magnasphere
... · Latest-generation Bluetooth® and the high-end audio standard “Qualcomm® aptX™” grant music transmission in CD quality · USB audio input for the use on a computer as an external audio device, high-quality internal D/A conversion of the audio signal · Two optical digital inputs for the connection ...
... · Latest-generation Bluetooth® and the high-end audio standard “Qualcomm® aptX™” grant music transmission in CD quality · USB audio input for the use on a computer as an external audio device, high-quality internal D/A conversion of the audio signal · Two optical digital inputs for the connection ...
Programme - Ambisonics
... The "PURE Ambisonics Concert" features Ambisonical music as an art form, where an experienced musical sound field is placed in the main focus. Historically you could interpret the Ambisonic music experience being in line with absolute music at the mid of the 19th century and pure electro-acoustic w ...
... The "PURE Ambisonics Concert" features Ambisonical music as an art form, where an experienced musical sound field is placed in the main focus. Historically you could interpret the Ambisonic music experience being in line with absolute music at the mid of the 19th century and pure electro-acoustic w ...
AT4051b - Audio
... The AT4051b is intended for use in professional applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel or CP8506 four-channel phantom power supplies ...
... The AT4051b is intended for use in professional applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel or CP8506 four-channel phantom power supplies ...
Instruction manual
... each channel is no lower than 2Ω (for speaker loads connected in parallel, 4Ω + 4Ω = 2Ω… or even… 8Ω + 8Ω + 8Ω + 8Ω = 2Ω) Connect each signal input from mixer or other line level source via the XLR connectors on the rear panel using good quality XLR leads. If the signals are to be cascaded onto othe ...
... each channel is no lower than 2Ω (for speaker loads connected in parallel, 4Ω + 4Ω = 2Ω… or even… 8Ω + 8Ω + 8Ω + 8Ω = 2Ω) Connect each signal input from mixer or other line level source via the XLR connectors on the rear panel using good quality XLR leads. If the signals are to be cascaded onto othe ...
BASIC ELEMENTS AND COMPONENTS OF AN AMPLIFIER
... The above shown figure is just one stage of an amplifier. In order to get the sound signal boosted up in the form of an electrical signal, there has to be a lot more stages. Anyhow, the final stage of amplification will be the speaker driver. The output power produced in an amplifier depends on the ...
... The above shown figure is just one stage of an amplifier. In order to get the sound signal boosted up in the form of an electrical signal, there has to be a lot more stages. Anyhow, the final stage of amplification will be the speaker driver. The output power produced in an amplifier depends on the ...
Glossary - WebLearn
... A combined dynamic and frequency sensitive signal processing routine which reduces the level of signals above a threshold only in specified frequency range (usually used to target the sibilant frequency of female vocal recordings, but also used to reduce overly bright recordings in mastering process ...
... A combined dynamic and frequency sensitive signal processing routine which reduces the level of signals above a threshold only in specified frequency range (usually used to target the sibilant frequency of female vocal recordings, but also used to reduce overly bright recordings in mastering process ...
Powerpoint slides on Animation.
... Pressure and Amplitude Loudness is a matter of how big the pressure change is. If we let normal ambient air pressure be 0, then sound amplitude is +x to –x for some way to measure pressure. Air pumps at gas stations here use Pascals, but we can use whatever we like. ...
... Pressure and Amplitude Loudness is a matter of how big the pressure change is. If we let normal ambient air pressure be 0, then sound amplitude is +x to –x for some way to measure pressure. Air pumps at gas stations here use Pascals, but we can use whatever we like. ...
Annea Lockwood – Composer and Sound Artist
... During the 1960s she collaborated with sound poets, choreographers and visual artists, and also created a number of works such as the Glass Concerts, which initiated her lifelong fascination with timbre and new sound sources. In synchronous homage to Christian Barnard’s pioneering heart transplants, ...
... During the 1960s she collaborated with sound poets, choreographers and visual artists, and also created a number of works such as the Glass Concerts, which initiated her lifelong fascination with timbre and new sound sources. In synchronous homage to Christian Barnard’s pioneering heart transplants, ...
Ceramic, Crystal, and Ribbon Microphones
... • Ceramic and crystal microphones are some of the earliest microphones devised. Two plates of crystal or ceramic are sandwiched between two pieces of foil. When sound waves hit this sandwich, the plates twist, creating voltage. This voltage is the electrical representation of the sound waves. ...
... • Ceramic and crystal microphones are some of the earliest microphones devised. Two plates of crystal or ceramic are sandwiched between two pieces of foil. When sound waves hit this sandwich, the plates twist, creating voltage. This voltage is the electrical representation of the sound waves. ...
Powerpoint - Senior Design
... The green lines represent components with ganged controls. The red lines represent power supply lines ...
... The green lines represent components with ganged controls. The red lines represent power supply lines ...
Element - dubai
... ■ Frequency : the number of vibrations that occur during a unit of time. - High-pitched sounds have high frequencies. - Low-pitched sounds have low frequencies. ...
... ■ Frequency : the number of vibrations that occur during a unit of time. - High-pitched sounds have high frequencies. - Low-pitched sounds have low frequencies. ...
Sound reinforcement system
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.