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2,500 years ago Athens, Greece Between 600 and 200 B.C. Greek plays still considered among the greatest works of drama today. More Greeks attended theatre, per capita, than any other civilization. •HERCULES •THE PALACE OF ZEUS •ATLAS •NIKE Most Greek plays were based in the Greek religion, with themes about man trying to wrestle with the fates the gods had dealt him. Myths are stories created to explain the confusing occurrences of nature. MYTHOLOGY AND THE GREEK GODS ZEUS ARES APHRODITE HADES ATHENA NIKE AND OUR FAVORITE…………………………. GREEK GOD OF WINE AND HARVESTS THE “PARTY GOD” FESTIVAL CREATED AROUND 508 B.C. 5 DAYS (3 TRAGEDIES & 1 SATYR) THE DITHYRAMB MEANS “CHORIC HYMN” STARTED PURELY AS A RELIGIOUS CEREMONY 50 MEN DRESSED AS SATYRS DANCING AND SINGING AROUND A GIANT STATUE OF DIONYSUS LATER TURNED INTO STORIES ABOUT ANYTHING….. DRAMA!!!! The Theatre of Dionysus •Orchestra: Literally the “dancing Place” •Theatron: Literally the “seeing place” •Skene: “Scene” or backdrop •Paradoi/Eisodoi: Ramps •Proskenion: In front of the scene •Paraskenia: Beside the scene •Terraced seating •First wooden; later stone •The “Dancing Place” •“Scene” •Behind orchestra •Served as a backdrop, house •Later became decorative Plays are still performed in the Theatre at Epidaurus, built in 350 B.C AESCHYLUS (524-456 BC) TRAGEDY ARISTOPHANES (448-380 BC) COMEDY ARISTOTLE (384-322 BC) TRAGEDY EURIPEDES (480-406 BC) TRAGEDY MEANDER (342-292 BC) COMEDY SOPHOCLES (496-406 BC) TRAGEDY The sun provided the lighting. Torches were used, but as props. Costumes were large and flowing to allow for free, athletic movement. Costumes had to make a strong visual impression on the audience. Masks! Large strong faces. Masks had mouth holes. Some had megaphones in them. ONE SIMPLE FORMAT 1. 2. 3. 4. PROLOGUE described the situation and set the scene. PARADOS an ode sung by the chorus as it made its entrance. KOMOS an exchange of laments by the chorus and the protagonist. EXODUS the climax and conclusion. STILL THE FORMAT FOR MUCH COMEDY TODAY OLD COMEDY NEW COMEDY – – – – MISTAKEN IDENTIES IRONIC SITUATIONS ORDINARY CHARACTERS WIT Greek Comedy is NOT very popular today because the lyrics and jokes just don’t transfer very well into other languages. AULOS- A flute like instrument used to accompany drama. EMMELEIA- the dances of tragedy KORDAX- most common term for comic dances. SATYR PLAY- Short comedic plays, presented at the end of a tragedy; forerunner of today’s cartoons. •Could seat as many as 30,000 spectators A group of men acting on stage They usually spoke in unison They represented a group of Greek citizens, and provided background chants, similar to opera. They provided six important functions 1. 2. 3. A character in the play; it gives advise, expresses opinions, asks questions, and sometimes takes part in the action. It would establish the social framework so the audience could set up an opinion. It served as an ideal spectator that reacted to what was happening the way that the playwright wanted the audience to react. 4. 5. 6. The chorus set the overall mood of the play to heighten dramatic effects. It added movement, spectacle, song, and dance. Served as an important rhythmical function. It created pauses and slowed things down so the audience could think about what happened or what was to come. Considered first actor. Stepped out of the chorus and spoke alone. Modern term “THESPIAN” comes from him. All actors wore masks. Greeks placed emphasis on the voice. An actor was “great” if they had beautiful vocal tone, and the ability to adapt the way they spoke to the mood of the character. Voices did not even have to sound the right age or gender! They did not allow women to act. Men played all roles.