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保健医療経営大学紀要 № 2 15 ~ 21(2010) <研究ノート (Research Note) > An inference about the influence of Christianity on Lawrence’s earlier poems 小手川 巧光 * 要 旨 人間の本質や人生の意味と無関係には存在し得ないという点で文学と宗教は密接な関わりを持っている.それどこ ろか古今東西全ての文明や文化が宗教を土台に大量の文学を生み出してきたと言っても過言ではない.西洋文学につ いても,その全てがキリスト教という土壌から生え出た木々であり花々であると言える.西洋全体がキリスト教文 化圏にすっぽり属していることを考えれば至極当然のことである.イギリス文学も例外ではなく,時代やジャンル を超えて全ての作家がキリスト教の影響を強く受けている.しかし,その影響の受け方は作家によって千差万別であ る.ジョージ・エリオット (George Eliot,1819 - 1880)[1] やアルフレッド・テニスン (Alfred Tennyson, 1809 - 1892) [2] のように,敬虔なクリスチャン家庭に生まれながら,一度は信仰を捨て無神論的人生を歩んだ後,最終的にはキ リスト教に回帰し積極的に親キリスト教的著作活動を展開した作家がいる一方で,D.H. ローレンス (David Herbert Richards Lawrence 1885 ‐ 1930)[3] のように母親の熱心なクリスチャン教育にもかかわらず,徐々にキリスト教か ら離れ,世界各地の土着宗教の影響を受けつつ,反キリスト教的作品を多く残した作家も存在する.本研究ノートで は,そのローレンスの残した大量の詩の一部を鑑賞・考察することにより,キリスト教が彼の人生や思想に及ぼした 影響や,信仰変遷の背景を探ることに主眼を置いた.本紀要創刊号 (No.1 181~183 2009) 掲載の拙著“The Shift of C.S. Lewis’s Writing Perspective in His Later Life”とは一見方向性の違うものと取られがちかもしれないが,どちらも 作家の思想的変遷が作品に及ぼす影響を考察する点で一致しており,それらの作品群に滲出する宗教の本質を探ると いう今後の研究テーマに即するものである. Keywords:文学,英文学,近代イギリス文学,宗教文学 He explained the primary reason, saying,“It seems to me much more important that we should have what Introduction the young man actually wrote at twenty-two than As seen in the title, the main purpose of this what Lawrence at forty-two ( a much better poet, but thesis is to infer about the influence of Christianity on a different man with a different demon )thought he D.H. Lawrence’s earlier poems, using the first half of should have written.”[SP 12] It is reasonable to take a Lawrence’s poetry collection[Selected Poetry ]. The into account the literary form of poetry whose large editor of the collection is Keith Sagar[4], who collected part is occupied by emotion and sensitivity, because Lawrence’s poems as they were before being modified. ,whether a poem’s theme is nature or love affairs, the In fact, Lawrence made a lot of improvements on his poet’s feeling and sensibility influence the process of poems he wrote when he was younger. For example, composing the poem greatly and are reflected on his quite a few poems greatly modified appeared in wording. So if time passes and you move apart from Collected Poems (1928). Sagar, however, dared to the original specific theme, the feeling and sensibility adopt original poems which had not been modified. will surely change and you can no longer rewrite the * 保健医療経営大学保健医療経営学部 助教,修士(経済学) E-mail:[email protected] ― 15 ― 小手川 巧 光 poem with the same feeling and sensibility. Those Biblical and Christian lessons, however, The second feature of Selected Poetry is that do not seem to have born fruit in him favorably. The it carries the original poems in chronological order. conflict between his parents and his doting mother’s They, of course, appeared in such collections Lawrence overprotective education affected his inner growth and himself edited, as Love Poems and Others (1913) and may have deprived him of the capacity to accept the Amores (1916). Sagar chose good poems from such strict Christian education. His parents“ got married collections and put them in chronological order. loving each other seriously, but the happy time did This challenge must be very valuable. It is not only not last long. Because the virtues they found in each because you can see the process of Lawrence’s other gradually came to be causes for their conflicts poetic skill development but also because you can after their marriage. Arthur John was a heavy drinker trace his philosophical journey. I would like to pay and a pessimistic coal miner with a frank spirit and special attention to his connection with the Bible and a physical energy while Lydia, who was educated Christianity. I will take up some of the poems written to a stoic and uncompromising Methodist, could not during the period from 1906 to 1911 and try to infer abandon her confidence and pride of being a member about the connection. of Middle Class and was a highbrow person who forced her children to speak King’s English instead of dialects. Their conflicts had lasted until Lydia died and formed Lawrence’s youth background and Christianity Lawrence’s character which played an important part In the opening page of D.H. Lawrence and the Bible, there is a short article introducing the author in his writing career”[BDP 5]. And also regarding T.R. Wright and D.H. Lawrence. The first sentence of might have been one of the women who influenced the article says,“The Bible, as this book demonstrates, Lawrence most. The less her affection toward her plays a key role in nearly all D.H. Lawrence’ s work” [DB husband became, the bigger her love for Lawrence ⅰ ]. Though everyone agrees that Western writers are, grew as if she loved her husband. This strong tie made more or less, influenced by Christianity, the influence it difficult for him to love other women in a real sense Lawrence received was so big that Wright said,“a key and hindered him from standing his own feet”[BDP role in nearly all”. One of the reasons is that he had a 7]. So if the things such as love and independence habit of going to church when he was young enough to Christian education emphasizes were undermined in be easily influenced, which may also be true of many him, it may be natural for him to see such teaching as Western writers. Strictly speaking, you have to say he repugnant and even feed hostility against Christianity. was made to do so by his mother, Lydia(1851-1910), an Prof. Iida referred to Lawrence’s inner change and earnest educator. Takeo Iida[5] says,“Lydia was given said,“ he gradually grew skeptical against European strict education from her father who was an enthusiastic Christian civilization and got to seek more vivid and Methodist[6] in a local family of typical middle-class” powerful things beyond it” [BDP 14]. I think that [BDP 4]. His father, Arthur John(1846-1924),“would the change can also be recognized by comparing the often sing hymns as a member of the choir, but after differences between the earlier poems and later poems moving to Eastwood, he went to a Congregational or surveying the details in the modification process he Chapel[7] only once in a while, while Lydia was very did. his doting mother’s overprotective education,“Lydia eager to attend the activities in the same chapel”[BDP 5]. So you can surmise that Lawrence, born in 1885, Influences recognized clearly was regularly taken to church by Lydia and attended worship services and church schools every Sunday. Among Lawrence’s earlier poems, you can find There he must have been densely exposed to good here and there the influences he got from Christian Bible studies, hymns, sermons and prayers. Probably church and the Bible. Let me introduce here one of he sung his favorite hymns again and again, learned a such examples. It is from the poem Dreams Old and lot of Bible verses by heart and offered a great deal of Nascent (1916)[8], especially 4th, 5th and 8th stanzas out of the second half Nascent. prayer to God. ― 16 ― An inference about the influence of Christianity on Lawrence’s earlier poems “which image of God / My man is made toward”in the 4th Stanza Here in the subtle, rounded flesh 1st and 2nd lines reminds us of the Bible verses below. Beats the active ecstasy. In the sudden lifting my eyes, it is clearer, And God said, Let us make man in our image, The fascination of the quick, restless Creator after our likeness・・・God created man in moving through the mesh his own image, in the image of God created Of men, vibrating in ecstasy through the he him; male and female created he them. rounded flesh. (Gen.1:26-27 King James Version) 5th Stanza Oh my boys, bending over your books, “I shall know my bitter rod / Or my rich reward”also In you is trembling and fusing makes us remember the well-known Bible verses that The creation of a new-patterned dream, dream are most frequently quoted for sermons and devotional of a generation: books. The verses are, And I watch to see the Creator , the power Yea, though I walk through the valley of that patterns the dream. 8th Stanza the shadow of death, I will fear no evil: for Oh the great mystery and fascination of the thou art with me; thy rod and thy staff they unseen Shaper , comfort me.(Psalms 23:4 King James Version) The power of the melting, fusing Force —heat, light, all in one, Those verses, Gensis 1:26-27 and Psalms 23, must Everything great and mysterious in one, have been quite familiar ones to Lawrence so that he swelling and shaping the dream in the flesh, could recite them. It is not impossible to infer that the As it swells and shapes a bud into blossom. image of them had some influences on the process of producing the poems and, whether consciously Because the bold italicized words all have capitalized or unconsciously, let him apply them into his works initials, you must naturally associate those with God’s specifically. names expressing His attributes. Creator in the 4th and 5th stanzas and Shaper in the 8th stanza make Change of influence us picture God who created all things in the universe and Force in the 8th stanza almighty God respectively. Stated above, interesting materials to surmise are Lawrence himself probably should have been familiar given by comparing the differences between the earlier with these wording through Sunday schools and poems and later poems or examining the details in the worship services. modification process. Let us also examine the following lines of Wedding Morn, which originally appeared in Love Poems and Others (1913). A poem titled Corot taken from Love Poems and Others was largely modified later. Let us see some original lines related to the later modification, 3rd, 4th, 7th, and 8th stanzas. 3rd Stanza Then I shall know which image of God 3rd stanza My man is made toward, The grey, phosphorescent, pellucid advance And I shall know my bitter rod Of the luminous purpose of God shines out Or my rich reward. Where the lofty trees athwart stream chance And I shall know the stamp and worth To shake flakes of its shadow about. Of the coin I've accepted as mine, Shall see an image of heaven or of earth 4th stanza On his minted metal shine. The subtle, steady rush of the whole ― 17 ― 小手川 巧 光 Grey foam-mist of advancing God , In a backward ripple, the wave-length, reveal As He silently sweeps to His somewhere, his For a moment the mighty direction, snatch A spark beneath the wheel. goal, Is heard in the grass of the sod. 8th stanza Since Life sweeps onward dim and vast, 7th stanza Creating the channeled vein of man For what can all sharp-rimmed substance but And leaf for its passage, a shadow is cast catch In a backward ripple, God’ s purpose, reveal On all for us to scan. For a moment His mighty direction, snatch A spark beneath His wheel. In the poem before modification, there are lots of expressions, such as He, God’s purpose, His mighty 8th stanza direction, etc., associated with a personal sovereign Since God sweeps onward dim and vast, God, but they are modified into impersonal things like Creating the channeled vein of Man Life, Time, etc. Regarding that, Prof. Iida says,“It was And Leaf for His passage, His shadow is cast because he was inclined to have critical attitude toward Christianity in 1928 when he published Collected On all for us to scan. Poems ”[BDP 89]. The subject matter of this poem is noted for French landscape painter Corot(1796-1875)[8]. Corot’s works An inference concerning the reasons why Lawrence are said to have had modernist touch in advance slanted forward anti-Christianity. and given a great deal influence to posterior artists. Lawrence often visited and stayed at the Chambers’ In the first section, I tried to infer that the farm[9] and not only left many poems praising nature conflict between his parents and his doting mother’s but also painted a lot of landscape pictures. The poem overprotective education affected his inner growth Corot is a work of the very poet who had such a painter’s mind. However, as far as the original Corot and may have deprived him of the capacity to accept is concerned, Lawrence, still at the age of twenties, Christian churches emphasize and he came to reject seems to have thought of the sovereign God positively. Christian doctrine. However, can it be a reason big Next, let us see Corot after modification. important qualities like love and independence enough for him to shift his philosophy into antiChristianity? Though there are many cases in which 3rd stanza a pastor’s or priest’s child becomes rebellious against The grey, phosphorescent, pellucid advance strict Christian education and leave his/her church Of the luminous purpose of Life shines out temporarily, in most cases after twists and turns he/ Where the lofty trees athwart stream chance she is finally led to a deeper faith than before. For To shake flakes of its shadow about. instance, Alfred Tennyson(1809-1892)[10] was a typical person for such a case. He left a poem below; 4th stanza The subtle, steady rush of the whole Strong Son of God, immortal Love, Grey foam-mist of advancing Time, Whom we, that have not seen thy face, As it silently sweeps to its somewhere, his By faith, and faith alone, embrace, goal, Believing where we cannot prove; Is heard in the grass of the sod. This is the first stanza of a long poem titled In Memoriam A.H.H. [10]. Tennyson accomplished such 7th stanza For what can all sharp-rimmed substance but a poem as praises God and the faith in Him after the catch years of struggling philosophical itinerancy following ― 18 ― An inference about the influence of Christianity on Lawrence’s earlier poems his closest friend’s death and got a glorious title of sensibility and try to express that something, churches the Poet Laureate[11]. He was a typical poet who with narrow-minded legalism are incapable of tolerating harked back to God, while Lawrence can be said to be their free creative activities. a contrary typical example. In this sense, he is a very Are there not any expressions suggesting such interesting researching target. churchly condition in Lawrence’s poetry? I would like To recur to our former topic, his childhood you to have a look at the following lines; background cannot be the only reason for his critical attitude against Christianity. I surmise that the Forever, ever by my shoulder pitiful Love will Christian churches’rigid and self-righteous attitude is linger, also a big reason. It is necessary to have more survey Crouching as little houses crouch under the over the church Lawrence attended and the dominant mist when I turn. theology or doctrine, though you can guess that his Forever, out of the mist the church lifts up church was also legalistic and exclusive to some extent. her reproachful finger, A.W. Tozer[12], one of the prominent theologians in the Pointing my eyes in wretched defiance where early twentieth century, said,“Current evangelicalism love hides her face to mourn. has laid the altar and divided the sacrifice into parts, rearrange the pieces with never a care that there is This is the first stanza of a poem titled End of Another Home Holiday composed of 63 lines. Though this poem not a sign of fire upon the top of lofty Carmel”[PG is said to describe how Lawrence was being annoyed 9]. This means in a sense that Christianity in the first in the relationship with his mother, as to this portion half of 20th century had fallen into authoritarianism, especially 3rd and 4th lines“ the church lifts up her gotten rigid and lost energy. I have been thinking that reproachful finger / Pointing my eyes in wretched as well as the churches before Renaissance, no other defiance”, it may be describing how his conscience organizations deprived people of free active fellowship was being tortured by a legalistic church. T.R. Wright with God and made individual talent and gift useless says in his book D.H. Lawrence and the Bible that than authoritarian and legalistic churches. A.W. Tozer Lawrence’s church belonged to a rather liberal group also said on the matter, [DB 22]. However, it can be said that in those days but now seems satisfied to count the stones and most churches had very authoritarian and legalistic “It is my own belief that every good and tendency. In anyway as you already have many studies beautiful thing which man has produced in about his philosophical shifts, you need to watch it to the world has been the result of his faulty the end examining them. and sin-blocked response to the creative Lawrence himself said,“A young man is afraid of Voice sounding over the earth. The moral his demon[13] and puts his hand over the demon’s philosophers who dreamed their high mouth sometimes and speaks for him. And the things dreams of virtue, the religious thinkers who the young man says are very rarely poetry. So I have speculated about God and immortality, the tried to let the demon say his say, and to remove the poets and artists who created out of common passages where the young man intruded”[CP 11]. stuff pure and lasting beauty: how can we Translated literally, it follows that a demon possessed explain them? It is not enough to say simply, Lawrence and had leadership in his producing poems. `It was genius.' What then is genius? Could According to Biblical teaching, demons’work is to it be that a genius is a man haunted by the lure us into sinful condition and separate us from God. speaking Voice, laboring and striving like As a result, you can reasonably say that the demon’ one possessed to achieve ends which he only s influence on Lawrence’s poetry might have the vaguely understands?”[PG70] very same meaning, even though their expressions are different, as the phrases quoted above from A.W. If poets and other artists really in this way capture Tozer’s book; “the result of his faulty and sin- something filling this world with their sharpened blocked response to the creative Voice sounding ― 19 ― 小手川 巧 光 in the School of English Studies at Nottingham over the earth.”[PG70] Lawrence must, namely, be University. an outstanding talented person of English literature who desperately wrestled with various art forms, [5] Takeo Iida(1943) is a professor of Kurume sometimes fascinated and other times tossed back and University, who is one of the well-known forth by the voice pervading the world. Although it researchers of Lawrence in Japan and wrote may be too premature for me, who has just read only some books and a number of theses about his his earlier poems, to conclude his relationship with literature. Christianity or the Bible, I dare to say he must have [6] Methodist Church is one of the Christian continued a mental vagrant life, the center of which is organizations originated from Methodism, a insistently the Bible, to the last moment even if he was movement of Protestant Christianity which parted far away from it. It is a negative expression for John Wesley began as an evangelistic revival Christianity, nevertheless, because he described himself movement in the Anglican Church. as if he was possessed by a demon, you can think that [7] Congregational Church is one of the Protestant there lurked a deep desire to return to Christianity Christian churches, whose historical origin is in him, which may be a little paradoxical view. Also, the Protestant Reformation by Martin Luther. in the Wikipedia page about Lawrence, there is a The feature of the church is its system close to direct democracy. sentence about his faith in Christianity, saying,“In some respects, Lawrence was a forerunner of the [8] Corot(Jean-Baptiste Camille Corot 1796-1875) was growing interest in the occult that occurred in the 20th a French painter, one of the major figures who century, though he would have identified himself as a established the position of landscape painting. Christian.”This complex description seems to show [9] Lawrence visited the farm many times to get recuperation and had important fellowship with how difficult it is to grasp Lawrence as an artist. Jessie Chambers, a daughter of the Chambers. It is said that they were in love but the most Notes important thing in their relationship is said to have given Lawrence a strong interest in books which lasted all through his life. [1] George Eliot is her pen name. Her real name is Mary Anne (Mary Ann, Marian) Evans, who [10] In Memoriam A.H.H (1849) was a poem written was one of the leading novelists from England by Alfred Tennyson to commemorate his in 1800s. Among her notable works are The Mill on the Floss (1860), Silas Marner (1861), etc. best friend Arthur Hallam, a fellow poet and [2] Alfred Tennyson was Poet Laureate of the was engaged to Tennyson's sister, but died United Kingdom during much of Queen from a cerebral hemorrhage before they were Victoria's reign, among whose masterpieces are married. Crossing the Bar (1889), In Memoriam A.H.H classmate at Trinity College, Cambridge, who [11] Poet Laureate is a poet or a title officially appointed by a government. Ben Jonson and (1849), etc. William Wordsworth were also Poets Laureate [3] D.H. Lawrence (David Herbert Richards in Britain. Lawrence, 11 September 1885 – 2 March 1930) was one of the most prominent writers in [12] A.W. Tozer(Aiden Wilson Tozer 1897 - 1963) modern British literature, who left lots of novels, was an American theologian and a pastor. He poets, essays, plays and even paintings. He has was one of the most influential Christian figures also been famous in Japan especially through the in the first half of twentieth century. case of what we call“Chatterley Court Trial.” [13] Strictly speaking, this demon, which was [4] Keith Sagar(1934) is an English researcher of described by Lawrence at that time, meant not modern British literature, who wrote a lot of a demon of Biblical meaning but one in ancient essays and theses about Lawrence. Recently he Greek belief. However, in a pragmatic sense, he has been appointed to a Special Professorship might have used this word through his complex ― 20 ― An inference about the influence of Christianity on Lawrence’s earlier poems D.H. Lawrence's prose, poetry and painting, feeling for and against Christianity. Heidelberg, Universitätsverlag C. Winter Roberts, Warren and Poplawski, Paul, ed. (2001) A bibliography of D.H. Lawrence, Cambridge, Abreviations Cambridge University Press SP D.H. Lawrence Selected Poetry , edited by Keith Sagar, 1972, London, PENGUIN BOOKS A Biography of D.H. Lawrence and Appreciation of His Poems , Takeo Iida, 1989, Kyoto, BDP Yamaguchi-shoten; Japanese Title「D.H. ロ ー レ ン ス 小 伝 と 詩 の 鑑 賞 」It is written in Japanese, so I translated the quoted parts into English. PG The Pursuit of God, A.W. Tozer, 1982, Camp Hill, Christian Publications DB D.H. Lawrence and the Bible, T.R. Wright, 2000, Cambridge, Cambridge University Press References Fernihough, Anne, ed. (2001) The Cambridge companion to D.H. Lawrence Cambridge companions to literature, Cambridge, Cambridge University Press Pinion, F. B., (1978) D. H. Lawrence Companion; Life, Thought, and Works, London, Macmillan Gilbert, Sandra M., (1972) Acts of attention; the poems of D. H. Lawrence Ithaca [N.Y.], Cornell University Press Lawrence, D. H., (1934) Amores : poems London, Secker Hochman, Baruch, (1970) Another ego; the changing view of self and society in the work of D. H. Lawrence, Columbia, University of South Carolina Press Sargent, M. Elizabeth and Watson, Garry, ed. (2001) Approaches to teaching the works of D.H. Lawrence, New York, Modern Language Association of America Bedient, Calvin, (1972) Architects of the self: George Eliot, D. H. Lawrence, and E. M. Forster, Berkeley, University of California Press Sagar, Keith, (1966) The art of D. H. Lawrence, Cambridge, C. U. P. Schulze, Cornelia, (2001) The battle of the sexes in ― 21 ― ― 22 ―