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KS4 Drama – Design Skills: Hair and make-up Design skills: Hair and make-up Icons key: For more detailed instructions, see the Getting Started presentation Flash activity. These activities are not editable. Accompanying worksheet 1 of 10 Web links Teacher’s notes included in the Notes Page Practical activities Extension activities 2006 © Boardworks Ltd 2009 Learning objectives Understand how stage hair and make-up differs from everyday designs and why Take budgeting and practicality into consideration Plan hair and make-up designs for a production of Theseus and the Minotaur 2 of 10 2006 © Boardworks Ltd 2009 Hair and make-up Hair and make-up are important aspects of completing a character’s look. Make-up is used to highlight features which could be lost under bright lights. It can also be used to exaggerate an actor’s features or to change their appearance. The way in which an actor’s hair is styled portrays certain things too, and can also be naturalistic or exaggerated. Hair and make-up should be in keeping with the rest of the production design. 3 of 10 2006 © Boardworks Ltd 2009 Getting started Hair and make-up need to be appropriate to the characters. They also need to fit into the overall design aesthetic of the play. The hair and make-up designer will need to work very closely with the following people: the costume designer – to ensure they are both following the agreed style. They will probably work together quite closely to make sure the colours work, the style matches, and also to think about things such as whether there are any costume changes, and if this affects the make-up the director – to ensure they fully understand the vision for the play the lighting designer – to make sure that the make-up will still be visible under the lights. 4 of 10 2006 © Boardworks Ltd 2009 Ancient Greek hair design To design the hair styles for a production of Theseus and the Minotaur, you will need to know a little bit of information about ancient Greek society and hair. Women had long hair, which would often be worn up so they could work. Wealthy women, however, could spend more time having their hair put up in elaborate designs, often with tiaras, material and ribbons. Boys usually had long hair, which was cut short when they became men. Old men would often have long hair as well. 5 of 10 2006 © Boardworks Ltd 2009 Wigs 6 of 10 2006 © Boardworks Ltd 2009 Stage make-up It is important that all actors, including males, wear stage make-up. Even when designing naturalistic make-up, it is important to exaggerate it far more than normal make-up. This may look strange close-up, but seen from a distance and under lights, it should look right. This photo is from a production of The Country Boy by Big Telly theatre company. Here we can see that the make-up is applied quite heavily, however this method helps the audience to see and ‘read’ the actor’s face more easily. 7 of 10 2006 © Boardworks Ltd 2009 Basic stage make-up 8 of 10 2006 © Boardworks Ltd 2009 Ancient Greek make-up To design the make-up for a production of Theseus and the Minotaur, you will need to know a little bit of information about ancient Greek society and make-up. Make-up was worn in ancient Greece, but only by the wealthy. Rich people wanted to look pale and smooth, to show they did not have to work outside. Natural ingredients such as plants were used to create rouges and lip colour. Eyeliners and shadows were made from soot. How does this information help you plan what you need? How would you make up the chorus? How would you make up the main characters? 9 of 10 2006 © Boardworks Ltd 2009 Useful weblinks Careers website for further advice http://careersadvice.direct.gov.uk/ Information about wigs from the National Theatre www.nationaltheatre.org.uk/38480/wigs-ampmakeup/wigs-overview.html Article about choosing make-up design as a career www.independent.co.uk/student/career-planning/azcareers/makeup-for-film-tv-theatre-and-fashion671961.html Theatrical make-up online shop www.screenface.com/ 10 of 10 © Boardworks Ltd 2009