Download jim davis: publications on or which refer to east end theatre

JIM DAVIS: PUBLICATIONS ON OR WHICH REFER TO EAST END THEATRE
Books
The Britannia Diaries: Selections from the Diaries of Frederick C. Wilton 1863-75 (editor),
London: Society for Theatre Research, 1992.
Reflecting the Audience: London Theatregoing, 1840-1880
Iowa City: University of Iowa Press, 2001. (with Victor Emeljanow)
Chapters in Books
"The East End" in Michael Booth & Joel Kaplan (eds.), The Edwardian Theatre: Essays on
Drama and the Stage, Cambridge: Cambridge University Press, 1995, pp.201-219.
“Sarah Lane: Questions of Authorship” in Tracy Davis & Ellen Donkin (eds.), Nineteenth
Century British Women Playwrights, Cambridge: Cambridge University Press, 1999,
pp.125-147
“The Audience” in Kerry Powell, ed., The Cambridge Companion to Victorian and
Edwardian Theatre, Cambridge: Cambridge University Press, 2004. (with Victor
Emeljanow)
‘Boxing Day in the Nineteenth Century Theatre’, in Tracy C. Davis and Peter Holland, eds.,
The Performing Society: Nineteenth-Century Theatre’s History (Basingstoke: Palgrave
Macmillan, 2007), pp. 13-31
Articles in Refereed Journals
"Stage-Managing the Brit: The Diaries of F. C. Wilton", Theatre Notebook, XLIII:3 (1988),
pp.101-108.
"A Night in the Workhouse or The Poor Laws as Sensation Drama", Essays in Theatre, 7:2
(May 1989), pp.111-126.
"Scandals to the Neighbourhood: Cleaning Up the East London Theatres", New Theatre
Quarterly, VI:23 (August 1990), pp.235-243.
"The People of the "People's Theatre": The Social Demography of the Britannia Theatre
(Hoxton)" (with Tracy C. Davis), Theatre Survey, 32:2 (November 1991) pp.137-65
"The Gospel of Rags: Melodrama at the Britannia 1863-74", New Theatre Quarterly, VII:28
(November, 1991), pp.369-89.
"Jessie H. Wilton, Victorian Provincial Actress: Two Historiographical Approaches to
Documentation" (with Tracy C.Davis), Theatre History Studies, XII (1992) pp.107-137.
"Reminiscences in Retirement: Theatrical References in the Post-Britannia Diaries of F. C.
Wilton", Theatre Notebook, XLVII:2 (1993), pp.106-113.