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Rhythm and Meter Rhythm • Rhythm refers to the regular recurrence of the accent or stress in poem or song. • Consider Nursery Rhymes Humpty Dumpty sat on a wall, Humpty Dumpty had a great fall. All the king's horses and all the king's men Couldn't put Humpty together again. Jack and Jill went up the hill to fetch a pail of water Jack fell down and broke his crown and Jill came tumbling after John Donne’s “The Sun Rising” • Poets rely heavily on rhythm to express meaning and convey feeling. Busy old fool, unruly sun Why dost thou thus Four feet with two syllables per foot = tetrameter. Five feet with two syllables per foot = pentameter Through windows, and through curtains, call on us • If rhythm is the pulse or beat we hear in the line, then we can define meter as the measure or patterned count of a poetic line. • Meter is a count of the stresses we feel in the poem’s rhythm. • By convention the unit of poetic meter in English is the foot, a unit of measure consisting of stressed and unstressed syllables. Duple meters: two syllables per foot. Triple meters: three syllables per foot. A poetic foot may be either iambic, trochaic, anapestic, or dactylic. iambic (iamb) • an unstressed syllable followed by a stressed syllable, a pattern which comes closest to approximating the natural rhythm of speech. • Note line 23 from Shelley's "Stanzas Written in Dejection, Near Naples": And walked with inward glory crowned This line of poetry is iambic tetrameter. Each “foot” has two syllables (unaccented followed by accented). Four feet = tetrameter. Trochaic (trochee) • a stressed followed by an unstressed syllable, as in the first line of Blake's "Introduction" to Songs of Innocence: Piping down the valleys wild anapestic (anapest) • two unstressed syllables followed by a stressed syllable, as in the opening to Byron's "The Destruction of Sennacherib": The Assyrian came down like the wolf on the fold dactylic (dactyl) • a stressed syllable followed by two unstressed syllables, as in Thomas Hardy's "The Voice": Woman much missed, how you call to me, call to me spondee and pyrrhic • Two accented syllables together is called spondee (knick-knack) • Two unaccented syllables together is called pyrrhic (light of the world) • Both spondaic and pyrrhic feet serve as substitute feet for iambic and trochaic feet. • Neither can serve as the metrical norm of an English poem. Feet • The woods are lovely dark and deep. tetrameter • That time of year thou may’st in me behold, pentameter Shakespeare uses iambic pentameter almost exclusively in his plays. Rhythm and Meter Work • Take the rest of the class to complete the scansion sheet of various stanzas of poems. • Read them out loud and tap them aloud. • You may work in groups, but make sure you turn in your own work at the end of class. • No class Monday, August 15. Check engrade for the e-assignment.