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Biographical Notes Diana E. Henderson Diana E. Henderson is Professor of Literature and Dean for Curriculum and Faculty Support at MIT. She is the author of Collaborations with the Past: Reshaping Shakespeare Across Time and Media and Passion Made Public: Elizabethan Lyric, Gender, and Performance, and the editor of Alternative Shakespeares: 3 and A Concise Companion to Shakespeare on Screen. She has published over 40 scholarly articles and book chapters, and has worked as a dramaturg and theatrical consultant. She was the 2013-14 President of the Shakespeare Association of America, is the co-editor of Shakespeare Studies, and collaborates on MIT’s Global Shakespeares curriculum and archival project. Maria Sequeira Mendes Maria Sequeira Mendes finished her PhD at the Literary Theory Program (University of Lisbon) in 2012, with a thesis called The Ordeals of Interpretation. She is currently an Assistant Professor at the School of Cinema and Theatre of the Lisbon Polytechnic Institute. She is also a researcher in the Catholic University (CECC), where she coordinates a Shakespeare reading group, and a corresponding member in the Centre for Mediaeval and Early Modern Law and Literature (University of St Andrews). Research interests include literary theory, studies in law and literature, Shakespeare and theatre studies. Elena Brugioni Elena Brugioni holds a Ph.D. in Lusophone African Literature and she is a Postdoctoral Fellow at the Centre for Humanistic Studies of the University of Minho, CEHUM. She is currently developing a postdoctoral research project entitled “Provincializing the Canon: questioning the great European narratives in ‘homoglot’ literatures” financed by the Fundação para a Ciência e a Tecnologia FCT [SFRH/BPD/62885/2009], Human Potential Operating Programme and European Social Fund. Paula Mathenhauer Guerreiro Paula Guerreiro is an actress and journalist. Since 2012, she has been a member of the group “Os Geraldos” in Campinas (São Paulo - Brazil), working as an actress and a press officer. As a Masters student in Scenic Arts at Unicamp (Brazil), she is developing the project "Between Shakespeare's pen and contemporary theater: classical drama’s new locations", which brought her to Portugal, in order to research the staging of Macbeth by the Portuguese Company “Chapitô”. Francesca Rayner Francesca Rayner is Assistant Professor at the Universidade do Minho where she is the Director of the Theatre degree programme and teaches Theatre and Performance at undergraduate and postgraduate level. Her research centres on the cultural politics of Shakespearean performance. Since the publication of her doctoral thesis Caught in the Act: The Representation of Sexual Transgression in three Portuguese Performances of Shakespeare in 2006, she has published widely on Shakespearean performance in national and international journals and publications.. She is currently working on a book on Shakespearean performance in Portugal in the post-revolutionary period Varsha Panjwani Dr Varsha Panjwani held a lecturership at the department of Theatre, Film, and Television at the University of York from 2009-13. She currently lectures on Shakespeare, Drama, and Adaptation Studies at Fordham University (London) and Boston University (London), and is an honorary research associate at the University of York. She has published widely in leading international journals such as Shakespeare Survey and Theatre Notebook, and is authoring a book on early modern dramatic collaboration. The monograph, Writing and Performing Early Modern Collaborative Drama, has already been recognised as an original and significant project as it has won grants from the Society of Theatre Research and Folger Shakespeare Library. In addition to her individual research, she ran a collaborative project, ‘Renaissance Reincarnations’. The project won three awards for its high-profile events that investigated the ways in which Renaissance lives have been re- imagined on the page, stage, and screen in the twentieth and twenty-first centuries. She is currently on the steering committee for the Shakespeare in Bollywood Film Festival taking place in London in 2016 and has contributed essays on Indian adaptations of Shakespeare to several edited collections. Miguel Ramalhete Gomes Miguel Ramalhete Gomes is a post-doctoral research fellow working on the theme of Shakespeare and presentism. He is the author of Texts Waiting for History: William Shakespeare Re-Imagined by Heiner Müller (Rodopi, 2014). He is based at CETAPS (Centre for English, Translation, and Anglo-Portuguese Studies), at the Universidade do Porto, in Portugal, and teaches at the Escola Superior de Educação do Instituto Politécnico do Porto (ESE-IPP). At present he is also translating Henry VI, Part 3 into Portuguese. Rachel Holmes Dr Rachel E. Holmes is an Early Career Researcher and Assistant to the Directors of the Centre for Mediaeval and Early Modern Law and Literature (CMEMLL) at the University of St Andrews. She works transnationally in law and literature, and is interested in sexual contracts and related areas of friction between secular and ecclesiastical jurisdictions in the early modern period. She is currently working on a monograph proposal based on her thesis, Casos de Honra: Honouring Clandestine Contracts and Italian Novelle in Early Modern English and Spanish Drama. Maria José Faedo Dr. María José Álvarez-Faedo is Senior Lecturer in 16th-and-17th-century English Literature at the Department of English, French and German Studies of the University of Oviedo and she coordinates the PhD Program in Humanistic Research She participated in Brian J. Corrigan's The Compendium of Renaissance Drama Project (Folger Shakespeare Library, 2011. Online resource) and she is the author of several articles on Shakespeare's drama, including "Revisions of Volumnia's Motherhood" in Revista Alicantina de Estudios Ingleses (2002), "The Merry Wives of Windsor in Spain" in Shakespeare and Spain. A Publication of the Shakespeare Yearbook (2002), "Orson Wells's Gothic Cinematographic Approach to Shakespeare's Macbeth" in SEDERI XI. Revista de la Sociedad Española de Estudios Renacentistas Ingleses (2002). She also works in the field of comparative studies and she is a member of the research team that studies the reception and interpretation of Don Quixote, funded by the Spanish Ministry for Education and Science, i. e. "Tradujo Charles Jarvis el Quijote al inglés directamente de la edición de Lord Carteret o se inspiró en la traducción de Thomas Shelton?" or " Don Quijote viaja a la pérfida Albión: Humor y Sátira en Don Quijote en Inglaterra de Henry Fielding" (2014). Darlena Ciraulo Darlena Ciraulo is Associate Professor of English at the University of Central Missouri. Her research devoted to the ancient romance tradition in Shakespeare has appeared in Prose Fiction and Early Modern Sexualities in England (Palgrave Macmillan). Her publications on Shakespeare and appropriation have appeared in Philological Quarterly, Borrowers and Lenders: The Journal of Shakespeare and Appropriation, and Philosophy and Literature. She is currently working on a book-length project on nineteenth-century illustrations in the Lambs’ Tales from Shakespeare, as well as botanical images in Shakespeare’s works. Robert Sawyer Robert Sawyer is Professor of English at East Tennessee State University, where he teaches Shakespeare, Victorian Literature, and Literary Criticism. Author of Victorian Appropriations of Shakespeare (Fairleigh Dickinson UP, 2003), he is also co-editor of Shakespeare and Appropriation (Routledge, 1999), andHarold Bloom’s Shakespeare (Palgrave, 2001). His essay on the critical connection between Marlowe and Shakespeare, particularly post-9/11 and entitled “Recent Reckonings: Marlowe, Shakespeare and 21st Century Terrorism,” was the Co- Winner of the 2013 Calvin Hoffman Prize. His newest publication is a book chapter entitled, “‘A Whirl of Aesthetic Terminology’: Swinburne, Shakespeare, and Ethical Criticism” in Shakespeare and the Ethics of Appropriation. (Palgrave, 2014.) Alycia Smith-Howard Alycia Smith-Howard, PhD is an Associate Scholar of The Royal Collection Trust, Windsor Castle. She is a Shakespeare scholar, performance historian and theatre director; and, has served as a Shakespeare specialist for a range of plays, films, radio and television programmes. She is the author of Studio Shakespeare: The Royal Shakespeare Company at The Other Place (Ashgate, 2006). Currently, she is completing a commission on "Shakespeare and Monarchy" for The Royal Collection Trust. Michele De Benedictis Currently studying Comparative Literature at the Università degli Studi di Cassino, Italy (2010) aDissertation nd writing aon the theory of four humours in Ben Jonson’s comical satire. His main research interests are: Renaissance Drama, Shakespeare Studies, Early Modern Literature in Europe, History of Science, Court Studies, Iconography, and an interdisciplinary approach to dramatic literature. Thomas Kullman Thomas Kullmann is Professor of English Literature at the University of Osnabrück. Currently, his main research interests are Shakespeare and Renaissance Culture; English Children’s Fiction and Images of India in 19th- century Britain. His publications include two books on Shakespeare, one on landscape and weather in the nineteenth-century English novel and one on English children’s and young adults’ fiction as well as numerous articles on English Renaissance Literature, Victorian and twentieth-century literature and culture, and children’s literature. He also edited two volumes of essays on aspects of English children’s fiction. http://www.ifaa.uni-osnabrueck.de/mitarbeiter/tkullman Rui Carvalho Homem Rui Carvalho Homem is Professor of English at the University of Oporto, Portugal. He has published extensively on Early Modern English drama, contemporary Irish poetry, and word-and-image studies. As a literary translator, he has published versions of Shakespeare, Marlowe, Seamus Heaney and Philip Larkin. He is currently the Chair of ESRA, the European Shakespeare Research Association.