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FeminIsrael – Erev Shira – Poetry Program Leader's Guide Necessary Supplies: - Bios for each poet Poems in Hebrew with English translations Links to videos of the poems performed by famous Israeli musicians and artists Zionist timeline Suggested Marketing and Program Structures: Possible structure twists: - Lunch and Learn - Open Mic – Devote some time for participants to share some of their own poetry about Zionism, Israel, and peace. Take some time to compare themes and structure with the poems presented. Note any influences, similarities, and development. - Though the leader’s guide is written in a way that has the bios read before the actual poem, feel free to change this as you see fit. You may want to read the poem first and see if the participants can guess what era it was written in based on the themes it contains. You may also want to hide the author’s name on each poem and have the participants try to match poems to the author. You can also have them try to put the poems in order of when they were written. Possible Target Markets: - Creative writing groups - Women's Rights Groups (campus Feminists, Taking Back the Night, etc.) - Gender and sexuality academic departments at universities - Jewish and Israel groups Program Goals: Hebrew is an ancient and rich language with poetry and songs that date back to the time of the Bible. The revitalization of Hebrew by Eliezer Ben-Yehuda and the modern Zionist movement lead to a sort of literary revolution with large outpourings of literature and poetry. Women have always been integral contributors to the arts in the Zionist movement, and the field of poetry is no different. Our main goal here is to give students a deeper knowledge of the arts in Israel (pre-state and current) and have them leave with a stronger appreciation for Hebrew poetry. Further, we want to get across the importance of women in Israeli society and discuss their importance of their contributions. Keep in Mind: Poetry is art and so this is a program that will most likely appeal to the artistically inclined. Remember to cater to your audience! Make sure the space is creatively decorated with an atmosphere that promotes good vibes. Program Breakdown: 5 minutes – Introduction and FeminIsrael intro 15 minutes – Rachel the Poet – “Visit”, “Transformation” and “El Artzi” 10 minutes – Fania Bergstein – “Melodies” 10 minutes – Leah Goldberg – “My Homeland” and “Slihot” 10 minutes – Yona Wallach – “A Man Accumulates Memories” and “Identity Problems” 6) 5 minutes – Wrap-up and conclusion 1) 2) 3) 4) 5) Part One: Introduction Take about 5 minutes to introduce the program. Explain how important poetry is to the Zionist movement and the Jewish people in general. Also make sure to take a few minutes to introduce FeminIsrael. If you need some help with that, check out www.feminisrael.org. Make sure to give the students a quick layout of the program and how it will work. Part Two: Rachel the Poet Have every participant read Rachel’s biography then go over her poems. You can choose to review each poem individually, or all of them as a group, depending on your preference and time constraints. Though you may want to break down each poem individually for a literary discussion (syntax, etc), this may prove to be tough since most participants likely won’t be Hebrew speakers. The discussion questions in this guide will mostly be based on the poems as a group and the themes they contain. Discussion Questions: 1) What are the recurring themes you notice throughout her poems? 2) How do you notice her health issues influencing her poetry? Do you think it made her bitter? 3) What influence did you think her era has on her poetry? What significant Zionist events do you think happened during her life (refer to the Zionist timeline)? 4) What influence do you think her Russian and religious past had on her writing? 5) Rachel seems to be extremely tied to the land itself and also somber. If that’s the case, why do you think she is still so popular in modern Israel? What about her work speaks to the current population? 6) What about Rachel’s poems are specifically feminine? What is unique to the female perspective? Part Three: Fania Bergstein Read Fania’s biography and her poem. Note how Fania has a much different outlook and upbringing from Rachel. Also make sure to note the importance of Hebrew in her family. Discussion Questions: 1) By looking only at the poems (and not the bios), what differences do you notice in the personalities of Fania and Rachel? 2) What are similar themes? (One that I note are the strong references to nature. Perhaps use that to delve deeper into the topic of kibbutzim and the mentality of the early pioneers) 3) Fania is quick to pay homage to her parents. What influence do you think they had on her and why did she reference them in this specific way? 4) This poem is famous for being a strong allegory. What do you think it’s referring to? What is Fania really trying to say? 5) Do you find Fania’s poetry to be more or less feminine than Rachel’s? 6) What Zionist events do you think took place during the writing of this poem? (Refer to the timeline if necessary) Part Four: Leah Goldberg Read Leah’s biography and poems. Pay special attention to “Mechora Sheli” since it has many complex themes. Discussion Questions: 1) Leah's two poems are very different in a lot of ways, but some themes carry through. What motifs do you see that flow between them? 2) "Mechora Sheli" is much more similar to the poetry of Rachel the poet and Fania Bergstein than "Slihot," but its message is still starkly different. What do you think is the underlying message to "Mechora Sheli" and how do you think Leah's life experience lead her to feel this way? How do these feelings/messages compare to those of Rachel and Fania? 3) There is a strong theme of the number seven in "Mechora Sheli." Why do you think that is and where does it come from? 4) Which of the two poems that you read do you feel comes from more of a uniquely feminine perspective? Why? Part Five: Yona Wallach Reach Yona's bio and poems. Take time to contrast her experience to that of the rest of the world during the same era. Note that while the previous women had experiences that were uniquely Israeli, Yona—while still having an Israeli twist— experienced and wrote about more universal themes. Hippie counter-culture was a world-wide phenomenon, as opposed to kibbutz and halutz (pioneer) life which existed only in Israel. The world was changing, and Israel changed with it. Discussion Questions: 1) Yona Wallach's poetry and upbringing differed greatly from the previous poets. Do you see her writing (and the themes therein) to be a natural progression for female poets, or was she simply an anomaly? Did she grow from their work and borrow from it? 2) Do you think Wallach was simply a product of her times or a true barrierbreaker? What about her era influenced her? 3) What do you think lead to Wallach's "Identity Problems?" Was this a personal statement or an allegory? Do you think it could apply to society as a whole? 4) Are there any poets or artists from your country that she reminds you of? How and why? Part Six: Conclusion After you have read and discussed all the poems, tie it all together. Perhaps ask a few closing questions, such as "what was your favorite poem and why" or "who did you identify with most?" Remind everyone that poetry hasn’t stopped with Yona Wallach and encourage them to look into modern works on their own. Remember, the goal here is to show everyone how much of an influence women have had in every facet of Israeli life, so remind them of that fact.