Download ART216, FALL 2008, STUDY GUIDE FOR FIRST HOURLY EXAM

ART216, FALL 2008, STUDY GUIDE FOR FIRST HOURLY EXAM
From Image Groups 1 and 2 and chapters 19 - 20:
Berlinghieri: St. Francis panel, 1235
Campin, Robert: Merode altarpiece, 1425-8
Christus: Legend of St. Eligius, 1449
Cimabue: Enthroned Madonna (Santa Trinita Madonna), c. 1280
Duccio: Maesta altarpiece (front and back), 1308-11
Giotto: Scrovegni Chapel (interior view and details of the Lamentation and Last Judgment), 1305-10
Giotto: Enthroned Madonna and Child, c. 1310
Hugo van der Goes: Portinari altarpiece, 1475
Limbourg brothers: January, from the Book of Hours of the Duke of Berry, 1413-16
Lorenzetti, Pietro: Birth of the Virgin altarpiece, 1342
Lorenzetti, Ambrogio: Allegory and Effects of Good Government (details); 1338-9
Martini: Annunciation altarpiece, 1338
Melchior: Dijon altarpiece, 1394-9
Memling: Portrait of Maria Portinari, 1470
Memling: Mystic Marriage of St. Catherine, c. 1474
Memling: Diptych of Maarten van Nieuwenhove, 1487
Riemenschneider: St Mary Altarpiece, c. 1505
Roemenschneider: Assumption of the Virgin, c. 1499
Rogier van der Weyden: Portrait of a Lady, 1460
Rogier van der Weyden: St. Luke Drawing the Virgin, ca. 1435
Rogier van der Weyden: Deposition (Descent from the Cross), 1435
Schongauer: St Anthony beaten by Demons, ca. 1480
Sluter: Well of Moses, c. 1400
Van Eyck, Hugo and Jan: Ghent altarpiece (open, closed, and major details), 1432
Van Eyck, Jan: Arnolfini Double Portrait, 1434
Van Eyck, Jan: Man in a Red Turban, 1433
From Image Groups 3 - 4 and Chapter 21:
Alberti: Santa Maria Novella, c. 1456
Alberti: Palazzo Rucellai, c. 1455
Alberti: Sant’ Andrea of Mantua, c. 1470 (exterior and interior views)
Andrea del Castagno: Last Supper, 1447
Angelico, Convent of San Marco: Annunciation, c. 1427
Benozzo: Procession of the Magi (in the Medici family chapel), 1459
Botticelli: Birth of Venus, ca. 1482
Botticelli: Primavera, 1478
Brunelleschi: Santo Spirito, beg. 1436, nave view
Brunelleschi: Pazzi Chapel (Santa Croce, Florence), beg. 1433; (interior views)
Brunelleschi: dome of the Cathedral of Florence, 1420-36
Donatello: St. George, 1415
Donatello: Gattemalata, ca. 1450
Donatello: St. Mark, ca. 1411
Donatello: David, ca. 1440
Gentile da Fabriano: Adoration of the Magi altarpiece, 1423
Ghiberti: Gates of Paradise (recognize overall view and details), 1425-1452
Ghirlandaio: Birth of the Virgin, 1485-90
Ghirlandaio: Portrait of Giovanna Tornabuoni, 1488
Ghirlandaio: Old Man with a Child, c. 1480
Lippi, Madonna and Child with Angels, c. 1455
Luca Signorelli: Punishment of the Damned, 1499-1504
Mantegna: Camera Picta frescoes, 1465-74
Mantegna: Dead Christ, 1500
Masaccio: Holy Trinity, 1427
Masaccio: Expulsion scene from the Brancacci chapel fresco, c. 1427
Masaccio: Tribute Money (Brancacci chapel fresco), c. 1427
Michelozzo di Bartolomeo: Palazzo Medici-Riccardi, Florence, beg. 1446
Perugino: Christ Giving the Keys to Peter
Piero della Francesca: Flagellation, 1448
Ucello, Paolo: Battle of San Romano, c. 1455-60
From Image Groups 5 -7 and Chapter 22:
Bellini and Titian, Feast of the Gods, begun 1514
Bramante: Tempietto, Rome, 1501 (this is in image group 4 and chapter 22)
Giorgione: Tempest, ca. 1505
Leonardo: Mona Lisa, 1505
Leonardo: Last Supper, 1495-8
Leonardo: Virgin (or Madonna) of the Rocks, c. 1485
Leonardo: St. Anne, Virgin, and Child (cartoon), c. 1498
Leonardo: St. Anne, Virgin and Child, (painting) ca. 1508
Michelangelo: David, 1501-4
Michelangelo: Pieta, ca. 1500
Michelangelo: Laurentian library vestibule, mid-16th cent.
Michelangelo: Moses, from the tomb of Julius II, 1513-15
Michelangelo: Sistine Chapel ceiling fresco (overall view and details), 1508-12
Michelangelo: Last Judgment fresco on the west wall in the Sistine Chapel, 1538-41
Palladio: Villa Rotonda, 1570
Palladio: San Giorgio Maggiore, beg. 1566
Raphael: Galatea (from the Villa Farnesina fresco), 1511-12
Raphael: La Fornarina, 1517
Raphael: Madonna of the Meadows, 1505
Raphael: Portrait of Baldessare Castiglione, 1514
Raphael: Portrait of Pope Julius II, 1512
Raphael: School of Athens, 1509-11
Raphael: Marriage (Betrothal) of the Virgin, 1504
Titian: Pesaro Family altarpiece, 1519-26
Titian: Assumption of the Virgin, 1516-18
Titian: Bacchanal, 1518-19
Titian: Venus of Urbino, 1538
Part one will consist of 40 - 50 identifications, using an image list. You will have 1 - 2 minutes per image
so be prepared to work quickly. Obviously, some of the images on the list will not be used and some will
be used more than once, so don’t approach it as a process of elimination. Each ID will be worth one
point (it’s either correct or it’s wrong).
Part two will consist of short answer questions of various forms. Some may be include an image with
questions related to that image; some may be multiple choice (but not many), some will be true and
false, some may ask you to associate developments and styles with periods (14th century, 15th century
and 16th century) or artists, and some may call for a one- or two-word answer to a question. I usually
include some images you haven’t seen before and ask you to identify the period or artist.* The
questions on this section will be worth 2 points each.
I usually include a few extra credit questions. Sometimes they’re based on the syllabus. For example,
True of False: this class uses WEBCT.
Concepts and terminology:
•
humanism and its impact on art
•
the meanings of “disegno”
•
The contributions of Leonardo and Michelangelo to Renaissance art
•
sfumato and chiaroscuro: difference between them; definitions
•
changes in the representation of religious events
•
patronage: types, how patronage influences art
•
linear, mathematical perspective: what it is and what it contributes to art
•
differences between northern European art in the 15th century and Italian art in the 14th
and 15th centuries: in general terms, what are these differences and why do they exist
•
contributions of the Venetian artists to 16th century painting and architecture
•
characteristics of Italian art in the 14th, 15th, and 16th centuries
Comparisons are useful approaches to studying.
•
Compare Donatello’s David c/w Botticelli’s Birth of Venus. Although these are different
media and subjects, they reveal two important features of the Renaissance – what are
these?
•
Compare Giotto’s Last Judgement and Michelangelo’s. How do they illustrate the
changes which take place from the beginning of the 14th century to the middle of the
16th century?
•
Compare the portraits of Giovanna Tornabuoni and Mona Lisa. How do representations
of women change in a relatively short span of time?
•
Leonardo and Raphael in their paintings in their Virgin and Child paintings
*The next page has a few unknown images to test yourself. Win extra credit if you get all of
them right and you’re one of the first 5. Sometimes the “unknown” images on tests are images
in your textbook which I haven’t talked about in class. This puzzle isn’t from your text but keep
it in mind when you study.
Unknown #1 Unknown #2 Unknown #3 Unknown #4