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Apa yang perlu anda tahu tentang Teori Muzik 8 konsep muzik Irama Melodi Harmoni Warna ton Tekstur Bentuk Ekspresi Meter C.irama Triad Pic P.kord Skel Nada Ragam melodi Jeda Anda perlu Tahu ini saja Warna ton Tekstur Tapi Perinciannya? Bentuk Ekspresi THEORY OF MUSIC GRADE 1 ( Primary ) Based on new syllabus of the Associated Board of Royal School of Music, London For R.E. Seminar TOPICS Chapter 1: Time Values of Notes Chapter 2: Bar-Lines & Time Signatures Chapter 3: The Stave & Notes Chapter 4: Treble Clef & Bass Clef Chapter 5: Rests Chapter 6: Dots after Notes Chapter 7: Sharps, Flats & Naturals Chapter 8: C,G,D & F Major & Key Signature Chapter 9: Interval Chapter10: The Tonic Triad Chapter 1: The Values of Notes Chapter 1: The Values of Notes Note & Name Semibreve (Whole note) Quaver (Eight note) Minim (Half note) Semiquaver (Sixteenth note) Crotchet (Quarter note) Chapter 1 The Values of Notes Semibreve Minim Crotchet Quaver Semiquaver Chapter 2: Bar-Lines & Time Signatures Chapter 2: Bar-Lines & Time Signatures Bar-line Bar Double bar-line Bar Bar Bar Chapter 2: Bar-Lines & Time Signatures The numbers you see at the beginning of a piece is call TIME SIGNATURE: Chapter 2: Bar-Lines & Time signature = 2 crotchets in a bar Common Time = 3 crotchets in a bar * Another way of writing this Time signature: OR Chapter 3: The Stave & Notes Chapter 3: The Stave & Notes 5 4 3 2 1 4 3 2 1 The stave has five lines which we count from the bottom and four spaces Remember: 5 lines and 4 spaces Chapter 3: The Stave & Notes An extra line drawn above or below the stave is called a LEDGER LINE Notes on ledger lines Note above ledger line Note below ledger line Chapter 3: The Stave & Notes All notes except the semibreve has stem which goes up on the right hand side And down on the left hand side On the middle line stems can go either up or down The stems of notes below the middle line go up, the stems of notes above The middle line go down Chapter 3: The Stave & Notes Right hand side Left hand side Chapter 4: Treble Clef & Bass Clef Chapter 4: Treble Clef F D B G E E C A F MIDDLE C Chapter 4: Bass Clef MIDDLE C G E C A A F D B G Chapter 5: Rest Chapter 5: Five Kinds of REST SEMIBREVE REST (whole rest) Also called A BAR REST as it is used to show that there are no notes in a bar. Chapter 5: Five Kinds of REST MINIM REST ( half rest ) Chapter 5: Five Kinds of REST CROTCHET REST ( quarter rest ) Chapter 5: Five Kinds of REST QUAVER REST (eight rest) Chapter 5: Five Kinds of REST SEMIQUAVER REST ( sixteenh rest ) Chapter 6: Dots after Notes Chapter 6: Dots after Notes A dot after a note makes it half as much longer Ex. . Chapter 7: Sharps, Flats and Naturals Chapter 7: Sharps = Sharps C# C Placed in front of a note Chapter 7: Flats = Flat D D Placed in front of a note Chapter 7: Natural = Natural Chapter: 8 C, G, D and F Major Scales and Key Siganature Chapter 8: C D T E T F S G T A T B T C S •In a major scales there are Seven Degrees (note) made up of tones and semitones •All major scales are made up of the same patterns of tones and semitones Chapter 8: Chapter 8 F# Chapter 8: Bb Chapter 9: Interval Chapter 9: Interval The space between two notes (or 2 degrees) in a scale is Call an INTERVAL M 2nd M 3rd P 4th P 5th M 6th M 7th Octave Chapter 10: The Tonic triad Chapter 10: The Triad Tonic “Tonic” is another name for key note or the 1st note of a scale “A triad” is a chord made up of 3 notes ( a group of notes ) Ex. Fifth Third Tonic TONIC TRIAD OF C Chapter 10: The Triad Tonic Name the key in which the following are tonic triads a. b. G note TONIC TRIAD OF G MAJOR D note TONIC TRIAD OF D MAJOR