret Cutler
Paula Hall
Winifred Hinds
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D & I Kallinikos
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BRONZE PATRON $250 - $499
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$100 - $249
Anonymous x 22
Catherine Briggs
Jennifer Cole
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J & M Heathers
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Phillip & Gillian Alt
Siena-Dune
Buchanan
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Collison
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Trainor
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Playoust
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Austin
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Burrows
The Carroll-Goldin
Family
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Ben & Sara Kurzer
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David & Caroline
Champion
Lynne Crookes
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Mark Midwinter
Jennifer Darin
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Fiona Press &
Don Reid
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Gary Nash
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Lazarus
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Bruce & Heather
Hando
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North
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Robyn Love
Judy & Susan O’Neill
George Repin
Jill Taylor
Stephen Young
Marianne Boyer
Victor Cohen
Eva Engel
Helen Hearl
B & M Machliss
Robert O’Neill
Ian & Jill Richards
Deirdre Tebbutt
Victor Bear
Alice Beauchamp
Terence Bell
Ruth Morling
Victor Plummer
Mark Snape
Valerie Stern
Diane Stevenson
OAM
Joyce West
Jane Wilde
Joan Wilkinson
$50 - $99
Anonymous x 28
Jenny Burnett
J & P Alexander
Ingrid Butters
Aileen Alizzi
Alexandra Amon
Ian & Cherry Archer
John & Robyn
Armstrong
Vivianne de Vahl
Davis
Margot Foote
Kevin Hewitt
Ann Korner
Margaret McDonald
Mary Potts
Alan Smith
Helen Thompson
John Forsyth
Margaret Hird
Joan Kringas
Denise McKenna
Elizabeth Powell
Shirley Smith
Margaret Deakin
Emily Thomson
Rod & Diane
Cameron
Charles Frater
Lynette Howard
Jane Kyiet
Jane Mears
Kay & Abe Smits
Warren Dewar
Liam Timms
Maureen Campbell
Ronald Freeman
Ray & Gaye Howell
Patricia Lamont
Patricia Miles
Brian & Jill
Rathbourne
Valerie Downer
Madeline Hunter
R & M Lane
Judy Morrison
John Reizes
Robert & Marie
Campbell
Toni Goninan
Ian & Anne Duffield
Anne Goodridge
Charlotte Hunyor
Uri Laurence
Norma Munns
Dianne Richards
Colin & Beverley
Spinks
Anne Edmondson
Lianne Graf
Carolyn Isaacs
Jacqueline Lawson
Don & Margaret
Murden
Jill Rigby
Georgina Springer
Kate & Andrew Caro
M & F Banner
Anne Carolan
Sue Edwards
Pamela Grant
Ronald Johanson
Anne Le Couteur
Cella Baruch
Graham Cowley
Angela Egan
Ruth Bell
Margaret Leavey
Vicki Emmett
Alan & Marion
Grundy
Gordon Johnson
Christine Craigie
Henry Johnston
Jennifer Leckie
Jennifer Benjamin
Margaret Crowe
Marilyn Endlein
Beth Gunnell
Tracy & Keith Crowe
June Evers
Jagdish Gupta
Lyall & Beverley
Johnstone
Patrick & Beth Lee
Leah Bernstein
John Birch
Anthony Darcy
Ronald Ferguson
Jane Gye
Luba Kaye
John Lewis
Michele Ferrara
Gai Hamer
Sandra Kember
Florence & Patrick Li
Alexander Ferson
Hope Hanks
June Kent
Stafford Loader
Rosalind Fischl
Patricia Harrington
Richard Keyworth
Patrick Lynch
OAM
John Fitzpatrick
Christine Harris
Joseph Khoury
Ian Macleod
Lynne Davis
John Flew
Laurel Harris
Joy Kirkpatrick
Judy Macourt
Guy & Julie
de St Guillame
Monica & Peter
Foltyn
Jill Hart
Stuart Knibbs
Dorrit Mahemoff
A & B Healey
William Knight
Cheryl Manns
David & Robin
Blackwell
Brian & Yvonne
Davidson
Ardele Blignault
Frank Davidson
Eric & Vera Bonyhady Suzanne Davidson
Tom & Phil Breaden
Kay Brunner
Caryl Bryars
Peter Lewin
Wendy Southwell
Judith Walz
Renate Watkinson
Catherine Watson
Gordon & Jenny Stace Lloyd Watson
Patricia Rogers
Peter & Judy Newton Phil & Sue Ronaldson Gillian Steenbhom
Peter Watson
Rosna Storey
Marye Jane Nicholson Patricia Rouse
John & Valerie
Malcolm Stuart
Carole O’Brien
Patricia Rushton
Webster
Janet Ojerholm
Michael Saddington Robyn Stutchbury
Richard Whipp
Gwen
Sweetland
Bryan O’Loan
Elizabeth Sakker
Peter Wilkenfeld
Avril Symon
Janette Owen
Alex Sawyer
Geoffrey Williams
Gillian Taylor
Joan Owens
Margaret Schonell
Peter Williams
Jane Taylor
David Pain
Alison Scott
Harry & Helen Terrett Peter Wolfe
Marguerite Perkins
Brian Scott
Rodney & Ann
Laura Wright
Rita Pitman
Geoffrey Seddon
Thomas
Patricia Wright
Colin Pitt
Robin Shaw
Graham & Beverley
Ronald & Freda Postle Leanne Shields
Thompson
ENSEMBLE THEATRE
ENSEMBLE partners
78 McDougall Street, Kirribilli NSW 2061
Box Office (02) 9929 0644 Administration (02) 9929 8877
Subscriptions (02) 9956 6466 www.ensemble.com.au
Founding Director
Hayes Gordon AO OBE
Artistic Director
Sandra Bates AM
Artistic Director
Mark Kilmurry
General Manager
Dallas Lewis
Financial Controller
David Balfour Wright J.P.
Financial Officer
Preferred Wine Partner
Dale Hazelman
Communications Manager
Ticketing Manager
Merran Doyle
Ian Gawne
Ticketing Supervisor
Jennifer Watson
Production Manager
Chris Axelsen
Technical Manager
Thomas Blunt
Front of House Manager
Head of Stage Management
Shireen McNeilage
Claire Nesbitt-Hawes
Restaurant Manager
Deanna Murchie
Executive Chef
other support
James Birch
Marketing Manager
Dan Brukarz
Sous Chef
Mireille Vermulst
Caretaker
Toro Indrakuswarna
Box Office Staff Marketing Partner
The Clitheroe Foundation
Menswear by
Handbags supplied by
Greg Bull, LAURA FOUREUR, Emily Kimpton
Narelle Tallis & ALANA THOMSON
Front of House Supervisors
Emma Garden, Alice Osborne
Jessica Sullivan & Rosemary Wildie
Members of Ensemble Groups
Sandra Bates AM; Tony Bates;
Roderick Cameron FCA;
Merran Doyle; Mark Kilmurry;
Peter Lowry OAM; Zika Nester OAM;
David Balfour Wright J.P.
donations and bequests
Please consider making a donation to the
Ensemble Theatre. All donations over $50.00
will be listed in our production programmes.
Donations can be made personally or on behalf of
someone who has enjoyed the theatre over the
years. For a more lasting legacy and if you feel the
time is right why not consider making provision in
your will for a bequest to the Ensemble Theatre.
For more information please contact
Dallas Lewis [email protected] or
go to www.ensemble.com.au
Patrons are advised that the Ensemble Theatre has an EMERGENCY EVACUATION
PROCEDURE, a FIRE ALARM system and EXIT passageways. In case of an alert,
patrons should remain calm, look for the closest GREEN EXIT sign, listen to and
comply with directions given by the trained in-house attendants and if directed,
move in an orderly fashion to the open spaces outside the building.
The management reserves the right to make any alteration to cast which may
be rendered necessary by illness or any other unavoidable cause. Patrons are
reminded that out of consideration for others, latecomers cannot be admitted
until a suitable place in the performance. Taking photographs or tape recordings
during the performance is prohibited. Don’t forget to switch off your pagers and
mobile phones.