Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Theatre History Oral Communications Mr. Shane Cole What is Drama? A genre of literature represented by works intended for the stage What is the definition of theatre the performance of a dramatic presentation DRAMA An art form ONLY art form to incorporate all other forms Provides… – Entertainment – Education – Spiritual Uplift and Joy Explores Past, Present, and Future Drama has four principal elements ACTORS AUDIENCE CONFLICT SPACE In the beginning… Ancient Greece, rituals were dedicated to the god Dionysus First dramatic contests at Dionysus festivals in ancient Greece Winning playwright crowned with a wreath of ivy In 534 B.C Thespis won the first contest… Considered the first actor Performers known as THESPIANS National Thespian society or the International Thespian Society There were two types of plays performed COMEDY TRAGEDY – Based in human – Always more serious conflict – Usually not serious – The endings were generally happy in tone. in tone – Generally resulted in the destruction of the hero or heroine. Aristotle identified rules for tragedy in his book Poetics… 1. CATHARSIS– allow the audience to release pent up-emotions 2. The Hero or Heroine must possess a TRAGIC FLAW. 3. Must contain REVERSAL or DISCOVERY 4. Dignified, beautiful poetic writing must be used. Writers of the Greek Period “ The Golden Age” Aeschylus (525-456 B.C.) • One of three great writers Great work called the of tragedy Oresteia • The “FATHER OF trilogy TRAGEDY” – Agamemnon • Invented the trilogy and – Libation Bearers first to add a second actor – The Furies on stage (dialogue) Sophocles (497-406 B.C.) Wrote over 100 scripts and won 18 Dionysis Festivals Introduced a third actor and reduced chorus to 15. Best known for Electra, Oedipus Rex, and Antigone. Euripides (485-406 B.C.) First to question religious ideas and gods Worked hard to humanize the tragedy Best known works are Medea and Alcestis First to attempt to combine comedy and tragedy into one. But what about COMEDY??? Aristophanes (450-380 B.C.) Considered finest comic writer of ancient Greece The Birds The Frogs The Clouds Menander (342-291 B.C.) Wrote about domestic and private life instead of social aspects 1957, The Curmudgeon, a complete farce by Menander was discovered But even though the show must go on… ANCIENT GREECE COULD NOT!!!!!! Caesar’s armies invaded the land Greek theatre was imitated but never duplicated So the Romans created their own Theatre All Roads may lead to Rome, but in drama… The Road was much less traveled… Theatre became entertainment not intellectual Mainly for the lower classes, until Caesar ordered a playhouse built This as well as the coliseum was used for “DRAMA” Gladiator events were considered plays and theatre Three notable Roman playwrights are… Plautus (254-184 B.C.) – copied Greek plots, added characters, and added slapstick to the action Terence (185-159 B.C.) – based his style on Menanader Seneca (4 B.C. – 65 A.D.) – plays were so gory that they are read and not performed…but did influence later drama Theatre Overshadowed by spectaculars Gladiator Contests Feeding Christians to the lions (think the movie Gladiator—that was drama to them) Arenas filled with water and slaves would fight on ships until all were dead (while people watched) Then the Roman Empire fell and there was no theatre in Western Civilization for 400 years!!!!! The Middle Ages (500 – 1450) The very church that buried drama dug it back up in the fifth century. Plays began to center around the church (Easter and Christmas) Passion Play Gave way to the “Three M’s” – Mystery – Miracle – Morality Gradually DRAMA moved back into everyday life Re-added comedy Moved outside the church Performed on street corners by traveling groups of actors These actors thought to be the first professional acting companies But things continued to change with The Renaissance (1350-1650) Means Re-Birth Exciting things were going on around the world including Drama!!!!!!!! It all started in Italy… Wealthy nobles became patrons or sponsors for new dramatic performances Beautiful buildings were built for OPERA– a new musical form of Drama Commedia dell’Arte professional improvised comedy performed for the masses – This is where improvisation comes from – If it were not for the Italians there would be no Whose Line Is It Anyway? Then we move on to the ELIZABETHAN ERA The reign of Queen Elizabeth I Elizabethan Theatre Much vitality, zest, and intellectual curiosity throughout England during Queen Elizabeth I’s reign (1558-1603) Theatre gained a most important friend Authorized the first public playhouse of the era, called The Theatre It was created by James Burbage in 1576 Many great playwrights lived and worked during this time period Christopher Marlowe (1564-1593) Ben Jonson (15731637) William Shakespeare (1564-1616) Marlowe and Jonson Christopher Marlowe graduated from Cambridge Considered second only to Shakespeare Died at 29. Tamburlaine, Edward II, The Jew of Malta, and Dr. Faustus Ben Jonson believed in the classics Ridiculed Shakespeare for his lack of knowledge Best know for The Alchemist And then there was Shakespeare… Not much is known about his life. Married with two children left them behind in Stratford to perform and write in London Was in good favor with the Queen Has 38 plays attributed to him The names of his plays speak for themselves… The French Renaissance Comes Late… Because of the many wars, the Renaissance in France did not happen until the 17th century. Gave rise to Neoclassicism Entertainment mainly for royalty French followed Italians in design of elaborate play houses Three French playwrights are important to remember Two came first… Pierre Corneille (16061684) work highly moralistic and eloquent…..ignored the classic form only once for his best known work Le Cid Jean Racine (1639-1673) followed the rigid rules for “polite tragedy”. Phaedra was most influential work Then Came Moliere (1622-1673) Wrote scintillating satire that still entertains audiences today Participated in Commedia dell’Arte His satire provided a perfect blend of humor and sarcasm The Doctor in Spite of Himself spoofs the field of medicine Tartuffe points fingers at hypocrisy The Imaginary Invalid spoofs hypochondria Died on stage after performance of Imaginary Invalid Moliere’s Dying Wish comes true In 1680, a state supported theatre began under the name Comedie Française Stands for French Comedy Still the most important theatre group in France today When we last left England…. Shakespeare was very successful, but he dies in 1616. James I did not have the control Elizabeth I did. When Charles I is crowned in 1625, civil war broke out Oliver Cromwell took over and for Charles it was “Off with his HEAD”!!! Public Theatre died until Stuarts regained control in 1660. The Restoration Drama was fashioned after that in Paris Elizabethan playhouses were destroyed by Puritans so Charles II had them build new ones. Audience was a more sophisticated aristocracy Restoration ended in 1737 when Parliament passes the Licensing Act limiting playhouses to two These were Covent Garden and Drury Lane THEN things began to change and with it the American Revolution!! 19th Century Continental Theatre In early 19th Century, the first established dramatic style was ROMANTICISM An emotional escape into adventure, beauty and sentimental idealism Goethe, Schiller, Victor Hugo and Alexander Dumas Then Drama took a major turn to REALISM….. Depicts a selected view of real life Major writer in this era Henrik Ibsen (1828-1906) who is known as the Father of Realism First play of feminism “ A Doll’s House” written by Ibsen Also includes Anton Chekhov, Stanislavski, George Bernard Shaw, and Oscar Wilde Then Drama took a major turn to REALISM….. Henrik Ibsen – A Doll’s House, An Enemy of the People Anton Chekhov – The Cherry Orchard, Three Sisters George Bernard Shaw – The Devil’s Disciple Oscar Wilde – The Importance of Being Earnest But what about us??? 19th Century American Theatre developed its own national flavor First playhouse built in Williamsburg, VA in 1716 Theatre blossomed as moralistic opposition disappeared Americans turned Theatre into a business with managers and stock holders With the creation of Broadway, New York City became the theatrical center of the United States The U.S.A. is bombarded with new talent Eugene O’Neil (18881953) The Emperor Jones and The Hairy Ape Thornton Wilder (18971975) Our Town Tennessee Williams (1911-1983) Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof Arthur Miller (1915- ) The Death of a Salesman, All My Sons Neil Simon (1927- ) The Odd Couple, Barefoot in the Park Beth Henley –Crimes of the Heart 20th Century Theatre Many contributions to theatre came from around the world Bertholt Brecht (1898-1956) in Germany released famous plays like Mother Courage, The Three Penny Opera, and The Caucasian Chalk Circle African American Theatre also enriched society Lorraine Hansberry (1930-1965) wrote A Raisin in the Sun August Wilson (1945 - ) writing a play about African Americans in every decade of the 20th Century. Includes: Ma Rainey’s Black Bottom, Fences, and Piano Lesson Charles Fuller (1939 - ) wrote A Soldier’s Play Then there came the Musical Rodgers and Hammerstien – Oklahoma!, Carosel, South Pacific Kander and Ebb- Chicago, Caberet Andrew Lloyd Webber – Evita, Cats, Phantom of the Opera Ted Turner Debate Mr. Shane Cole Oral Communication I 1 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Beginning of speech teams are seated on opposite sides of the podium •At this point you will be allowed to prepare with your partner while the judge is preparing to score you. 2 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 1 delivers 4 minute speech. The judge will only give a thirty second window on either side. •Speaker 2 is listening to speech as well as preparing for his/her own speech •Speakers 3, 4 are taking notes on speech. 3 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 2 delivers 4 minute speech. The judge will only give a thirty second window on either side. •Speaker 1 is listening to speech as well as preparing for CROSSFIRE. •Speakers 3, 4 are taking notes on speech. 4 Speaker 1 Speaker 3 Speaker 2 PODIUM •Both speakers CROSSFIRE. Q & A period of 3 minutes. •Speakers 3 and 4 prepare for their speeches. Speaker 4 5 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 3 delivers 4 minute speech. The judge will only give a thirty second window on either side. •Speaker 4 is listening to speech as well as preparing for his/her own speech •Speakers 1, 2 are taking notes on speech to prepare for Summaries. 6 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 4 delivers 4 minute speech. The judge will only give a thirty second window on either side. •Speaker 3 is listening to speech as well as preparing for CROSSFIRE •Speakers 1, 2 are taking notes on speech to prepare for Grand Crossfire. 7 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Both speakers CROSSFIRE. Q & A period of 3 minutes. •Speakers 1 and 2 prepare for their speeches. 8 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 1 delivers Summary Speech (2 minute rebuttal) •Speakers 2, 3, 4 all take notes in preparation for Grand Crossfire. 9 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 2 delivers Summary Speech (2 minute rebuttal) •Speakers 1, 3, 4 all take notes in preparation for Grand Crossfire. 10 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •GRAND CROSSFIRE– 4 minute Q and A between all four debaters. 11 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 3 delivers LAST SHOT, a 1 minute speech concerning the main point you feel will win the case for your side. 12 Speaker 1 Speaker 3 Speaker 2 Speaker 4 PODIUM •Speaker 4 delivers LAST SHOT, a 1 minute speech concerning the main point you feel will win the case for your side. THEN YOU ARE DONE!! And a Jury of your peers decide who will win the debate and receive the five bonus points. Introduction to Character Analysis and Development A.K.A. “How in the world do I figure out what I’m doing?” Mr. Shane Cole Oral Communications I So you want to be an Actor??? Why Act?? To entertain To educate Evoke emotion Encourage Thought Provide an escape So what is the big deal?? Acting is just fun. There is no real work involved right?? But what about before you have a character? How do you prepare yourself?? Allow yourself to be stupid, funny, crazy, embarrassed, in love, in hate, or any other emotion a character could have • Warm-ups • Physically • Vocally • Mentally Actor John Lithgow once said… “I’m a reasonably calm and quietspoken person, until I’m onstage, at which point – to the moon!” ACTIVITY: SIT, STAND, KNEEL This will test your improv skills as well as your ability to play a character 3 actors needed to play scene At all times one actor must be sitting, one standing and one kneeling Actor Jason Alexander said: “Acting is very clearcut. You have to answer four questions: Who am I speaking to? What do I want from them? How am I going to get it? And What is standing in the way of what I want? But it’s not just answering them—you have to answer them incredibly specifically.” So what is this line of questioning called? So what is needed for an actor’s GOTE SHEET Demographics Questions Motive Descriptions Small paragraph But what does GOTE stand for??? G – GOAL– the character’s principal quest which the actor assumes O – Other – person or persons with whom, for whom, or from whom you seek your goal T – Tactics – a means of trying to achieve goals, how a character goes after the goal E - Expectation what the the character expects to happen after the goal is achieved Assignment #1 in portfolio Each actor in the scene will create a GOTE sheet for their character. I will supply you with an example GOTE sheet to use as a guideline It MUST contain all elements! REMEMBER before you can work on your GOTE you must read the script. So do it now You have ten minutes to read through your script with your partner!! After you read discuss your character with your partner Remember—you are in this together!! Units and Beats What is a Unit?? What is a Beat?? – A unit is a portion of – A beat is a thought or the script that is engulfed by one idea – When the idea or focus changes the UNIT changes – Units are different for each character in the scene. action in the script – Each different beat has a cause and effect – There are multiple beats in a unit. – These are also different per actor So how do I mark units and beats? For Units underline or use different color highlighters for different units (it sometimes helps to make more than one copy of your script) For Beats draw a vertical line between the beats “Do you want some gum? You know what your problem is?” My acting portfolio will include… My Movie GOTE Sheet for your character Units and Beats marked on script Given Circumstances Blocking Costuming Props And the award goes to…. Insert your name here So how do you define Interview?? Interview– an interactional communication process between two parties, at least one of whom has a predetermined and serious purpose, and usually involves the asking and answering of questions An Introduction to the Interviewing Process Teacher: Mr. Shane Cole So how many types of Interviews are there? 7!!! Information Gathering Information giving Selection Problems of Interviewer’s Behavior Persuasion Problems of Interviewee’s behavior Problem Solving Information Giving Interviews Includes those in which the primary function is giving information, data, direction, instruction, orientation, or clarification • Orientation (new job, new school, new member) • Training, Instruction, Coaching (computer use) • Job-related Instructions (incoming and outgoing nurses) • Briefings (informing president of nightly activities) Information Gathering Interviews Surveys and polls Exit interviews Research interviews Investigations (insurance, police, etc.) Medical, Psychological, case history, diagnostic, caseworker, etc. Journalistic Selection Interviews Include those in which the primary function of one party is to screen, select, and place job applicants, employees, and members of organizations Screening (American Idol Auditions) Determinate (hiring a new manager) Placement (decide where a member should go) Problems with Interviewee’s Behavior To perceive accurately a person’s behavior, problem, or performance Appraisal, evaluative, review Separation, firing Correction, discipline, reprimand Counseling Problems of the Interviewer’s Behavior Primary Function is •Receiving complaints for the interviewer •Grievances to receive • Receiving Suggestions complaints, grievances, or suggestions, and to EXAMPLES: customer work out solutions complaints, student complaints, acceptable for both employee grievances, and patient complaints parties Problem Solving Interviews Designed to analyze and resolve a problem of concern to both interviewer and interviewee Types – Discussing mutually shared problems – Receiving suggestions for solutions Persuasion Interviews Interviews in Which the primary function is to change the interviewee’s ways of thinking, feeling, or acting •Selling Products and Services •Recruiting Members •Fundraising and development •Changing the way a party feels, thinks, or acts So how do you go through the Interviewing Process??? An Interview Must have Two Parties Interviewer Interviewee What should be involved for a positive interviewing environment?? Similarity- share something like cultural norms, values, experiences, etc. Inclusion/Involvement- both parties desire to be there Affection/Liking- Liking and respect for one another Control/Dominance- enhanced when both parties share control and neither seeks to dominate Trust- both parties trust one another Interviewer and Interviewee should switch roles. Interviewer e r r = Interviewer Interviewee r e e = Interviewee Three approaches to Interviewing Directive ApproachER establish purpose, control pace, climate, formality, etc. Nondirective Approach- allow the EE to control the pace and formality Combination of Approaches Homework Assignment Decide on what type of job to apply for Research that company, and bring information to class Each student will interview and be interviewed by another person in the class So what do I look up?? •Position •Demand •Company •“What do I have that they need?” •History •Qualifications