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Monday, 01 May 2017 A city of genius – Mozart, Beethoven, Schubert – Vienna despises talent whilst alive and honours it after death. Romanticism. Beethoven leads the way. Schubert follows. Authority unsettled by the rise in private performance and respect for the individual. An autocratic imperial power must face the rise in popular opinion and culture. A decade or so after the French revolution – authority feels threatened. Emperor rules Austro-Hungarian Empire and sits at the top of a plutocratic power pyramid. Taste is generally conservative and non-innovative. All things new or “foreign” are discouraged. City lapses into comfortable mediocrity… The music of social gatherings. Intimacy is allowed in strictly regulated conditions. The soundtrack is that of the Strauss family, seen today as embodying Viennese culture as the 19th century develops. Vienna is bloated, living in the past and decaying. Young artists are inspired by what they see and by the rise of Freudian analysis to challenge the authority of the state-run art schools and galleries. They found a new movement in Café Sperl (Hitler’s favourite coffee house, by the way). The Secession, or “break-away” is born. KLIMT is among the more prominent artists involved. “We desire not art enslaved to foreigners, but at the same time without fear or hatred of the foreign”. Meaning? “To every age its art. To art its freedom.” (secesion motto) In this deeply anti-Semitic city, it was possible for one authority figure to declare: “Science is what one Jew copies from another”. The new arts movement (JUGENDSTIL) numbered many Jews amongst its members. Hostility was evident within “nice” society. The hostility between Alt-Wien and the modernists forced a break. Freud, Klimt, Mahler are all treated poorly. Klimt as a pornographer and Mahler, although working as director of the Staatsoper, hounded from office by the wealthy and powerful. Women still wore fashions dictated by men: wasp waists, large busts, collar to toe coverings. Klimt and Freud began to remove the outer layers and show the sexuality that lurked beneath. Fatalism and a fascination with death are evident in much of the poetry and music of the time. Kidertotenlieder – Mahler sets songs that would presage the deaths of his own children. A building was designed by Otto Wagner to hold the Secession exhibitions: At odds with the Baroque buildings around it, this was an immediate statement of intent. !4th exhibition was the most famous. Devoted to Beethoven it featured the Beethoven Frieze of Klimt… The movement begins to fragment and the artists begin to go their separate ways. Music takes over… A new language for a new time. Fibonacci based Western music is altered to achieve a new language. 12 note strings… I’ll explain briefly. Schoenberg, Webern, Berg. Hated by society, helped by Mahler. Art survives and is enriched by the debate… Is this true of all areas of knowledge? Why? Busy girl, Alma: Zemlinksy (composer) Klimt Gropius (architect and artist) Kokoschka Werfel All in addition to Gustav Mahler, probably the greatest musician of his day. Leading figure of Secession Sensual Visionary Forced to withdraw certain paintings which caused too great an offence: University pictures Director Staatoper Renowned composer Fatalistic outlook on life. Jewish Took music to the edge of the new ideas. Supported Schoenberg and others. Died 1911 after “exile” in New York. Had affair with Alma after Mahler’s death (unlike Gropius who didn’t wait). “Consciousness is the source of all things and ideas, it is a sea with visions as its only horizons. Consciousness is a tomb for all things, where they cease to be, the hereafter in which they perish.” ? Composer supported by Alma. Wrote in 12 note style. Violin concerto dedicated to dead child of Alma and Gropius. Works embody the fatalistic death obsession of Viennese art at this time: Wozzeck Lulu Misfit poverty stricken Prostitute has a variety of soldier abused by authority figures Wife unfaithful –seeking glamour Murders her Commits suicide clients Expounds theory of life and death Meets Jack the Ripper. … The city of Schmaltz and whipped cream. Strauss waltzes and carriage rides around the Ring for the wealthy. In reality a hotbed of innovation and the centre of artistic change for the twentieth century. Bigoted, deceitful, charming, beautiful, imaginative, inspirational…