Download Celebrating the Oneness of Love and Light

Celebrating the Oneness of Love and Light
The Transit of Venus 8th of June, 2004
The Oneness Celebration
This page is a preliminary essay on the coming transit of Venus across the face of the Sun
on June 8, 2004. The Oneness Celebration site provides coordination of events related to
Celebrating the Oneness of Love and Light. The celestial event is shown below in star
charts, and the reader is encouraged to read the referenced essays on Maya
Cosmogenesis to get the full flavor of the celebration. This site focuses on the celestial
alignments to the City of God called Teotihuacan, where Quetzalcoatl is scheduled to
appear when the Way of the Dead between the Pyramid of the Sun and the Pyramid of the
Moon along side the Pyramid of the Feathered Serpent aligns with the Way of the Dead,
which is the Milky Way. Although the alignment is not due for another 2400 years, the
alignment of the mouth of Quetzalcoatl clearly shows why the Maya believed that First
Father would be restored from the mouth of First Mother.
Zenith at Teotihuacan at first contact of Venus Transit of the Sun
Zenith at Teotihuacan at mid Venus Transit of the Sun
Zenith at Teotihuacan at final contact of Venus Transit of the Sun
Nadir at Teotihuacan at mid Venus Transit of the Sun
Nadir meridian at Teotihuacan at mid Venus Transit of the Sun, centered on the position of the
Sun.
Zenith meridian at Teotihuacan at mid Venus Transit of the Sun, centered on position of the
Earth.
Zenith at Teotihuacan at mid Venus Transit of the Sun.
Mirror image showing passing of Quezalcoatl over the Way of the Dead at Teotihuacan.
Tauret and Quetzalcoatl at Egypt
The view from Mexico City shows the feathered serpent laying on the ground from east through
north to the northwest. Relative to the earth, it is standing upon its mouth at the equator with its
tail going past the north pole, precisely in the shape of Mixcoatl. Here is how Jenkins described
this scene in the Aztec myth describing the creation of the Fifth Age.
Before the first sun had risen, before the first dawn,
the gods assembled themselves at the ceremonial
city of Teotihuacan. For four days they performed
penance around a sacred fire, symbol of the divine
center. Their sacrifices were intended to conjure the
world into being. It soon became clear that a very
great sacrifice would be necessary to succeed in
such an ambitious endeavor. So, in a blissful
moment of inspired self-sacrifice, two of the deities
hurled themselves into the fire. The gods then halted
their rites and looked around for where the sun
would rise, sensing that the immolation might have
been enough to create the dawn. One of the gods,
Quetzalcoatl, faced the east, and there, off in the
distance, the sun rose just over the horizon. Thus,
the world was made through the self-sacrifice of two
deities, through offerings to the central axis mundi.
The first act of cosmogenesis, of creating the world,
had been accomplished. The drawing of Mixcoatl
has been mirrored left to right. The view shown here
is looking up at the heavens from within them. It is
common practice in celestial based mythologies to
flip the monuments to reflect the view looking toward
the earth from beyond the stars. In that way, the
images are correctly positioned on earth, and they
illustrate the view as seen by the gods. Then the
words, "as above, so below" are visually accurate.
For our purposes, the graphics will be shown from an earth view which will assist in a search of
the stars for the asterisms. The reader will have to imagine the mirror view from beyond the stars,
and is encouraged to do so to better understand the monumental art as a representation of the
heavens.
But, we have left one visible
wandering star out of the story, lets
look again at the previous chart and
see where Mars is located. Mars is
between Capricorn and Sagittarius
under the eagle whose neck
crosses the dark rift. On the wings
of the eagle is the image of a
suffering youth who has been
rescued from some times of trouble.
This youth is the spirit of First Father
being returned to the upper world
from Xibalba. It is the spirit of youth
that the First Father/Ophiuchus
takes out of the mouth of
Quetzalcoatl as a serpent. Also,
represented in the Mixcoatl image
are the ecliptic/galactic intersection, the eagle, and the child holding some kind of new cosmic
light. Not convinced yet? Look at the chart again and notice there is an asterism called Delphinus
by the flail in the child's hands. How hard would it be to see in this asterism the hummingbird that
hid in the feathers of a great condor as they traveled off to meet the rising sun. Still not
convinced? Then find the fox called Vulpecula. Can you see why the fox's tail is black? The tail
marks the opening in the mouth of the dark rift, where the children of kings become gods. If that is
still not enough, then search for Lyra, and Cygnus, the Swan of Greece, for this is truly a location
of a most incredible swan song for any cosmogenesis. Move all the planets and the stars
throughout their courses, and you will find no more agreeable spot in all the heavens, than this
place where a new youthful father returns to be part of the beginning again. The youthfulness of
the father comes by virtue of the raising up of his son to be like himself. Hunahpu understands
One Hunahpu by virtue of equivalent experience; walk a mile in my shoes. Hunahpu becomes the
sun, because he is the new cosmic light to the community on earth. On a celestial basis, the
constellation Auriga rises at the summer solstice in 2012. The myth tells us that this is a meaning
of Hunahpu becoming the sun.
The great divergence in the ritual accomplishment of "as above, so below" occurs because above
and below are variable around the surface of the earth. This means that the thrones of the
father's are dependent upon the local terrain and the local Holy City, as seen from the sacred
lands on earth. The ball is thus the earth, not the sun. The variant faces on the Maya ball are the
symbols of the local chiefs and kings. This theme has been explored at great depth for many
cultures of the earth. They all demonstrate one clear compassion. The compassion is written in
their local myths and it says, "join the two lands," "as above, so below." (See www.siloam.net.)
Let us apply the "as above, so below" idea to Teotihuacan, as an example.
The chart above represents the view of Teotihuacan on the vernal equinox of 4400 AD, oriented
so that the expression "as above, so below" applies. If the stars were projected down to the
terrain, they would be as shown, with the Milky Way and the head of the reborn king resting on
the Way of the dead at the Pyramid of the Feathered Serpent. The sun is at the foot of Aquarius
as represented in the ball game vignette from the Popol Vuh. Look closely at the path of the
zenith (Z). At the east northeast horizon, it is in the cleft of Pisces, or the back of the turtle.
Further north along the horizon, a ball player takes a hip shot to beat the Lord's of Xibalba at their
own game. The metaphor of the hip shot can be understood in modern cowboy vernacular as
"shooting from the hip." The zenith ball bounces through the Pisces circlet "ball" over the head of
Aquarius who is pouring water toward the man holding the "staff of life" at the bottom of the
cosmic world. When the ball reaches the zenith, the star pattern is as it is shown, with the zenith
directly on the head of the reborn king. The sons have rescued One Hunahpu! Let the dances
begin.
West of the galaxy we see First Father drawing new spirits out of the mouth of Quetzalcoatl, and
the sons doing what sons do in the heavens, where a Maize God tends to his field and his flock.
On the northwest horizon, Seven Macaw stands pointing the way to the top of the world and the
head of the king. Salvation is shown in full swing at Teotihuacan on the vernal equinox morning of
4400 AD. Down below at Chich'en Itza a shadow will rise along the stairs of the pyramid to
Kulkukan to symbolize that Quetzalcoatl shows the way back to First Father, just like it has since
the pyramid was first constructed. This shadow and the metaphor "as above, so below" is a great
comfort to any who would worry about death and dying. It is a pathway to eternal life in the hearts
of the children of First Father, who overcame all obstacles in the "Six-Stair-Place."
Forcing the Oneness of Love and Light
Reference Essays:
TRANSCENDENCE IN MAYAN MYTHOLOGY
A celestial review of Maya Cosmogenesis 2012, John Major Jenkins
Early Guatemala Urban Planning
Prelude to Teotihuacan
Teotihuacán, Gateway of Gods
Celestial architectural meaning of the sacred city of Teotihuacán
LIFE IS NOT A SPECTATOR SPORT
A rebuttal to "The New Maya," Archaeology Magazine, September/October 1998
Additional essays in reverse chronological order on the current Judgment Day events.
Harmonic Concordance and Magdalene, DaVinci's Last Supper
The Curious Tale of Asteroid Hermes and Iphigenia in Tauris by Euripides
UPDATE 1 10/25/03 Pre-Game LA Fire Storm
UPDATE 2 10/25/03 Post Game
Play Ball!
UPDATE 3 10/26/03 THE LAKE OF FIRE: CONTINUED
Why tell this story?
More evidence of the Pisces-Cygnus Connection
A Message from the Bull of My Mother?
Cosmic Birth Canal
Taming the Dagon of Desire
Return of Dagon
Conception of the Son of the Sun of the Sun
A Body on Loan from God, Phaeton and Dagon Circumcise Rush
Ishmael Comet and the Angel Crop Circle
A Goddess gives birth to the New Age
Fulfilling Mother Nature's Dream of Kingdom Come
A Close Encounter with Mars
Reveals the Dream of First Father and First Mother
Of Flowers and Chariots- An essay on human sexual response
Return to: Close Encounter of Ares and Antares on Judgment Day
A Close Encounter of Ares and Antares on Judgment Day: Evidence of Past Lives Near Antares
The Circumcision of Kobe
The Circumcision of Hope, A Layman's Worries
Hope's Eternal Resting Place
Return to Aquarius
Return to New York Under Hell Fire and Brimstone
To Siloam.Net Home Page
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First Posting: December 2, 2003
Last Update: February 18, 2004