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Graphic Design Graphic design is the process and art of combining text and graphics and communicating an effective message. It is used to make: Logos Graphics Brochures Newsletters Posters Signs and any other type of visual communication. Building Blocks of Design The 5 elements of design include lines, shapes, texture, and color and mass, size or space. Lines → alone or in combination with other lines or shapes they can aid in the readability, appearance, and message of a design Use lines to: Organize (connect or separate) add texture guide the eye provide movement make a statement (provide mood or emotion) provide framework or emphasis convey universal meanings See http://www.usask.ca/education/coursework/skaalid/theory/cgdt/designtheory.htm for more examples. Shapes → alone or in combination with other shapes or lines they can convey universal meanings as well as guide the eye or organize information → used in icon design for immediate clear understanding Geometric Shapes → structured, tend to be symmetrical (i.e. Squares, circles, octagons, cones etc.) → three dimensional shapes provide depth Natural Shapes → irregular shapes, fluid (leaves, blobs of ink, etc.) → people tend to give meaning to shapes Abstract Shapes → stylized or simplified versions of natural shapes Negative space around shapes (known as positive shapes on a canvas) can be as equally important to understanding and importance of an image. the Shapes can provide emphasis or segregation of different material. It can also provide clear visual communication Texture → is the visual or tactile surface characteristics → can be altered by the addition or arrangement of lines, shapes or by the use of photographic images → light and dark sections can give the impression of depth Colour → provides added dimension, evokes moods, and makes powerful statements when used wisely. → Relative lightness or darkness is referred to as value Can provide emphasis, focal point, and give perceptions of depth Can be used to provide movement, lead the eye to a particular In the above example, the first set of all dark lines are static. The middle example leads the eye in a downward direction (dark to light). Reversing the values of the lines leads the eye upward. Colour can override value The eye is drawn to that spot of color even if other elements are designed to draw the eye in some other direction or the objects are otherwise equal. That's the power of color. Take a moment to read through the information about colour its properties and how those choices can create effects etc at http://www.usask.ca/education/coursework/skaalid/theory/cgdt/color.htm Mass, Size or space → Allows for the illusion of space and depth, that is modified by the use of size and vertical location, overlapping, detail and linear perspective → Size and vertical location – easy way to depict depth, as objects change size it appears they are closer or further away depending on size and location on the page. → Overlapping – when parts of objects are obscured by others, they appear to be further back in the image → Detail - colour and contrast can provide visual clues as to the depth of a scenic background; the foreground has more contrast and sharpness. → Linear perspective - uses idea of lines converging on a point of view, this tricks the eye into seeing more depth in the image References for this information: http://www.usask.ca/education/coursework/skaalid/theory/cgdt/designtheory.htm http://desktoppub.about.com/cs/graphicdesign/a/designbasics_3.htm