Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
CS 5339 Web-Based Systems Copyright Law (slides modified with permission from originals created by Rolfe Sassenfeld) 1 Copyright Law and the Web Purpose? To protect the creative and economic interest of the creator. To protect the integrity of work by ensuring that it isn’t changed. To protect written works, music, and art. Patents protect objects (inventions). 2 Copyright Law and the Web The Rights of Creators and Copyright Owners According to Title 17, Section 102 of the United States Code (17 U.S.C. § 102), "Copyright protection subsists . . .in original works of authorship fixed in any tangible medium of expression, now known or later developed." As soon as a creative work is written down, recorded, drawn, etc., it is protected by copyright. This means that mere ideas cannot be copyrighted. It also means that a creator does not have to publish his or her work or register it with the Library of Congress in order to have that work protected by copyright. 3 Copyright Law and the Web The Rights of Creators and Copyright Owners Copyright grants six specific rights to owners (17 U.S.C. § 106). The right to: reproduce the work prepare derivative works based upon the original distribute copies (by sales or otherwise) perform the work publicly display the work publicly in the case of sound recordings, perform the copyrighted work publicly by means of a digital audio transmission. 4 Copyright Law and the Web Fair Use and Educational Use Exemptions to the Copyright Law. The following criteria must be considered when using copyrighted material for private, nonprofit purposes: Fair Use Criteria (17 U.S.C. § 107): The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes. The nature of the copyrighted work. The amount and substantiality of the portion used in relation to the copyrighted work as a whole. The effect of the use on the potential market for or value of the copyrighted work. 5 Copyright Law and the Web Educational Use Exemptions (17 U.S.C. § 110): Section 110(1) exempts from infringement liability the performance or display of a copyrighted work in the course of face-to-face teaching activities by a non-profit educational institution in a classroom or similar setting. Section 110(2) exempts from liability the transmission of a performance or display of a copyrighted work if (1) the performance or display is a regular part of the systematic instructional activities of the non-profit educational institution; (2) the performance or display is directly related and of material assistance to the teaching content of the transmission; and (3) the transmission is made primarily for reception in classrooms or similar places or by persons to whom the transmission is directed because of their disabilities. 6 Copyright Law and the Web Common Copyright Questions Can I go to jail for violating copyrights? Yes, but rarely. Copyright is enforceable in civil court. You can be fined but not incarcerated. An exception is Federal copyright violation which is punishable by prison. (FBI warning) If I don’t make money can I be sued? Yes because you can cause a loss of revenue for the owner (giving it away for free). The fact that you didn’t profit is irrelevant. 7 Copyright Law and the Web Are all web pages in the public domain? No. Does an author renounce copyright when something appears online? No. Rights are only relinquished by a statement pronouncing that the work is being placed in the public domain. The default however is that all pages are copyrighted. 8 Copyright Law and the Web Are older written works in the public domain? Not necessarily. All written work is copyrighted for the life of the author. If the author is dead, is it still copyrighted? Probably. Heirs may continue the copyright for 70 years after the death of the author. Just because something is popular and common does not mean it is free to use. Happy Birthday is copyrighted! 9 Copyright Law and the Web Does an author have to mark a document as copyrighted to enjoy the privileges? No. This used to be required but was changed in 1989. All documents are copyrighted by default. Can an author grant specific rights to the general public? Yes. An example would be the right to freely copy and distribute, but not to modify. 10 Copyright Law and the Web Can I print copies of online materials? Yes. As long as they are for your own personal use. Can I store online files on my own computer? Yes. As long as you do not distribute them. Can I download a web page and email it to a friend? No. Unless it grants you permission to distribute freely. Is this a good way to show other’s web pages? No! You should email the address for them to pull up themselves. 11 Copyright Law and the Web If a photo or cartoon has been published in print, can I put it online? No. You must get permission first. Can I incorporate files found elsewhere into my own pages? Yes. With permission. Exception to the rule! You may download another’s web page and use the HTML as a guide to create your own page. Look and feel are not copyrightable. 12 Copyright Law and the Web The doctrine of Fair Use You may quote 300 words from a book or 150 words from a magazine or newspaper if--The excerpt is not a complete work (an entire poem) The excerpt is less than 20% of the original work The excerpt is integrated into your writing and does not stand alone. You must give full credit to the author, source and publisher. If you excerpt a series of quotes the totals cannot exceed the above numbers 13 Copyright Law and the Web Lotus Vs Borland Lotus 1-2-3 was a very popular spreadsheet application. Borland created Quattro-Pro to compete against Lotus. Quattro-Pro utilized the same keystrokes and menus to facilitate use by people trained in Lotus. Lotus sued citing copyright infringement. 14 Copyright Law and the Web Court Decision: Lotus could not copyright the ‘look and feel’ of their program. Since menus and keystrokes are merely operations. 15 Copyright Law and the Web Court Decision: The court reasoned that the commands, and their hierarchical ordering, constitute the electronic operation of the software program, and that constitutes a method by which the computer is operated. Since the Copyright Act excludes protection to procedures or methods of operation, the use of the software's command to operate the computer software itself is not protected by copyright. 16 Copyright Law and the Web The court pointed out that the legislature intended to exclude electronic operation from copyright protection. While revising the Copyright Act in 1976, Congress stated that: "Section 102(b) is intended, among other things, to make clear that the expression adopted by the computer programmer is the copyrightable element of a computer program, and that the actual process or methods embodied within the program are not within the scope of copyright law." 17 Copyright Law and the Web Congress thereby limited the definition of copyright protection available to a computer program to its literary form, the actual statements and instructions of the source code, and excluded from protection the program's electronic operation. 18 Copyright Law and the Web The gray area of copyright law. 19 Copyright Law and the Web Today when assessing infringement, the Court uses a new test for determining the gap between idea and expression. The court decided that the purpose or function of a utilitarian work, such as a computer program, is the work's idea, and that everything not necessary to that purpose or function is part of the expression of the idea. Where there are various means of achieving the purpose or function, the means chosen are not necessary and therefore constitute expression. 20 Copyright Law and the Web With this rule, the court held that copyright in a computer program protects the nonliteral structure, sequence and organization of that program. Consequently, copyright infringement could be found for these elements even in the absence of direct source code or object code copying. 21 Copyright Law and the Web In 1998 the On-line copyright Infringement Liability limitations act. This act strengthens the rights of online publishers to that of conventional authors. BE CAREFUL AND RESPONSIBLE When in doubt – get permission! 22 Recent Court Cases Los Angeles Times v. Free Republic, 54 U.S.P.Q.2D 1453 (C.D. Cal. 2000) A bulletin board website allowed members to post full articles from newspapers in order to generate awareness and discussion of various subjects. Access to the site was unrestricted. The defendant was a for-profit corporation, but was in the process of seeking nonprofit tax status and did not charge for access to materials on its website. Purpose: The articles were copied directly from the news sources and were not “transformative.” The judge was also not persuaded that a link to the news source would not be sufficient. While the court generally favored the claim of a “nonprofit” use, the court still found that posting the articles was drawing readers away from the commercial websites where the articles originated. 23 Recent Court Cases Nature: The articles are predominately factual, tipping the factor in favor of fair use. Amount: The website included the full text of the articles, and the court found that the copying was more extensive than necessary to accomplish the defendant’s objectives. Effect: The newspapers were seeking to exploit the market for the articles and draw traffic to their websites; the defendant was “usurping” the copyright owner’s potential markets. Conclusion: The bulletin board’s use of the newspaper articles was deemed to not be fair use. 24 Recent Court Cases Kelly v. Arriba Soft Corp., 280 F.3d 934 (9th Cir. 2002). An internet search engine website copied Kelly’s photos off the internet. The photos were converted to small-scale “thumbnail” images. Clicking on the “thumbnail” would open a page that took the user to a full-size copy of the photo. Purpose: Taking images and converting them into “thumbnails” (smaller, lower-resolution images), which serve a different purpose, is transformative. But placing the full-sized image on the website is not transformative. Therefore, this factor leans toward fair use for the “thumbnails” but against fair use for the full-sized image. 25 Recent Court Cases Nature: The works used are creative works of art, which leans against fair use in both cases. Amount: This factor is neutral in the case of the “thumbnails” because it was necessary to copy the whole work for the intended use. However, it was not reasonable to copy the entire full-sized image, hence this factor leans against fair use. Effect: The use of the “thumbnails” does not harm the market for the original images because there would be no way to obtain the original without visiting the creator’s website. But placing the full-sized images on the website harms all of the creator’s markets by giving users access to the works without requiring them to visit the original website. Conclusion: Conversion of internet photos to “thumbnails” is fair use. However, copying full-size images onto a website is not fair use. 26 Liability Direct infringement The Act provides that direct infringement may arise either by a person doing any of the acts which fall within the exclusive rights of the copyright owner or by a person authorizing someone else to do one of these things. Direct infringement does not require knowledge of the fact that an infringement is occurring. Innocent intention affords no defence and ignorance of the existence of copyright is no excuse for infringement. Copyright being a proprietary right, it does not avail the defendant to plead motive or intent. 27 Liability Many copyright infringements may be committed on the Internet using physical equipment owned by others. By way of example, while the copy of a work could be made on the server of a BBS and retained there, it is the user posting the work on the BBS which actually makes the copy using the BBS’s equipment. In these circumstances, it is relatively clear that it is the user which is infringing and not the passive equipment operator unless the operator starts being involved in the infringing act to the point that it "authorizes" the act. 28 Liability Indirect infringement Indirect infringement cannot be authorized by a third party since the acts which constitute indirect infringement are not within the list of those acts to which the copyright owner has an exclusive right. A further distinguishing feature of indirect infringement is that knowledge on the part of the infringer that copyright is being infringed. In such cases therefore, ignorance may constitute a valid defense. "Knowledge" has been interpreted to mean that information which would suggest to a reasonable man that a breach of copyright was being committed, or notice of facts such as would put a reasonable person on inquiry. 29 Liability Once an individual has either actual or imputed knowledge that the work dealt with may be infringing copyright, the individual has an obligation to make inquiries to ensure that the work does not infringe copyright. In the case of the intermediaries involved in the Internet content transmission chain, if the intermediary is put on notice of an infringement and takes no reasonable steps to prevent its continuation, the intermediary may be liable for indirect infringement. Since many of the participants in the Internet content transmission chain can play various roles, it is useful to categorize the infringing activities according to such roles which can be classified in three categories: posters, recipients and intermediaries. 30