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Study Guide for Students
Brief Overview
Study Guide Purpose
This study guide is designed for both teachers and students who will be attending Acting Up Stage
Company’s production of William Finn’s Falsettos. This study guide provides information on the show, the
creators, the cast, some additional context and explanation, and various drama activities that can be
completed to enhance the theatre experience.
Brief Overview of Falsettos
Falsettos is set at the beginning of the 1980’s. As the sexual revolution comes
to a halting close with the appearance of a mysterious disease affecting
primarily gay men, the tides of politics, social dynamics and reactionary
measures begin to shift in New York and across the continent. Meanwhile,
Marvin, a Jewish father, has left his wife and son for another man, but despite
his personal attractions is still trying all methods of constructing a ‘tight knit
family.’ As each of the characters enters therapy with Mend el, a psychiatrist,
we learn about their hopes, their fears and their attitudes towards this time of
significant change.
Told through a series of rapid fire vignettes and heightened theatrical stylization, Falsettos remains the
most important musical of the AIDS era. Examining not only the specifics surrounding the rise of the
epidemic, this profoundly funny and enlightening musical opens up discussions about tolerance, mental
health and, most significantly, the nature of family.
History of Acting Up Stage Company
Acting Up Stage incorporated in May 2004 as a not-for-profit organization under the leadership of Mitchell
Marcus. The company looks to fill a unique niche in the Toronto theatre scene by producing intimate
musicals at reasonable prices from Canadian and international authors that will attract a younger
generation of audience members. Acting Up Stage hopes to become a staple company in the Toronto theatre
scene, producing a reasonably priced, intimate musical experience that deals with thought -provoking
themes and provides a theatrical experience for modern, contemporary audiences.
In 2005 Acting Up Stage produced the Canadian premiere of Jonathan Larson’s tick, tick…BOOM!, the only
show he wrote other than the hit musical RENT before his death. Andrew Lippa and Tom Greenwald’s john
& jen, also a Toronto premiere, received rave reviews when it ran in 2006. Since then, Acting Up Stage has
produced the Toronto premiere of William Finn’s Elegies: A Song Cycle in 2007, the Canadian premiere of
Terrence McNally, Stephen Flaherty and Lynn Ahrens’ A Man of No Importance in 2008, the Toronto
premiere of Benj Pasek and Justin Paul’s Edges: A Song Cycle, and William Finn’s A New Brain.
Since A New Brain, Acting Up Stage has continued to pervade as an indominatable force in the chamber
musical theatre scene. Earning rave reviews and multiple Dora nominations for The Light in The Piazza,
Parade and, most recently, Caroline, or Change, Acting Up Stage is proud to tackle this important work
from the AIDS era with new vigor and vision.
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About Falsettos
History of Falsettos
March of the Falsettos, a one act musical about a gay man trying to harmonize his wife, son,
lover and psychiatrist, opened on May 20, 1981 off-Broadway at Playwrights Horizons in New
York City. Falsettoland, about the same family preparing for the son’s Bar Mitzvah and thrown
into turmoil with the onset of a mysterious disease, opened at Playwrights Horizons on June 28,
1990. The two shows were combined to create Falsettos which opened on Broadway at the John
Golden Theatre on April 29, 1992 where it ran for 486 performances,
The original Broadway production was nominated for seven Tony awards, including Best
Musical and won two: Best Book of a Musical (William Finn and James Lapine) and Best
Original Score (Music & Lyrics by William Finn).
Acting Up Stage produced William Finn and James Lapine’s A New Brain in 2009, and William
Finn’s Elegies in 2007.
Synopsis
Set in New York City in 1979 (Act 1) and 1981 (Act 2), Falsettos focuses Marvin and the people in
his life. Marvin has recently divorced his wife, Trina, and left her and their son, Jason, to live
with his male lover, Whizzer. Marvin dreams of having a tight-knit family, but he’s having
trouble actualizing this aspiration.
Told through a series of rapid fire vignettes, we see all the characters reflecting on the changes
that are happening in and around themselves. Marvin sees his psychiatrist, Mendel, in order to
work through his turbulent on again/off again relationship with Whizzer and the estrangement
he feels from Jason. Trina sees Mendel to discuss her failed marriage. Jason sees Mendel to
discuss his parents’ dysfunctional relationship (and to persuade Mendel to marry Trina, which
Mendel eventually does.)
Act 2 begins four years later, and finds a more grown up Jason planning for his Bar Mitzvah and
Whizzer starting to display odd symptoms. Planning for a Bar Mitzvah means that Marvin and
Trina must reconcile their differences, and Jason must try and figure out which girls he wants to
invite. With the help of Charlotte and Cordelia, Marvin’s lesbian neighbours, plans for the Bar
Mitzvah start coming together. However, when Whizzer collapses from an unknown illness that
keeps getting worse, everyone must band together as a family.
Filled with great music, quirky characters, and a baseball game, Falsettos is a poignant and
funny show that examines what it’s like to live, love, and grow up.
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Character list
Marvin - Trina’s ex-husband and Jason’s father
Trina - Marvin’s ex-wife and Jason’s mother
Jason - Marvin and Trina’s son
Whizzer - Marvin’s lover
Mendel - Marvin’s (and later Trina’s and Jason’s) psychiatrist
Charlotte - Marvin’s neighbour, a doctor
Cordelia - Marvin’s neighbour and Charlotte’s partner, a caterer
Musical numbers
Act One
▪
Four Jews in a Room Bitching
▪
A Tight Knit Family
▪
Love is Blind
▪
Thrill of First Love
▪
Marvin at the Psychiatrist (A Three-Part Mini-Opera)
▪
Everyone Tells Jason to See a Psychiatrist
▪
This Had Better Come to a Stop
▪
I'm Breaking Down
▪
Please Come to Our House
▪
Jason's Therapy
▪
A Marriage Proposal
▪
Trina's Song
▪
March of the Falsettos
▪
Trina's Song (Reprise)
▪
The Chess Game
▪
Making a Home
▪
The Games I Play
▪
Marvin Hits Trina
▪
I Never Wanted to Love You
▪
Father to Son
Act Two
▪
Welcome to Falsettoland
▪
The Year of the Child
▪
Miracle of Judaism
▪
The Baseball Game
▪
A Day in Falsettoland
▪
The Fight/Everyone Hates His Parents
▪
What More Can I Say
▪
Something Bad Is Happening
▪
Holding to the Ground
▪
Days Like This
▪
Canceling the Bar Mitzvah
▪
Unlikely Lovers
▪
Another Miracle of Judaism
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▪
▪
▪
You Gotta Die Sometime
Jason's Bar Mitzvah
What Would I Do?
Creators’ Bios
William Finn
William Finn is the writer and composer of Falsettos, for which he
received two Tony Awards, Best Book of a Musical (with James
Lapine) and Best Original Score. He has also written and composed
In Trousers, March of the Falsettos and Falsettoland (Outer Critics
Circle Award for Best Musical, two Los Angeles Drama Critics
Awards, two Drama Desk Awards, the Lucille Lortel Award and
Guggenheim Fellowship in Playwriting). Mr. Finn wrote the lyrics to
Graciela Daniele's Tango Apasionado (music by the great Astor
Piazzolla) and, with Michael Starobin, the music to Lapine's version
of The Winter's Tale. His musical Romance in Hard Times was
presented at The Public Theater. Recently, he wrote Painting You for
Love's Fire, a piece commissioned and performed by the Acting Company, based on
Shakepeare's sonnets. For television, Mr. Finn provided the music and lyrics for the Ace Awardwinning HBO cartoon Ira Sleeps Over, Tom Thumb and Thumbelina, Pokey Little Puppy's First
Christmas and, with Ellen Fitzhugh, two Brave Little Toaster cartoons. Mr. Finn has written for
Vogue, Harper's Bazaar and The New Yorker. A graduate of Williams College, where he was
awarded the Hutchinson Fellowship for Musical Composition, Finn now teaches a weekly
master class at the NYU Tisch Graduate Program in Musical Theatre Writing. His most recent
projects include Elegies, A Song Cycle (Lincoln Center), The 25th Annual Putnam County
Spelling Bee which had a three-year run on Broadway and has been produced nationally and all
over the world, and the upcoming Little Miss Sunshine with James Lapine. For the past four
years he has been the Artistic Head of the Musical Theatre Lab at the Barrington Stage Company
in Pittsfield, Massachusetts.
James Lapine
James Lapine wrote the book for Falsettos. He has worked with
Stephen Sondheim on Sunday in the Park with George, Into the Woods,
and Passion. He also recently directed Merrily We Roll Along for
Encores, and Sondheim on Sondheim for the Roundabout Theatre
Company. With William Finn he has worked on Falsettos, A New Brain,
The 25th Annual Putnam County Spelling Bee and Little Miss Sunshine.
Other Broadway credits: The Diary of Anne Frank, Golden Child and
Amour. He has written the plays: Table Settings, Twelve Dreams, Luck,
Pluck & Virtue, The Moment When, Fran's Bed and Mrs. Miller Does
Her Thing. For the NY Shakespeare Festival he has directed A
Midsummer Night's Dream, The Winter's Tale and King Lear. He has
received 11 Tony nominations, winning 3 times. He has also won 5 Drama Desk Awards and the
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Pulitzer Prize for Drama for Sunday in the Park with George. He was inducted into the Theatre
Hall of Fame in 2011. For more information see JamesLapine.com.
AIDS and America in the 1980’s
In 1980, cases of small groups of young men suffering from very rare diseases began to be
reported from California and New York City. The diseases were a type of cancer called Kaposi’s
Sarcoma, and a pneumonia called Pneumocystis Pneumonia Carinii (PCP). The reports
concerned young white men who had otherwise been quite healthy and suddenly became quite
ill; the diseases usually affected people who were either much older, or had significantly
compromised immune systems. The one thing that all the men who were involved in the initial
reports had in common: they were all gay.
On June 5, 1981 US Centers for Disease Control and Prevention (CDC) first documented the
outbreak in a report called “Pneumocystis Pneumonia – Los Angeles.” The report documented
the occurrences of homosexual men who were contracting PCP and the little known facts
surrounding these cases. Shortly thereafter, The New York Times printed an article about 41 gay
men who had been diagnosed with Kaposi’s Sarcoma. By late 1981, 5-6 cases of the diseases
were being reported weekly.
Because the diseases was so closely associated with gay men, the disease gained certain
perjorative names in the early stages including GRID (gay-related immune deficiency), ‘gay
cancer’, ‘community-acquired immune dysfunction’ and ‘gay compromise syndrome.’ However,
by June of 1982, with 20 states reporting cases of the diseases, it became clear that gay men
were not the only ones being affected- though many of the heterosexuals who had been infected
had confessed to using intravenous drugs.
By September of 1982 it was becoming apparent that AIDS was not only transmitted though
homosexual activities, but could also be passed through blood (many patients of blood
transfusions who had received blood from gay donors were being diagnosed with the diseases)
and the CDC started using the acronym AIDS- Acquired Immune Deficiency Syndrome- to
categorize the conditions. At this time, one or two cases of AIDS were being diagnosed daily: it
was quickly becoming an epidemic.
In 1983, the virus that caused AIDS was discovered: Human Immunodeficiency Virus (HIV). By
the end of 1983 the number of AIDS diagnoses reported in the USA had risen to 3,064 and of
these people 1,292 had died.
Since AIDS was so closely associated with gay men and drug users, it became heavily
stigmatized in social relations and politics. At the time, discussions around sexual topics such as
gay sex, condoms, and abstinence were incredibly taboo and many organizations were reluctant
to print explicit documents detailing ways to help prevent the contracting of AI DS. Under the
Reagan government, any non-military programs and policies were receiving major financial
cuts; so, funds to start researching AIDS were minimal. In fact, the first time President Reagan
spoke publicly about AIDS was on September 17, 1985. On October 3, 1985 actor Rock Hudson
was the first high-profile public figure to die of AIDS related illnesses.
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In 1986, with the daily diagnosis number continuing to climb, the US Surgeon General issued a
report on AIDS. This was the government’s first official publication which urged citizens and
schools to start discussions on ways to prevent the spread of AIDS. In 1988, after 83,000 cases
of AIDS had been diagnosed and over 45,000 AIDS related deaths had had been reported,
107,000,000 copies of a pamphlet entitled “Understanding AIDS” were printed and sent to
every home in America.
In 1986, experiments started to show that a cancer drug called AZT (zidovudine) could
potentially help slow the attack of HIV. In March 1987 the U.S. Food and Drug Administrati on
(FDA) approved AZT as the first antiretroviral drug to be used as a treatment for AIDS. In 1989
a drug trial called ACTG019 showed that AZT could slow progression to AIDS in HIV positive
individuals with no symptoms. However, AZT was expensive, costing almost $7000 for a year’s
supply. Efforts were made to bring the cost down, but it still proved expensive for many citizens
with poor health insurance.
By August of 1989 over 100,000 AIDS cases had been reported to the CDC, these included men
and women of all all races, ages, and sexual orientation. The fight to end AIDS had only just
begun.
Playing AIDS: A Theatrical History
In the 1980’s, plays with explicitly gay characters started to proliferate stages across North
America thanks to the popular success of Harvey Fierstein’s Torch Song Trilogy. A series of 3
one act comedies about Arthur Beckoff (a Jewish drag queen living in New York City) Torch
Song opened off-Broadway in 1981 and was a huge success (Fierstein played Arnold alongside
co-stars Matthew Broderick and Estelle Getty). On June 10, 1982 Torch Song Trilogy opened on
Broadway where it won the Tony award for Best Play and ran 1,222 performances.
On August 21, 1983 La Cage Aux Folles opened on Broadway. The show, about two gay men who
own a nightclub, had music and lyrics by Jerry Herman (of Hello Dolly fame) and a book by
Harvey Fierstein. La Cage Aux Folles was incredibly successful and won the Tony award for best
musical, ran for 1,761 performances, had a large national tour, and received two subsequent
Broadway revivals.
After the giant success of Torch Song Trilogy and La Cage Aux Folles it was clear that overt
homosexuality was no longer taboo in the theatre, and as the spread of HIV and AIDS began to
make headlines across America many playwrights began to write plays that dealt with the harsh
reality of what their loved ones were going through. Here are a few examples:
The Normal Heart is a largely autobiographical play by Larry Kramer. It focuses on the rise of
the HIV-AIDS crisis in New York City between 1981 and 1984, as seen through the eyes of
writer/activist Ned Weeks, the gay Jewish-American founder of a prominent HIV advocacy
group. After a successful 1985 Off-Broadway production at The Public Theater, the play was
revived in Los Angeles and London and again Off-Broadway in 2004. A Broadway debut opened
in April 2011 followed by a Dora Award winning production by Studio 180 in Toronto last year.
The Normal Heart is renowned for its contemporaneous account of the rise of AIDS, and is
largely seen as the non-musical theatre counterpart to Falsettos.
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Angels in America: A Gay Fantasia on National Themes is the 1993 Pulitzer Prize winning play
in two parts by American playwright Tony Kushner. It has been made into both an HBO
miniseries and an opera by Peter Eötvös. Broad scoping, Angels in America paints a portrait of
several prominent characters (both fictional and real) at the height of the epidemic. Using clear
dramatic text, and a non linear method of storytelling, Angels in America combines the best
elements of both Falsettos and The Normal Heart to depict a time of huge social upheaval and
idealistic hope for a future in which this turmoil has been overcome.
Love! Valour! Compassion! is a play by Terrence McNally which no longer addresses AIDS as
its core, but rather one of the several aspects of gay life . Its premiered at the Manhattan
Theatre Club in 1984 and then transferred to Broadway where it ran for 248 performances.
The plot revolves around a group of gay men who meet at a summer home just north of New
York City. Infidelity, flirtations, soul-searching, AIDS, truth-telling and skinny-dipping mix
monumental questions about life and death with a wacky dress rehearsal for Swan Lake
performed in drag.
RENT is a rock musical with music and lyrics by Jonathan Larson based on Puccini's opera La
Bohème. It tells the story of a group of impoverished young artists and musicians struggling to
survive and New York's Lower East Side in the thriving days of Bohemian Alphabet City, under
the shadow of HIV/AIDS. No longer scene as simply a gay-related syndrome, many of the
characters in the show are affected in a fitting examination of how encompassing the disease
had become by the mid 90s.
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Contextualizing Falsettos
What is a Bar Mitvah?
The word Bar is derived from the Hebrew word Ben which means boy. Mitzvah means “a law or
commandment”. When the words are put together they mean “a boy who is subject to the
commandments and laws.”
When a Jewish male turns 13 he is considered to be part of the religious majority, therefore he is
no longer a boy but has become a man. To acknowledge this major transition the Bar Mitzvah is
allowed to partake in certain Jewish customs that he had heretofore not be been able to
participate in, including saying certain prayers and reading from the Torah. Traditionally, the
Bar Mitzvah will have an opportunity to perform the prayers and read from the Torah during
Sabbath service at his local synagogue with many family and friends in attendance.
Following the synagogue portion, there is often a “seudat mitzvah” a big party and meal t o
celebrate the Bar Mitzvah. In Falsettos, the elaborate planning forcing Marvin and Trina to
collaborate is in preparation for the party.
Jewish females often have a Bat Mitzvah when they are 12 with most of the same customs and
traditions (though in Orthodox Judaism they are not allowed to read from the Torah).
Glossary
Yiddish Terms
Canadelach - Matzo balls.
Dreck - Rubbish or trash.
Gefilte Fish - A Jewish dish made from a poached mixture of ground boned fish, such as carp,
whitefish or pike, which is typically eaten as an appetizer.
Knish - A Jewish snack that consists of a filling covered with dough that is either baked, grilled,
or deep fried.
Kosher - Jewish dietary laws.
Rugelach - Jewish pastry.
Torah - The first five books of the Jewish bible, written out on a scroll.
Trayf - Not Kosher.
Tsouris - Trouble and aggravation
Schmo - A stupid or dull person.
Schpiel - A long speech or argument
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Other References
Carl Jung - Carl Gustav Jung was a Swiss psychologist and psychiatrist who founded analytical
psychology. Jung proposed and developed the concepts of the extroverted and the introverted
personality, archetypes, and the collective unconscious. His work has been influential in
psychiatry and in the study of religion, literature, and related fields.
Fortissimo - A musical term meaning “very loud.”
Hank Greenberg - Henry Benjamin "Hank" Greenberg, nicknamed "Hammerin' Hank" or
"The Hebrew Hammer," was an American professional baseball player in the 1930s and 1940s. A
first baseman primarily for the Detroit Tigers, Greenberg was one of the premier power hitters
of his generation. Greenberg was the first Jewish superstar in American professional sports. He
attracted national attention in 1934 when he refused to play baseball on Yom Kippur, the Jewish
day of atonement, even though the Tigers were in the middle of a pennant race and he was not
in practice a religious Jew.
Hepatitis - A swelling and inflammation of the liver. It is not a condition, but is often used to
refer to a viral infection of the liver.
Nancy Reagan - Nancy Davis Reagan is the widow of former United States President Ronald
Reagan and was First Lady of the United States from 1981 to 1989.
Ronald Reagan - (February 6, 1911 – June 5, 2004) was the 40th President of the United
States (1981–89). Prior to that, he was the 33rd Governor of California (1967–75), and a radio,
film and television actor. Reagan is known for his extreme Conservativism, in both politics and
social views, and his refusal to address AIDS directly in the early years of the epidemic.
Sandy Koufax - was a left-handed pitcher who played his entire Major League Baseball career
for the Brooklyn/Los Angeles Dodgers, from 1955 to 1966. He retired at the peak of his career,
and at the age of 36 became the youngest player ever elected to the Baseball Hall of Fame.
Koufax is also remembered as one of the outstanding Jewish athletes in American sports. His
decision to not pitch Game 1 of the 1965 World Series because it fell on Yom Kippur garnered
national attention as an example of conflict between social pressures and personal beliefs.
Sigmund Freud - Born Sigismund Schlomo Freud, was an Austrian neurologist who became
known as the founding father of psychoanalysis.
Syphilis - a sexually transmitted infection caused by the spirochete bacterium Treponema
pallidum subspecies pallidum. Syphillis was the most prevalent sexually transmitted disease
before the rise of AIDS.
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Discussion Questions
Listed here are a number of questions that may be helpful in fostering some discussion after you see the
performance, about some of the themes in Falsettos.
Questions
1. Falsettos is set in New York City between 1979-1981. Divide the class into 4 groups and ask
them to research the visual art (including fashion), music, TV and movies, and political
figures/movements of New York during the period of the play. Have them present their
findings to the rest of the class.
2. Marvin wants to have a “tight-knit family” where everyone accepts each other, is that wishful
thinking? Is it possible to have a family where everyone gets along? Discuss the family
dynamics in the show- what are the similarities and differences to the students’ family
dynamics.
3. In Trina’s Song we hear her sing “I’m tired of all the happy men who rule the world.” In the
first act of the show Trina is the only female. Why do you think William Finn chose to do this?
Discuss Trina’s role throughout the play. How does she change? Do you think Finn meant
“rule her world”? How has the position of females in power evolved since this era?
4. The song March of the Falsettos is an ode to, and skewer of, masculine stereotypes. How are
the masculine characters defined? Are they stereotypical? Does the show present its gay
characters in a stereotypical way? What are some of the stereotypes that gay people face and
how have this changed between the 1980s and now?
5. Growing up is discussed a lot throughout the play. The second act focuses on Jason’s Bar
Mitzvah where, in the Jewish tradition, he becomes a man. Find a moment in the play where
each of the male characters grows up a bit or “becomes a man”. What are some of those
moments in your own life?
6. There is very little dialogue in Falsettos: most of the show is sung through and sometimes
giant passages of time are covered in one number. Why do you think William Finn and James
Lapine chose to do this? Is it effective? How does music change the way t he story is told?
7. Trina sings “I was sure growing up I would live the life my mother assumed I’d live.” What are
the assumptions, wishes, and pressures that our parents place on us? When do we start
making decisions on our own and living the lives we want to lead?
8. Some of the earliest AIDS activists and organizations were everyday people and some were
celebrities. Here are the names of some of the first people who spoke out about AIDS and
made a difference. Divide the class into small groups and ask them to research these figures
and discuss their contributions to the fight against AIDS:
Ryan White and the Ryan White Comprehensive AIDS Resources Emergency
(CARE) Act;The Gay Men’s Health Crisis Earvin “Magic” Johnson; ACT-UP; Pedro
Zamora
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Class Exercises
Exercise 1
Life and Art
(Keith Haring)
Classes: Visual Art; History; Social Studies; English
Goal: Historical study, Creativity
Keith Haring (May 4, 1958 – February 16, 1990) was an artist and social activist whose work
responded to the New York City street culture of the 1980s. Haring died of AIDS related
complications, but his artwork was considered so integral to the gay rights movement that one
of his images was used as the logo for the Broadway production of Falsettos.
Research the art and style of Keith Haring and use his style to create several images that
represent your personal life story. What kind of techniques did he use? How were his subjects
personally related to his own story? How can you draw on the same kind of inspiration as
Haring did from within your own experiences?
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The Games
We Play
Exercise 2
Classes: Drama, English, Visual Arts
Goal: Creating a personal reflection through visual art
In Falsettos, Whizzer sings:
“I don’t look for trouble
I do not accept blame
I’ve a good and a bad side
But they’re one and the same
Ask me to arouse you
I will rise and obey
These are the games I play.”
Chess, baseball, and racquetball all figure prominently in the lives of the characters Falsettos.
What are the games you play literally and figuratively in your own life? What is the connection
between the actual games you like playing and the figurative ones you find happening?
Part A
Have the students decide: “If your life were a board game what would it be and why?” Then,
have them list all the rules and instructions for the game.
Part B
Divide the students into groups of 3 or 4 and have them decide on who’s games they think is the
most engaging/fun/different. Using art supplies, ask them to craft the game by creating all the
elements necessary for play. Then, as a class, take turns playing each others games. Afterwards,
discuss what were the prominent similarities and differences between the various games, and
how they allowed students to access their own personal life experiences in the playing.
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Exercise 3
Sing for
Yourself
Classes: Drama, English, Creative Writing
Goal: Creative Writing, Creative Collaboration; Interpreting a text dramatically
Below, is a list of several song titles from Falsettos. Let each student pick a title that speaks to
them and have them create a poem that fits with the title they have chosen. Divide the class into
small groups and have the students share their poems with each other; then, have each group
choose one poem that they will share with the class. While one student reads the poem, the rest
should be encourages to rehearse a creative physical presentation to accompany the poem
reading. Try to integrate the reader into the creative interpretation of the poem.
Song/Poem titles
Thrill of First Love
This Had Better Come to a Stop
Making a Home
What More Can I Say?
Holding to the Ground
Days like This
What Would I Do?
If any of the groups choose to present poems with the same title what are the similarities
between the poems and presentation? What are the differences?
Kosher
Catering
Exercise 4
Classes: Drama; Music; Dance; Visual Art
Goal: Creatively interpreting a different cultural heritage
Divide the class into small groups and give each one a particular culture that they will represent
(i.e. Greek, Jewish, Mexican... etc). The students should then choose, as a team, a certain
occasion that they must plan for (a birthday, wedding, newborn baby... etc) which is interesting
and relevant to everyone in the group. Have the students research how their designated culture
would celebrate that event.
The next day, give each group 15-30 minutes to celebrate a portion of their selected occasion in
class. Have them provide everything from the menu, to the music, to the decorations and ask
them to perform a song or a dance that might traditionally be performed. The class can then go
around, visiting each other’s celebrations and should be encouraged to compare their own
experiences to this new culturally different ones.
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