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Teori Muzik
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THEORY OF MUSIC
GRADE 1
( Primary )
Based on new syllabus of the
Associated Board of Royal School of Music,
London
For R.E. Seminar
TOPICS
Chapter 1: Time Values of Notes
Chapter 2: Bar-Lines & Time Signatures
Chapter 3: The Stave & Notes
Chapter 4: Treble Clef & Bass Clef
Chapter 5: Rests
Chapter 6: Dots after Notes
Chapter 7: Sharps, Flats & Naturals
Chapter 8: C,G,D & F Major & Key Signature
Chapter 9: Interval
Chapter10: The Tonic Triad
Chapter 1:
The Values of Notes
Chapter 1:
The Values of Notes
Note & Name
Semibreve (Whole note)
Quaver (Eight note)
Minim (Half note)
Semiquaver (Sixteenth note)
Crotchet (Quarter note)
Chapter 1
The Values of Notes
Semibreve
Minim
Crotchet
Quaver
Semiquaver
Chapter 2:
Bar-Lines & Time Signatures
Chapter 2:
Bar-Lines & Time Signatures
Bar-line
Bar
Double bar-line
Bar
Bar
Bar
Chapter 2:
Bar-Lines & Time Signatures
The numbers you see at the beginning of a piece is call
TIME SIGNATURE:
Chapter 2:
Bar-Lines & Time signature
= 2 crotchets in a bar
Common Time
= 3 crotchets in a bar
* Another way of writing this Time signature:
OR
Chapter 3:
The Stave & Notes
Chapter 3:
The Stave & Notes
5
4
3
2
1
4
3
2
1
The stave has five lines which we count from the bottom and four spaces
Remember: 5 lines and 4 spaces
Chapter 3:
The Stave & Notes
An extra line drawn above or below the stave is called a
LEDGER LINE
Notes on ledger lines
Note above ledger line
Note below ledger line
Chapter 3:
The Stave & Notes
All notes except the semibreve has stem which goes up on the right hand side
And down on the left hand side
On the middle line stems can go either up or down
The stems of notes below the middle line go up, the stems of notes above
The middle line go down
Chapter 3:
The Stave & Notes
Right hand side
Left hand side
Chapter 4:
Treble Clef & Bass Clef
Chapter 4:
Treble Clef
F
D
B
G
E
E
C
A
F
MIDDLE C
Chapter 4:
Bass Clef
MIDDLE C
G
E
C
A
A
F
D
B
G
Chapter 5:
Rest
Chapter 5:
Five Kinds of REST
SEMIBREVE REST
(whole rest)
Also called A BAR REST as it is used to show that there
are no notes in a bar.
Chapter 5:
Five Kinds of REST
MINIM REST
( half rest )
Chapter 5:
Five Kinds of REST
CROTCHET REST
( quarter rest )
Chapter 5:
Five Kinds of REST
QUAVER REST
(eight rest)
Chapter 5:
Five Kinds of REST
SEMIQUAVER REST
( sixteenh rest )
Chapter 6:
Dots after Notes
Chapter 6: Dots after Notes
„
A dot after a note
makes it half as
much longer
„ Ex.
.
Chapter 7:
Sharps, Flats and Naturals
Chapter 7: Sharps
= Sharps
C#
C
Placed in front of a note
Chapter 7: Flats
= Flat
D
D
Placed in front of a note
Chapter 7: Natural
= Natural
Chapter: 8
C, G, D and F Major Scales
and Key Siganature
Chapter 8:
C
D
T
E
T
F
S
G
T
A
T
B
T
C
S
•In a major scales there are Seven Degrees (note) made up
of tones and semitones
•All major scales are made up of the same patterns of tones
and semitones
Chapter 8:
Chapter 8
F#
Chapter 8:
Bb
Chapter 9:
Interval
Chapter 9: Interval
The space between two notes (or 2 degrees) in a scale is
Call an INTERVAL
M 2nd
M 3rd
P 4th
P 5th
M 6th
M 7th
Octave
Chapter 10:
The Tonic triad
Chapter 10: The Triad Tonic
“Tonic” is another name for key note or the 1st
note of a scale
“A triad” is a chord made up of 3 notes ( a group of
notes )
Ex.
Fifth
Third
Tonic
TONIC TRIAD OF C
Chapter 10: The Triad Tonic
Name the key in which the following are tonic triads
a.
b.
G note
TONIC TRIAD OF G MAJOR
D note
TONIC TRIAD OF D MAJOR