Chapter 11 Amplifiers: Specifications and External Characteristics
... Some applications call for amplifiers with high input (or output) impedance while others call for low input (or output) impedance. Other applications call for amplifiers that have specific input and/or output impedances. ...
... Some applications call for amplifiers with high input (or output) impedance while others call for low input (or output) impedance. Other applications call for amplifiers that have specific input and/or output impedances. ...
manual uld-12
... The Velodyne Servo Series Subwoofer System produces sound in the same manner as any conventional loudspeaker: a cone-shaped piston is forced to mOve by means ofaHnearmotorcomposedof a coli situated between the poles of a very strong permanent magnet In the Servo Series,however, this linear motor is ...
... The Velodyne Servo Series Subwoofer System produces sound in the same manner as any conventional loudspeaker: a cone-shaped piston is forced to mOve by means ofaHnearmotorcomposedof a coli situated between the poles of a very strong permanent magnet In the Servo Series,however, this linear motor is ...
Soundmate Easy
... Never let the power-cord come into contact with other cables! Handle the power-cord and all connections with the mains with particular caution! Never remove warning or informative labels from the unit. Do not open the device and do not modify the device. Never use anything to cover the ground contac ...
... Never let the power-cord come into contact with other cables! Handle the power-cord and all connections with the mains with particular caution! Never remove warning or informative labels from the unit. Do not open the device and do not modify the device. Never use anything to cover the ground contac ...
AT4051b - Audio Technica
... polar patterns. The microphone shall operate from an external 48V DC phantom power source. It shall be capable of handling sound input levels up to 145 dB (155 dB with 10 dB pad) with a dynamic range of 129 dB. Nominal open-circuit output voltage shall be 19.9 mV at 1V, 1 Pascal. Output shall be low ...
... polar patterns. The microphone shall operate from an external 48V DC phantom power source. It shall be capable of handling sound input levels up to 145 dB (155 dB with 10 dB pad) with a dynamic range of 129 dB. Nominal open-circuit output voltage shall be 19.9 mV at 1V, 1 Pascal. Output shall be low ...
IP PA System for Park Sound System Solution
... CD/MP3 & Tuner and pre-recorded voice message could be played to different zones and speakers. Different music and voice paging could be broadcasted at the same time without interference each other. Timely controlled pre-recorded voice message or music song could be auto broadcasted to different zon ...
... CD/MP3 & Tuner and pre-recorded voice message could be played to different zones and speakers. Different music and voice paging could be broadcasted at the same time without interference each other. Timely controlled pre-recorded voice message or music song could be auto broadcasted to different zon ...
User`s Guide 150 Watt Stereo Guitar Amplifier
... LOOP SND/RTN: Use these jacks to perform the following: (1) Send a line level signal into the amplifier for processing – for stereo signals, use both jacks; for a mono signal, use the “Left/Mono” jack. (2) Connect an external effects device to the amplifier by means of a 1/4” T/R/S Y-cord inserted i ...
... LOOP SND/RTN: Use these jacks to perform the following: (1) Send a line level signal into the amplifier for processing – for stereo signals, use both jacks; for a mono signal, use the “Left/Mono” jack. (2) Connect an external effects device to the amplifier by means of a 1/4” T/R/S Y-cord inserted i ...
here - audioXpress
... equipment are too short for that; I mean we have phase shift in the forward path, but the effect of that is to limit the positive effects of nfb as frequency goes up. On the other hand, nfb should not be the only tool used. But with tube power amps in particular, I think you should use some feedback ...
... equipment are too short for that; I mean we have phase shift in the forward path, but the effect of that is to limit the positive effects of nfb as frequency goes up. On the other hand, nfb should not be the only tool used. But with tube power amps in particular, I think you should use some feedback ...
Gyraf Audio G14 - Mastering Mansion
... paralleling multiple tuned inductor/capacitor pairs – followed by a linear tube makeup gain amplifier. ...
... paralleling multiple tuned inductor/capacitor pairs – followed by a linear tube makeup gain amplifier. ...
1 1. CONCEPT “UcD” stands for “Universal class D amplifier”. This is
... Loop gain 34 times (30.5dB), its –3dB point is 30kHz. This is a conscious choice. A loop gain that increases at lower frequencies is simply a matter of substituting an active pole for the passive pole and very spectacular THD figures at low frequencies would be the result. It is not only my own expe ...
... Loop gain 34 times (30.5dB), its –3dB point is 30kHz. This is a conscious choice. A loop gain that increases at lower frequencies is simply a matter of substituting an active pole for the passive pole and very spectacular THD figures at low frequencies would be the result. It is not only my own expe ...
Basic Recording Techniques
... Feedback A problem with speakers and microphones. “Loop gain” of greater than 1. Laplace transform dictates particular frequency of squeal. Generally considered a problem (keep the gain below the point where it is just beginning). “Sound Reinforcement,” especially with acoustic guitars, can flirt wi ...
... Feedback A problem with speakers and microphones. “Loop gain” of greater than 1. Laplace transform dictates particular frequency of squeal. Generally considered a problem (keep the gain below the point where it is just beginning). “Sound Reinforcement,” especially with acoustic guitars, can flirt wi ...
Cellule de bass
... artists collective Apo33 since 2009. Jenny Pickett creates sitespecific installations and sound sculptures and performances from recordings she realizes on site to invite us to reconsider the impressions we have of our environment . She develops a unusual artistic approach using sound, interactive v ...
... artists collective Apo33 since 2009. Jenny Pickett creates sitespecific installations and sound sculptures and performances from recordings she realizes on site to invite us to reconsider the impressions we have of our environment . She develops a unusual artistic approach using sound, interactive v ...
`gold tone` ga-15rv
... R5, R39 and R3 act as a potential divider to reduce the input level to the preamp. C3 has two purposes, firstly to block any DC from the input that may unintentionally be present, this would otherwise change the bias point of the first valve stage, secondly the value of the capacitor has been chosen ...
... R5, R39 and R3 act as a potential divider to reduce the input level to the preamp. C3 has two purposes, firstly to block any DC from the input that may unintentionally be present, this would otherwise change the bias point of the first valve stage, secondly the value of the capacitor has been chosen ...
C 325BEE Stereo Integrated Amplifier
... and specific speaker loading characteristics. • Soft Clipping eliminates the harsh sound that occurs when an amplifier is overdriven. This feature also protects sensitive loudspeaker tweeters that can be easily damaged by the high frequency distortion caused by clipping (clipping describes the distort ...
... and specific speaker loading characteristics. • Soft Clipping eliminates the harsh sound that occurs when an amplifier is overdriven. This feature also protects sensitive loudspeaker tweeters that can be easily damaged by the high frequency distortion caused by clipping (clipping describes the distort ...
PDF-Version
... to solder than more modern SMD packages and the area penalty is minimum compared to the battery size needed anyway. For headphone-drive no heatsink is needed, because the theoratical maximum load current would be around 4V/280=14mA, which is not much larger than the low bias current of 7.5mA. This ...
... to solder than more modern SMD packages and the area penalty is minimum compared to the battery size needed anyway. For headphone-drive no heatsink is needed, because the theoratical maximum load current would be around 4V/280=14mA, which is not much larger than the low bias current of 7.5mA. This ...
Sound reinforcement system
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.