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PowerPoint® Lecture Slides prepared by Janice Meeking, Mount Royal College CHAPTER 15 The Special Senses: Part C Copyright © 2010 Pearson Education, Inc. The Ear: Hearing and Balance • The three parts of the ear are the inner, outer, and middle ear • The outer and middle ear are involved with hearing • The inner ear functions in both hearing and equilibrium • Receptors for hearing and balance: • Respond to separate stimuli • Are activated independently Copyright © 2010 Pearson Education, Inc. The Cochlea • The cochlea is divided into three chambers: • Scala vestibuli • Scala media • Scala tympani Copyright © 2010 Pearson Education, Inc. The Cochlea • The scala tympani terminates at the round window • The scalas tympani and vestibuli: • Are filled with perilymph • Are continuous with each other via the helicotrema* • The scala media is filled with endolymph The helicotrema is the part of the cochlear labyrinth where the scala typmani and the scala vestibuli meet. Copyright © 2010 Pearson Education, Inc. http://www.ece.rice.edu/~dhj/cochlea.html http://www.egms.de/figures/journals/cto/2005-4/cto000007.f3.png Copyright © 2010 Pearson Education, Inc. Properties of Sound • Sound depends on elastic medium for its transition (can not be transmitted in vacuum). • Sound is: • A pressure disturbance (alternating areas of high and low pressure) originating from a vibrating object • Composed of areas of rarefaction (less molecules) and compression (more /compressed molecules) • Represented by a sine wave in wavelength, frequency, and amplitude Copyright © 2010 Pearson Education, Inc. Properties of Sound • Frequency – the number of waves that pass a given point in a given time • Wavelength – the distance between 2 consecutive crests; it is constant for a particular tone • Pitch – perception of different frequencies (we hear from 20–20,000 Hz) • The higher the frequency – the higher the pitch • Amplitude – Height of the wave - loudness • Loudness – subjective interpretation of sound intensity Copyright © 2010 Pearson Education, Inc. Transmission of Sound to the Inner Ear • The route of sound to the inner ear follows this pathway: • Outer ear – pinna, auditory canal, eardrum • Middle ear – malleus, incus, and stapes to the oval window • Inner ear – scalas vestibuli and tympani to the cochlear duct • Stimulation of the organ of Corti • Generation of impulses in the cochlear nerve Copyright © 2010 Pearson Education, Inc. Transmission of Sound to the Inner Ear Copyright © 2010 Pearson Education, Inc. Figure 15.31 http://www.britannica.com/eb/art-536?articleTypeId=1 Resonance of the Basilar Membrane • As the stapes rocks back and forth against the oval window, it moves the perilymph in the scala vestibuli into a similar backand-forth motion • A pressure wave travels through the perilymph from the basal end toward the helicotrema. • Sounds of very low frequency (below 20 Hz) create pressure waves that take the complete route through the cochlea toward the round window through the scala tympani. • Such sounds do not activate the spiral organ (are below the threshold of hearing). Copyright © 2010 Pearson Education, Inc. http://www.glenbrook.k12.il.us/GBSSCI/PHYS/Class/sound/u11l2d.html Resonance of the Basilar Membrane • Sound waves of low frequency (inaudible): • Travel around the helicotrema • Do not excite hair cells • Audible sound waves: • Penetrate through the cochlear duct • Vibrate the basilar membrane • Excite specific hair cells according to frequency of the sound Copyright © 2010 Pearson Education, Inc. The Organ of Corti • Is composed of supporting cells and outer and inner hair cells • The hair cells are arranged in one row of inner hair cells and three rows of outer hair cells - sandwiched between the tectorial and basilar membranes. • Afferent fibers of the cochlear nerve are in contact with the bases of the hair cells. • The hair cells have numerous stereocilia (actually long microvilli) and a single kinocilium (a true cilium) project from their apices. • The “hairs” (stereocilia) of the hair cells are stiffened by actin filaments and linked together by fine fibers called tip-links • They project into the K+-rich endolymph, and the longest of them are embedded in the overlying tectorial membrane Copyright © 2010 Pearson Education, Inc. Excitation of Hair Cells in the Organ of Corti • Transduction of sound stimuli occurs after the stereocilia of the hair cells are turn aside by movements of the basilar membrane. • Bending the cilia toward the kinocilium puts tension on the tiplinks, which in turn opens cation channels in the adjacent shorter stereocilia. • This results in an inward K+ (and Ca2+) current and a graded depolarization • Depolarization increases intracellular Ca2+ and so increases the hair cells’ release of neurotransmitter (glutamate), which causes the afferent cochlear fibers to transmit a faster stream of impulses to the brain for auditory interpretation. • Bending the cilia away from the kinocilium relaxes the tip-links, closes the mechanically gated ion channels, and allows repolarization and even a graded hyperpolarization. Copyright © 2010 Pearson Education, Inc. http://www.keele.ac.uk/depts/co/auditory/pages/projects.htm http://www.wadalab.mech.tohoku.ac.jp/corti-e.html Copyright © 2010 Pearson Education, Inc. Excitation of Hair Cells in the Organ of Corti • The outer hair cells send little information to the brain. Instead, they act on the basilar membrane itself. • Most (90-95%) nerve fibers around the OHC are efferent (from the brain to the ear) • In response to sound, the OHC send signals to the medulla and the pons sends immediately signals back • In response, The OHC contract by about 15% of their height • Because the OHC are attached to the basiliar membrane and the tectorial membrane, contraction decrease the ability of the basiliar membrane to vibrate. • As a result, some areas of the duct send less signals to the brain which allow the brain to distinguish between more and less active hair cell. • Give a more precise perception of different pitches Copyright © 2010 Pearson Education, Inc. Mechanisms of Equilibrium and Orientation • Vestibular apparatus – equilibrium receptors in the semicircular canals and vestibule • Maintains our orientation and balance in space • The position of the body with respect to gravity (static equilibrium) – the vestibule • The motion of the body (dynamic equilibrium) – the semicircular canals Copyright © 2010 Pearson Education, Inc. Static equilibrium • The receptors for static equilibrium are the maculae – one in the urticle and one in the saccule • The utricle is sensitive to a change in horizontal movement, • The saccule gives information about vertical movement Copyright © 2010 Pearson Education, Inc. http://www.tchain.com/otoneurology/disorders/unilat/utricular.html Anatomy of Maculae • Maculae are the sensory receptors for static equilibrium • Contain supporting cells and hair cells • Each hair cell has stereocilia and kinocilium embedded in the otolithic membrane • Otolithic membrane – jellylike mass covered with tiny CaCO3 stones called otoliths • Utricular hairs respond to horizontal movement • Saccular hairs respond to vertical movement Copyright © 2010 Pearson Education, Inc. Effect of Gravity on Receptor Cells • When the head starts or stops moving in a linear direction, the otolithic membrane slides backward or forward like a plate over the hair cells, bending the hairs. • The hair cells release neurotransmitter continuously but movement of their hairs modifies the amount they release. • When the hairs are bent toward the kinocilium, the hair cells depolarize, increasing their pace of neurotransmitter release, and a faster stream of impulses travels up the vestibular nerve to the brain • When the hairs are bent in the opposite direction, the receptors hyperpolarize, and neurotransmitter release and impulse generation decline. • In either case, the brain is informed of the changing position of the head in space. Copyright © 2010 Pearson Education, Inc. Crista Ampullaris and Dynamic Equilibrium • The crista ampullaris (or crista): • Is the receptor for dynamic equilibrium • Is located in the ampulla of each semicircular canal • Responds to angular movements • Each crista has support cells and hair cells that extend into a gel-like mass called the cupula • Dendrites of vestibular nerve fibers encircle the base of the hair cells Copyright © 2010 Pearson Education, Inc. Activating Crista Ampullaris Receptors • The cristae respond to changes in the velocity of rotation movements of the head. • the endolymph in the semicircular ducts moves briefly in the direction opposite the body’s rotation, deforming the crista in the duct. • As the hairs are bent, the hair cells depolarize and impulses reach the brain at a faster rate. • Bending the cilia in the opposite direction hyperpolarization and reduces impulse generation. causes • Because the axes of the hair cells in the complementary semicircular ducts are opposite, rotation in a given direction causes depolarization of the receptors in one ampulla of the pair, and hyperpolarization of the receptors in the other Copyright © 2010 Pearson Education, Inc. Rotary Head Movement Figure 15.37d http://www.unmc.edu/Physiology/Mann/pix_9/left_mvt.gif Copyright © 2010 Pearson Education, Inc. Equilibrium Pathway to the Brain • Pathways are complex and poorly traced • Impulses travel to the vestibular nuclei in the brain stem or the cerebellum, both of which receive other input • Three modes of input for balance and orientation • Vestibular receptors • Visual receptors • Somatic receptors Copyright © 2010 Pearson Education, Inc.