PITCH AND PITCH CLASS - Mr. Deininger`s Page
... music; notes right next to each other Example: C to C#; Bb to A ...
... music; notes right next to each other Example: C to C#; Bb to A ...
Unit 2: The Staff, Notes, and Pitches
... lines and IN the spaces (note how it is worded) They represent musical sounds, called PITCHES ...
... lines and IN the spaces (note how it is worded) They represent musical sounds, called PITCHES ...
Basic Music Theory - Jessamine County Schools
... • The musical alphabet repeats, so after G comes A. ...
... • The musical alphabet repeats, so after G comes A. ...
The Staff Notes
... Music notes are named after the first _______________ letters of the alphabet, A B C D E F G. By their ______________________ on the staff, they can represent the entire ___________________ of musical sound. _______________ signs help us _____________________ the staff so notes can be easily _______ ...
... Music notes are named after the first _______________ letters of the alphabet, A B C D E F G. By their ______________________ on the staff, they can represent the entire ___________________ of musical sound. _______________ signs help us _____________________ the staff so notes can be easily _______ ...
Semester Exam Review
... 11½111½ The first (7) letters of the alphabet: A B C D E F G are the musical alphabet. When writing the letter names of a scale, each letter should be listed; do NOT double letters. ...
... 11½111½ The first (7) letters of the alphabet: A B C D E F G are the musical alphabet. When writing the letter names of a scale, each letter should be listed; do NOT double letters. ...
6/26/06 Introduction We all have a mental/aural image of “music
... (proportion) to the fundamental. The proportions between wavelengths (and thus frequencies) of tones produced by a single string are the same as those among pitches in the diatonic scale, beginning on a pitch, arbitrarily chosen and named: C ...
... (proportion) to the fundamental. The proportions between wavelengths (and thus frequencies) of tones produced by a single string are the same as those among pitches in the diatonic scale, beginning on a pitch, arbitrarily chosen and named: C ...
Music Fundamentals - Danielle C. Marine
... Articulation : the manner in which we begin the note, sustain it and end the note. Band: Staccato, Accent, Legato [air] Orchestra: Detache, Martele, Marcato [bow] Chorus: Syllables, Consonants, Vowels [mouth & air] ...
... Articulation : the manner in which we begin the note, sustain it and end the note. Band: Staccato, Accent, Legato [air] Orchestra: Detache, Martele, Marcato [bow] Chorus: Syllables, Consonants, Vowels [mouth & air] ...
The Very Beginning: Reading the Staves ABCDEFG
... learn music on your instrument, hopefully the notes on the staff will become more and more familiar. Also, I am a big fan of a method introduced by Georges Dandelot in his Manuel pratique pour l'etude des cles (Practical Manual for Learning The Clefs). Ill post some PDFs from it on this website. Wh ...
... learn music on your instrument, hopefully the notes on the staff will become more and more familiar. Also, I am a big fan of a method introduced by Georges Dandelot in his Manuel pratique pour l'etude des cles (Practical Manual for Learning The Clefs). Ill post some PDFs from it on this website. Wh ...
Musical Terms - Mrs. Serres Music Room
... Pitch – the highness or lowness of a tone (note) Pitches are indicated on the staff using the first seven letters of the alphabet: ABCDEFG The lines and spaces in the treble and bass clef have letter names. When a note is place ON a line or IN a space it tells the musician what key to play on their ...
... Pitch – the highness or lowness of a tone (note) Pitches are indicated on the staff using the first seven letters of the alphabet: ABCDEFG The lines and spaces in the treble and bass clef have letter names. When a note is place ON a line or IN a space it tells the musician what key to play on their ...
Appendix 3 C clefs (Alto and Tenor)
... Beginning in the Middle Ages, C clefs, in addition to F and G clefs, were used. Today, music continues to be written using C clefs in order to avoid the excessive use of ledger lines and octave signs. The most common C clefs are the alto and tenor clefs, which are used by instruments such as the vio ...
... Beginning in the Middle Ages, C clefs, in addition to F and G clefs, were used. Today, music continues to be written using C clefs in order to avoid the excessive use of ledger lines and octave signs. The most common C clefs are the alto and tenor clefs, which are used by instruments such as the vio ...
printout on reading the staves
... Beyond the Mnemonics As you begin to study music, you really dont want to have to stop and count up Every Good Boy... with each new note. Youve got to learn to read the staff as naturally as you can read words. Doing practice drills on a computer can help - check out my website davesmey.com for ...
... Beyond the Mnemonics As you begin to study music, you really dont want to have to stop and count up Every Good Boy... with each new note. Youve got to learn to read the staff as naturally as you can read words. Doing practice drills on a computer can help - check out my website davesmey.com for ...
Benward Chapter 2
... Neumes were used prior to modern music notation as a means to show pitch and duration. ...
... Neumes were used prior to modern music notation as a means to show pitch and duration. ...
MUSICAL NOTATION Music is notated on a staff
... The curl of the treble clef circles the line that is G on the staff. The dots of bass clef are around the line that is F. The middle of C-clef is at the line that is middle C. The other lines and spaces represent other notes and always follow in order of the alphabet using only the first seven lette ...
... The curl of the treble clef circles the line that is G on the staff. The dots of bass clef are around the line that is F. The middle of C-clef is at the line that is middle C. The other lines and spaces represent other notes and always follow in order of the alphabet using only the first seven lette ...
Appendix 3
... Beginning in the Middle Ages, C clefs, in addition to F and G clefs, were used. Today, music continues to be written using C clefs in order to avoid the excessive use of ledger lines and octave signs. The most common C clefs are the alto and tenor clefs, which are used by instruments such as the vio ...
... Beginning in the Middle Ages, C clefs, in addition to F and G clefs, were used. Today, music continues to be written using C clefs in order to avoid the excessive use of ledger lines and octave signs. The most common C clefs are the alto and tenor clefs, which are used by instruments such as the vio ...
The Clefs and Notation for the Viola
... but the extreme upper notes would preferably be written for the violins except where it is necessary to carry the viola into the high register to preserve continuity of tone color in a passaS'e' or where the peculiar tone quality of the viola A string was PurPosely sought. ...
... but the extreme upper notes would preferably be written for the violins except where it is necessary to carry the viola into the high register to preserve continuity of tone color in a passaS'e' or where the peculiar tone quality of the viola A string was PurPosely sought. ...
Musical Dynamics (soft and loud) pp very soft Almost a whisper P
... The staff is the fundamental latticework of music notation, on which musical symbols are placed. The five staff lines and four intervening spaces correspond to pitches of the scale. Each musical pitch is given line or space. ...
... The staff is the fundamental latticework of music notation, on which musical symbols are placed. The five staff lines and four intervening spaces correspond to pitches of the scale. Each musical pitch is given line or space. ...
MELODY EXAM STUDY GUIDE Multiple Choice Questions: 1. The
... 1. The ________ of a note is how high or low it sounds to the ear. 2. ___________ is the number of cycles per second that a vibration occurs. 3. What are the four elements of music? 4. What are the three kinds of accidentals that you may find in a piece of written music. These markings will alter th ...
... 1. The ________ of a note is how high or low it sounds to the ear. 2. ___________ is the number of cycles per second that a vibration occurs. 3. What are the four elements of music? 4. What are the three kinds of accidentals that you may find in a piece of written music. These markings will alter th ...
File - Sullivan Central High School Band
... This Clef is used for notes in higher pitch ranges. ...
... This Clef is used for notes in higher pitch ranges. ...
Clef
A clef (from French: clef ""key"") is a musical symbol used to indicate the pitch of written notes. Placed on one of the lines at the beginning of the stave, it indicates the name and pitch of the notes on that line. This line serves as a reference point by which the names of the notes on any other line or space of the stave may be determined. Only one clef that references a note in a space rather than on a line has ever been used.There are three types of clef used in modern music notation: F, C, and G. Each type of clef assigns a different reference note to the line (and in rare cases, the space) on which it is placed.Once one of these clefs has been placed on one of the lines of the stave, the other lines and spaces can be read in relation to it.The use of three different clefs makes it possible to write music for all instruments and voices, even though they may have very different tessituras (that is, even though some sound much higher or lower than others). This would be difficult to do with only one clef, since the modern stave has only five lines, and the number of pitches that can be represented on the stave, even with ledger lines, is not nearly equal to the number of notes the orchestra can produce. The use of different clefs for different instruments and voices allows each part to be written comfortably on the stave with a minimum of ledger lines. To this end, the G-clef is used for high parts, the C-clef for middle parts, and the F-clef for low parts—with the important exception of transposing parts, which are written at a different pitch than they sound, often even in a different octave.