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using the iphone for live-electronics in my
using the iphone for live-electronics in my

... electronic sounds are short sequences, which are resynchronized to the live part using amplitude tracking with the build-in microphone. This set up is, indeed, very limited compared to liveprocessing with Max/MSP or other computer software. However, I wanted to see how far I could go, musically, wit ...
AM Audio PA-60X
AM Audio PA-60X

... with a feedback of just 20 dB. With MosFets, the situation is completely different, since their transconductance is much lower and, in a configuration like that, it would not allow for such low values. On the other hand, MosFets do not have a second breakdown and, for the same reason (absence of min ...
UPA-1P : Compact Wide Coverage Loudspeaker
UPA-1P : Compact Wide Coverage Loudspeaker

... behavior takes much of the guesswork out of system design and assures arrays that exhibit minimal destructive interference. The UPA-1P is biamplfied with a proprietary two-channel, class AB/bridged power amplifier with complementary MOSFET output stages. Total peak power output is 550 watts; audio i ...
lecture1 - Docjava.com
lecture1 - Docjava.com

Doug Blackley Bio
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... Girls, and was nominated for a West Coast Music Award. Recently, Doug was a composer on the Science Fiction Channel series Sanctuary. Doug received his MFA degree from Simon Fraser University, supported by a SSHRC Joseph-Armand Bombardier Canada Graduate Scholarship. There he created the ‘Spectral P ...
Nova FF12 Front Firing Powered Subwoofers Operation Manual
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... If your pre-amplifier, receiver etc. has a subwoofer output (often labeled LFE for Low Frequency Effects), it can be connected to the subwoofer's Left (Mono) input as shown. This is the simplest and recommended connection. A receiver with a SUB / LFE output can be connected in the same way. The subw ...
join cary audio at the 2015 consumer electronics show
join cary audio at the 2015 consumer electronics show

... DAC-200ts also draw from Cary Audio’s vacuum tube lineage, utilizing both vacuum tube and solid state analog circuits with switchable DiO™ dual independent outputs. This essentially creates two units in one, allowing the user to tailor the sound based on source material for maximum flexibility. With ...
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Digital Audio

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Transit (2016)

... Bill Alves is a composer, writer, and video artist based in Southern California. He has written extensively for conventional acoustic instruments, non-Western instruments (especially Indonesian gamelan) and electronic media, often integrated with abstract animation. CDs of his audio works include ...
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... ◦ Present the Level 1 diagram (system architecture) with all modules and interconnections shown. ◦ Describe the theory of operation. This should explain how the modules work together to achieve the functional objectives. ◦ Present the functional requirements for each module at this level. ...
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Non-Inverting Gain Amplifier
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... We will use the term sensor in this class to denote any device used to sense the robot’s environment. A senor is the transducer and any associated electronics needed to interface the transducer to the CBC. ...
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TRx3010A, TRx3018A ACTIVE SUBWOOFERS USER MANUAL

... delivered to the SATELLITE SPEAKER output. Smaller speakers usually require a higher setting because they cannot reproduce the lower frequencies, while larger speakers can be used with a lower frequency setting. A good starting point is to set this to slightly above the lowest freqency available fro ...
Annex 3 - UNDP in Moldova
Annex 3 - UNDP in Moldova

SLHS 1301 The Physics and Biology of Spoken Language Practice
SLHS 1301 The Physics and Biology of Spoken Language Practice

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Untitled - Carhifi

... with the fine, individually screwed Cinch jacks, and the power and loudspeaker cables are attached to the high-quality, short circuit-proof screw terminal. Another terminal controls one or more optional fans, which keep the A5 at the right temperature. As the application of The Big Three is clearly ...
External Amplifier Keying from the IC-706
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... amp, and the IC-706 has an awful, full power leading edge spike than trips the overdrive protection. Even when the IC-706 is adjusted to the 40W or so needed to drive the Alpha to 1500W of output, a several millisecond 100+ watt RF pulse is output at initial key down. This is a major design fault wi ...
Dynamic Instrument
Dynamic Instrument

... mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously while the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel ...
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How Digital Signal Processing Can Enhance the

... distance, or a drum playing as loud as 130 dB at close distance. This high dynamic range can make it difficult to achieve a gain level that accommodates the loudest peaks but does not produce excessive noise. The high-gain preamp circuitry required for most microphones can also create excessive nois ...
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Topic: High Performance Data Acquisition Systems Analog

... Instrumentation amplifiers used in high precision systems will usually require gains of up to 1000 (which only gains up a differential input of 1 µV to an output of 1 mV!). This is why proper layout and shielding is critical in designing with these types of devices as to minimize any differential in ...
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Class T Digital Audio Amplifier Technology Overview
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... audio bandwidth and IHF-IM less than typically 0.04% and therefore deliver what’s often defined as “audiophile performance.” Traditional Class-D amplifiers are unable to achieve this level of performance. Their fundamental underlying technology is self-limiting and, as a result, Class-D amplifiers w ...
Lighting - Church of the Holy Family
Lighting - Church of the Holy Family

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Sound reinforcement system



A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.
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